9780195336771 - hard hats, rednecks, and macho men: class in 1970s american cinema de nystrom, derek (21 resultados)
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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Condición: New. Num Pages: 272 pages, 15 black and white halftone illustrations. BIC Classification: 1KBB; 3JJPL; APFA; JFSJ2. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 154 x 14. Weight in Grams: 375. . 2009. Illustrated. paperback. . . . .
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Paperback. Condición: New. Illustrated. Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner… that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades.
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Condición: New. Num Pages: 272 pages, 15 black and white halftone illustrations. BIC Classification: 1KBB; 3JJPL; APFA; JFSJ2. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 154 x 14. Weight in Grams: 375. . 2009. Illustrated. paperback. . . . . Books ship f…rom the US and Ireland.
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Paperback. Condición: New. Illustrated. Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner… that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades.
Idioma: Inglés
Editorial: Oxford Univ Pr, Cary, North Carolina, U.S.A., 2009
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Librería: The Secret Book and Record Store, Dublin, DUB, IrlandaThe Secret Book and Record Store
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PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Condición: New. Print on Demand pp. 264 Illus.
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Paperback. Condición: new. Paperback. Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner t…hat evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening thefilm's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore.Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "newnightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experienceitself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals.Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of thenation's most tumultuous decades. Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore. Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals. Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: preigu, Osnabrück, Alemaniapreigu
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Taschenbuch. Condición: Neu. Hard Hats, Rednecks, and Macho Men | Class in 1970s American Cinema | Derek Nystrom | Taschenbuch | Kartoniert / Broschiert | Englisch | 2009 | Oxford University Press | EAN 9780195336771 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbiet…er: preigu Print on Demand.
