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Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. Shooting Genji is a noir riff on the Japanese classic, The Tale of Genji, set in the U.S. during Prohibition and the Great Crash. The story's narrator, Jean-Yves LeFouet, is a book-lover who is almost blinded at age 16, when he falls from a ladder dusting books. He is changed and his eyes never recover. With daylight too bright and nighttime never too dark, he becomes perfectly suited for a multitude of shady careers. No one sees back roads at midnight as well, and a few years later he takes up driving at night for whiskey smugglers. The leader of the gang, Big Department, is reputed to be a gargantuan British thug. When Big Department decides to go legit and make money the easy way (i.e., on Wall Street), his henchman, a laconic assassin named Poochie, recommends Jean-Yves to the broker helping him invest his profits. Jean-Yves begins driving evenings for Aldo Pennebeck, a bon vivant who specializes in front running his own clients' orders. In 1928, the Wall Street broker life seems awfully sweet. Money is flowing, and thanks to Aldo's taste for entertaining, Jean-Yves meets a beautiful Swedish dancer named Eva-Marie Fachsi. Love seems grand as they tentatively nibble at the Big Apple. But Fachsi decides to leave New York anyway, aspiring to bigger things in Hollywood. Then October 1929 arrives and the stock market does a swan dive off a cliff. The gang isn't happy. They drop in, grab Aldo, and throw him out his 18th-story office window. The papers call it suicide. Luckily for Jean-Yves, the thugs don't get their hands on him and he flees with his cat in Aldo's Duesenberg. This will not be the last we see of these gangsters. More a romantic than a crook, Jean-Yves motors West in hopes of finding Fachsi. When he arrives in L.A., he sees Eva-Marie Fachsi listed in the phone book, but his call doesn't go through. The number is disconnected. He stays in L.A. anyway and finds work chauffeuring at night for a producer named Charles Granyer. Granyer is filming an epic, erotic version of the 11th-century Japanese novel, The Tale of Genji. Jean-Yves drives Granyer and his friends around L.A. after dark, from one speakeasy to another. By the end of these evenings, his services are invaluable. His night vision also recommends him to work as Granyer's caddy, finding his boss's errant golf shots when night is falling and the bets are on. Recognizing talent when he sees it, Granyer even has him help with some dead-of-night sake smuggling. One day, Granyer directs him to pick up copies of The Tale of Genji at a bookshop in L.A.'s Little Tokio and deliver them to a dozen investors and aspiring actors. Something magical happens. He meets a literate, cultured young woman named Ariane. She and her grandmother own The Dragon and The Lotus, the dark, peaceful bookshop where Granyer gets his source material. Jean-Yves is smitten. Every time he visits, he leaves loaded with books and intoxicated by the charming bookseller. He starts reading The Tale of Genji in the subdued, quiet hours before dawn. Later Ariane sells him a rare book of Japanese woodblock prints that he imagines using in the film of Genji. He and Ariane begin playfully exchanging haiku. An elderly film pro from Shanghai named Joe runs Granyer's film lab. Jean-Yves begins working part-time in his darkroom, processing the dailies from the Genji shoot. Big Department pays a surprise visit to Granyer. Hard on this disaster, Granyer's lawyer calls to enlist Jean-Yves' help in another matter. Granyer's in custody, arrested the night before, after a young woman died at one of his parties. Jean-Yves tries to raise bail. He organizes a screening of Genji for potential buyers. After the premiere, some tough customer informs Jean-Yves that filming erotica in L.A. is off-limits. The stranger says he controls that market. He'll buy the rights to Genji on the cheap but warns him to cease and desist. The tale couldn't get more noir. Voorhees, Stephen Spillers; Voorhees, Sebastian (ilustrador).…

