Isbn: 9780195094060 - scars of conquest/masks of resistance: the invention of cultural identities in african, african-american, and caribbean drama (25 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780195094060.

Paperback. Condición: As New. [Interesting provenance: From the private library of renowned historian, Philip D. Morgan.] Softcover. Good binding and cover. Light wear. Some toning on end pages. Clean, unmarked pages. Examining in detail the dramas of Baraka, Soyinka, Walcott and Shange, this study describes how these black writers are preoccupied with the invention of a postimperial cultural identity. It charts the foundations of an important aesthetic form, the drama of the African diaspora. From the professional library of Dr. Philip D. Morgan, a professor of History at Johns Hopkins University. Morgan specializes in the African-American experience, the history of slavery, the early Caribbean, and the study of the early Atlantic world. Morgan is the author of more than 14 books on Colonial America and African American history. He has won both the Bancroft Prize and the Frederick Douglass Prize for his book Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (1998).…

Condición: New.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: New. Looking in detail at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan offers a sophisticated reading of how these writers are preoccupied with the invention of a post-imperial cultural identity. Drawing on contemporary theory and cultural studies, Olaniyan provides a meticulous account of the social foundations of an important aesthetic form, the drama of the African diaspora.…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Condición: New. Examining in detail the dramas of Baraka, Soyinka, Walcott and Shange, this study describes how these black writers are preoccupied with the invention of a postimperial cultural identity. It charts the foundations of an important aesthetic form, the drama of the African diaspora. Num Pages: 208 pages, bibliography. BIC Classification: 2ABM; DSBH; DSG; JFSL3. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 14. Weight in Grams: 338. . . . . . . Books ship from the US and Ireland.…

Condición: New. Examining in detail the dramas of Baraka, Soyinka, Walcott and Shange, this study describes how these black writers are preoccupied with the invention of a postimperial cultural identity. It charts the foundations of an important aesthetic form, the drama of the African diaspora. Num Pages: 208 pages, bibliography. BIC Classification: 2ABM; DSBH; DSG; JFSL3. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 14. Weight in Grams: 338. . . . . . .…

Paperback. Condición: New. Looking in detail at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan offers a sophisticated reading of how these writers are preoccupied with the invention of a post-imperial cultural identity. Drawing on contemporary theory and cultural studies, Olaniyan provides a meticulous account of the social foundations of an important aesthetic form, the drama of the African diaspora.…

Condición: new. Questo è un articolo print on demand.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand pp. 212 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. Print on Demand pp. 212.

Paperback. Condición: new. Paperback. This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric.Fromblackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogentlymaps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality.Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-culturaldifference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language. Looking at the works of Baraka, Soyinka, Walcott and Shange and their historical trajectories in black anti-Eurocentric discourses, Olaniyan shows how these writers are preoccupied with the invention of a post-imperial cultural identity. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. PRINT ON DEMAND pp. 212.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Examining in detail the dramas of Baraka, Soyinka, Walcott and Shange, this study describes how these black writers are preoccupied with the invention of a postimperial cultural identity. It charts the foundations of an important aesthetic form, the drama o. …

Taschenbuch. Condición: Neu. Scars of Conquest/Masks of Resistance | The Invention of Cultural Identities in African, African-American, and Caribbean Drama | Tejumola Olaniyan | Taschenbuch | Kartoniert / Broschiert | Englisch | 1995 | Oxford University Press | EAN 9780195094060 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…