ISBN: 9780192880604 - performing rites: evaluating popular music: on the value of popular music (25 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780192880604.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780192880604. …

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780192880604. …

Soft cover. Condición: Very Good. No Jacket. viii, 352 pp. Paperback, no dust jacket. Condition: Very good. Used book with occasional pencil annotations evidently from expert knowledge, and name of previous owner inside front cover. Small crease to bottom corner of front cover. Generally clean copy, nevertheless, with tight spine and binding. Please note that regulations for importing goods into EU countries will be changing from 1 November 2026. It may not be possible to ship books to EU destinations at all, so please enquire before ordering. …

paperback. Condición: Good. Reprint . SECONDHAND POD COPY.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. …

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. Num Pages: 360 pages, notes, bibliography, index. BIC Classification: AVG; HPN; JFC. Category: (P) Professional & Vocational. Dimension: 234 x 159 x 20. Weight in Grams: 528. . 1998. New Ed. Paperback. . . . . Books ship from the US and Ireland.…

Condición: New. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. Num Pages: 360 pages, notes, bibliography, index. BIC Classification: AVG; HPN; JFC. Category: (P) Professional & Vocational. Dimension: 234 x 159 x 20. Weight in Grams: 528. . 1998. New Ed. Paperback. . . . .…

Paperback. Condición: New. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. …

Paperback. Condición: new. Paperback. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what'sbad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement ashis subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives.Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet,grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music.Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

PF. Condición: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: new. Paperback. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what'sbad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement ashis subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives.Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet,grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music.Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: new. Paperback. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what'sbad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement ashis subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives.Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet,grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music.Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Print on Demand pp. 364 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Condición: New. Print on Demand pp. 364 Index.

Condición: New. PRINT ON DEMAND pp. 364 Acknowledgement.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aestheti.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Who's better Billie Holiday or P. J. Harvey Blur or Oasis Dylan or Keats And how many friendships have ridden on the answer Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad What's high, what's low Why do such distinctions matter Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means.…