Paperback. Condición: Very Good. Shooting Genji is a noir riff on the Japanese classic, The Tale of Genji, set in the U.S. during Prohibition and the Great Crash. The story's narrator, Jean-Yves LeFouet, is a book-lover who is almost blinded at age 16, when he falls from a ladder dusting books. He is changed and his eyes never recover. With daylight too bright and nighttime never too dark, he becomes perfectly suited for a multitude of shady careers. No one sees back roads at midnight as well, and a few years later he takes up driving at night for whiskey smugglers. The leader of the gang, Big Department, is reputed to be a gargantuan British thug. When Big Department decides to go legit and make money the easy way (i.e., on Wall Street), his henchman, a laconic assassin named Poochie, recommends Jean-Yves to the broker helping him invest his profits. Jean-Yves begins driving evenings for Aldo Pennebeck, a bon vivant who specializes in front running his own clients' orders. In 1928, the Wall Street broker life seems awfully sweet. Money is flowing, and thanks to Aldo's taste for entertaining, Jean-Yves meets a beautiful Swedish dancer named Eva-Marie Fachsi. Love seems grand as they tentatively nibble at the Big Apple. But Fachsi decides to leave New York anyway, aspiring to bigger things in Hollywood. Then October 1929 arrives and the stock market does a swan dive off a cliff. The gang isn't happy. They drop in, grab Aldo, and throw him out his 18th-story office window. The papers call it suicide. Luckily for Jean-Yves, the thugs don't get their hands on him and he flees with his cat in Aldo's Duesenberg. This will not be the last we see of these gangsters. More a romantic than a crook, Jean-Yves motors West in hopes of finding Fachsi. When he arrives in L.A., he sees Eva-Marie Fachsi listed in the phone book, but his call doesn't go through. The number is disconnected. He stays in L.A. anyway and finds work chauffeuring at night for a producer named Charles Granyer. Granyer is filming an epic, erotic version of the 11th-century Japanese novel, The Tale of Genji. Jean-Yves drives Granyer and his friends around L.A. after dark, from one speakeasy to another. By the end of these evenings, his services are invaluable. His night vision also recommends him to work as Granyer's caddy, finding his boss's errant golf shots when night is falling and the bets are on. Recognizing talent when he sees it, Granyer even has him help with some dead-of-night sake smuggling. One day, Granyer directs him to pick up copies of The Tale of Genji at a bookshop in L.A.'s Little Tokio and deliver them to a dozen investors and aspiring actors. Something magical happens. He meets a literate, cultured young woman named Ariane. She and her grandmother own The Dragon and The Lotus, the dark, peaceful bookshop where Granyer gets his source material. Jean-Yves is smitten. Every time he visits, he leaves loaded with books and intoxicated by the charming bookseller. He starts reading The Tale of Genji in the subdued, quiet hours before dawn. Later Ariane sells him a rare book of Japanese woodblock prints that he imagines using in the film of Genji. He and Ariane begin playfully exchanging haiku. An elderly film pro from Shanghai named Joe runs Granyer's film lab. Jean-Yves begins working part-time in his darkroom, processing the dailies from the Genji shoot. Big Department pays a surprise visit to Granyer. Hard on this disaster, Granyer's lawyer calls to enlist Jean-Yves' help in another matter. Granyer's in custody, arrested the night before, after a young woman died at one of his parties. Jean-Yves tries to raise bail. He organizes a screening of Genji for potential buyers. After the premiere, some tough customer informs Jean-Yves that filming erotica in L.A. is off-limits. The stranger says he controls that market. He'll buy the rights to Genji on the cheap but warns him to cease and desist. The tale couldn't get more noir. Voorhees, Stephen Spillers; Voorhees, Sebastian (ilustrador).…

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Paperback. Condición: Fair.

Paperback. Condición: Fair.

Paperback. Condición: Good.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Good.

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Paperback. Condición: Fair. Ninth Printing. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condición: Very Good. CONWOMAN OR HUMANITARIAN? Who was the enigmatic Susan Mitchell? What happened to the hundreds of millions of dollars she stole from the investors who flocked to her innovative investment fund? At the height of her success but with major questions being asked, Susan Mitchell disappeared without a trace along with all the money that her customers had invested.This documentary will investigate the company that she took over and the innovative fund she developed. It will further delve into the mysterious background of Susan Mitchell by talking to those that knew her best.We will try to understand where she came from, who she was working with and exactly how she could disappear off the face of the earth with all that money?Join me, Stephen Grace, as we go on the search for the elusive Susan Mitchell - The Woman Who Stole the World.The Woman Who Stole the World is the 3rd and final instalment of The Man Who Corrupted Heaven Trilogy.It is a completely self-contained fictional work written in the style of a True Crime Podcast.A clever and stylish modern thriller by an amazingly talented and expressive author who engages you and carries you across his incredible imagination and plot with ease. Dermot, Indiebook Reviewer.…

