9780192880604 - performing rites: evaluating popular music: on the value of popular music de frith, simon (30 resultados)
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Librería: Better World Books Ltd, Dunfermline, Reino UnidoBetter World Books Ltd
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Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: medimops, Berlin, Alemaniamedimops
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Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Librería: Better World Books: West, Reno, NV, Estados Unidos de AmericaBetter World Books: West
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EUR 27,14
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Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: Anybook.com, Lincoln, Reino UnidoAnybook.com
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Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:…9780192880604.
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Librería: Anybook.com, Lincoln, Reino UnidoAnybook.com
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Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780192880604.
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Librería: Anybook.com, Lincoln, Reino UnidoAnybook.com
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Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780192880604.
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Librería: Cornodibassetto Books, Egham, Reino UnidoCornodibassetto Books
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Soft cover. Condición: Very Good. No Jacket. viii, 352 pp. Paperback, no dust jacket. Condition: Very good. Used book with occasional pencil annotations evidently from expert knowledge, and name of previous owner inside front cover. Small crease to bottom corner of front cover. Generally clean copy, nevertheless, with tight spin…e and binding.
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paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that… encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
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Librería: Fireside Bookshop, Stroud, GLOS, Reino UnidoFireside Bookshop
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paperback. Condición: Good. Reprint . SECONDHAND POD COPY.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 53,73
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Condición: As New. Unread book in perfect condition.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 60,07
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 62,46
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Paperback. Condición: New. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-chan…ging culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 55,61
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 95,81
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Condición: New. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. Num Pages: 360 pages, note…s, bibliography, index. BIC Classification: AVG; HPN; JFC. Category: (P) Professional & Vocational. Dimension: 234 x 159 x 20. Weight in Grams: 528. . 1998. New Ed. Paperback. . . . . Books ship from the US and Ireland.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 109,12
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Condición: New. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. Num Pages: 360 pages, note…s, bibliography, index. BIC Classification: AVG; HPN; JFC. Category: (P) Professional & Vocational. Dimension: 234 x 159 x 20. Weight in Grams: 528. . 1998. New Ed. Paperback. . . . .
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 52,35
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Paperback. Condición: New. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-chan…ging culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 58,83
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 82,54
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Paperback. Condición: new. Paperback. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of ou…r ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what'sbad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement ashis subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives.Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet,grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music.Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 54,99
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Paperback. Condición: new. Paperback. Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of ou…r ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what'sbad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement ashis subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet,grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music.Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 56,15
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Paperback. Condición: new. Paperback. Who's better? Billie Holiday or P.J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our… ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject and discloses their place at the very centre of the aesthetics that structure our culture and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of poplar aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's for real -- these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very centre of the aesthetics that structure our culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 108,44
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Condición: New. Print on Demand pp. 364 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 113,40
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Condición: New. Print on Demand pp. 364 Index.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 108,45
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Condición: New. PRINT ON DEMAND pp. 364 Acknowledgement.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 73,32
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their…place at the very centre of the aestheti.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 71,47
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Who's better Billie Holiday or P. J. Harvey Blur or Oasis Dylan or Keats And how many friendships have ridden on the answer Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, dist…il our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad What's high, what's low Why do such distinctions matter Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discusses their place at the very centre of the aesthetics that structure and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the impact of popular aesthetics on our lives. How we nod our head or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's `for real' - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means.
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Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 76,10
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Taschenbuch. Condición: Neu. Performing Rites | Simon Frith (u. a.) | Taschenbuch | Englisch | 1998 | OUP Oxford | EAN 9780192880604 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