Paperback. Condición: Good. Shooting Genji is a noir riff on the Japanese classic, The Tale of Genji, set in the U.S. during Prohibition and the Great Crash. The story's narrator, Jean-Yves LeFouet, is a book-lover who is almost blinded at age 16, when he falls from a ladder dusting books. He is changed and his eyes never recover. With daylight too bright and nighttime never too dark, he becomes perfectly suited for a multitude of shady careers. No one sees back roads at midnight as well, and a few years later he takes up driving at night for whiskey smugglers. The leader of the gang, Big Department, is reputed to be a gargantuan British thug. When Big Department decides to go legit and make money the easy way (i.e., on Wall Street), his henchman, a laconic assassin named Poochie, recommends Jean-Yves to the broker helping him invest his profits. Jean-Yves begins driving evenings for Aldo Pennebeck, a bon vivant who specializes in front running his own clients' orders. In 1928, the Wall Street broker life seems awfully sweet. Money is flowing, and thanks to Aldo's taste for entertaining, Jean-Yves meets a beautiful Swedish dancer named Eva-Marie Fachsi. Love seems grand as they tentatively nibble at the Big Apple. But Fachsi decides to leave New York anyway, aspiring to bigger things in Hollywood. Then October 1929 arrives and the stock market does a swan dive off a cliff. The gang isn't happy. They drop in, grab Aldo, and throw him out his 18th-story office window. The papers call it suicide. Luckily for Jean-Yves, the thugs don't get their hands on him and he flees with his cat in Aldo's Duesenberg. This will not be the last we see of these gangsters. More a romantic than a crook, Jean-Yves motors West in hopes of finding Fachsi. When he arrives in L.A., he sees Eva-Marie Fachsi listed in the phone book, but his call doesn't go through. The number is disconnected. He stays in L.A. anyway and finds work chauffeuring at night for a producer named Charles Granyer. Granyer is filming an epic, erotic version of the 11th-century Japanese novel, The Tale of Genji. Jean-Yves drives Granyer and his friends around L.A. after dark, from one speakeasy to another. By the end of these evenings, his services are invaluable. His night vision also recommends him to work as Granyer's caddy, finding his boss's errant golf shots when night is falling and the bets are on. Recognizing talent when he sees it, Granyer even has him help with some dead-of-night sake smuggling. One day, Granyer directs him to pick up copies of The Tale of Genji at a bookshop in L.A.'s Little Tokio and deliver them to a dozen investors and aspiring actors. Something magical happens. He meets a literate, cultured young woman named Ariane. She and her grandmother own The Dragon and The Lotus, the dark, peaceful bookshop where Granyer gets his source material. Jean-Yves is smitten. Every time he visits, he leaves loaded with books and intoxicated by the charming bookseller. He starts reading The Tale of Genji in the subdued, quiet hours before dawn. Later Ariane sells him a rare book of Japanese woodblock prints that he imagines using in the film of Genji. He and Ariane begin playfully exchanging haiku. An elderly film pro from Shanghai named Joe runs Granyer's film lab. Jean-Yves begins working part-time in his darkroom, processing the dailies from the Genji shoot. Big Department pays a surprise visit to Granyer. Hard on this disaster, Granyer's lawyer calls to enlist Jean-Yves' help in another matter. Granyer's in custody, arrested the night before, after a young woman died at one of his parties. Jean-Yves tries to raise bail. He organizes a screening of Genji for potential buyers. After the premiere, some tough customer informs Jean-Yves that filming erotica in L.A. is off-limits. The stranger says he controls that market. He'll buy the rights to Genji on the cheap but warns him to cease and desist. The tale couldn't get more noir. Voorhees, Stephen Spillers; Voorhees, Sebastian (ilustrador).…

Paperback. Condición: Very Good. Shooting Genji is a noir riff on the Japanese classic, The Tale of Genji, set in the U.S. during Prohibition and the Great Crash. The story's narrator, Jean-Yves LeFouet, is a book-lover who is almost blinded at age 16, when he falls from a ladder dusting books. He is changed and his eyes never recover. With daylight too bright and nighttime never too dark, he becomes perfectly suited for a multitude of shady careers. No one sees back roads at midnight as well, and a few years later he takes up driving at night for whiskey smugglers. The leader of the gang, Big Department, is reputed to be a gargantuan British thug. When Big Department decides to go legit and make money the easy way (i.e., on Wall Street), his henchman, a laconic assassin named Poochie, recommends Jean-Yves to the broker helping him invest his profits. Jean-Yves begins driving evenings for Aldo Pennebeck, a bon vivant who specializes in front running his own clients' orders. In 1928, the Wall Street broker life seems awfully sweet. Money is flowing, and thanks to Aldo's taste for entertaining, Jean-Yves meets a beautiful Swedish dancer named Eva-Marie Fachsi. Love seems grand as they tentatively nibble at the Big Apple. But Fachsi decides to leave New York anyway, aspiring to bigger things in Hollywood. Then October 1929 arrives and the stock market does a swan dive off a cliff. The gang isn't happy. They drop in, grab Aldo, and throw him out his 18th-story office window. The papers call it suicide. Luckily for Jean-Yves, the thugs don't get their hands on him and he flees with his cat in Aldo's Duesenberg. This will not be the last we see of these gangsters. More a romantic than a crook, Jean-Yves motors West in hopes of finding Fachsi. When he arrives in L.A., he sees Eva-Marie Fachsi listed in the phone book, but his call doesn't go through. The number is disconnected. He stays in L.A. anyway and finds work chauffeuring at night for a producer named Charles Granyer. Granyer is filming an epic, erotic version of the 11th-century Japanese novel, The Tale of Genji. Jean-Yves drives Granyer and his friends around L.A. after dark, from one speakeasy to another. By the end of these evenings, his services are invaluable. His night vision also recommends him to work as Granyer's caddy, finding his boss's errant golf shots when night is falling and the bets are on. Recognizing talent when he sees it, Granyer even has him help with some dead-of-night sake smuggling. One day, Granyer directs him to pick up copies of The Tale of Genji at a bookshop in L.A.'s Little Tokio and deliver them to a dozen investors and aspiring actors. Something magical happens. He meets a literate, cultured young woman named Ariane. She and her grandmother own The Dragon and The Lotus, the dark, peaceful bookshop where Granyer gets his source material. Jean-Yves is smitten. Every time he visits, he leaves loaded with books and intoxicated by the charming bookseller. He starts reading The Tale of Genji in the subdued, quiet hours before dawn. Later Ariane sells him a rare book of Japanese woodblock prints that he imagines using in the film of Genji. He and Ariane begin playfully exchanging haiku. An elderly film pro from Shanghai named Joe runs Granyer's film lab. Jean-Yves begins working part-time in his darkroom, processing the dailies from the Genji shoot. Big Department pays a surprise visit to Granyer. Hard on this disaster, Granyer's lawyer calls to enlist Jean-Yves' help in another matter. Granyer's in custody, arrested the night before, after a young woman died at one of his parties. Jean-Yves tries to raise bail. He organizes a screening of Genji for potential buyers. After the premiere, some tough customer informs Jean-Yves that filming erotica in L.A. is off-limits. The stranger says he controls that market. He'll buy the rights to Genji on the cheap but warns him to cease and desist. The tale couldn't get more noir. Voorhees, Stephen Spillers; Voorhees, Sebastian (ilustrador).…

Paperback. Condición: Good. Jessie's Song is the powerful story of a childhood devastated by secrets and abuse. After years of wrestling with her true identity and running from her past, Jessie Jenkins runs headlong into her answer--a mysterious stranger who knows every detail of her life and offers the only thing she ever wanted--a love that can be trusted to heal and not harm. As Jessie takes the greatest risk of her life, she discovers truth about her past that will change her future forever.Jessie's journey is one of hope, healing, and true identity for survivors of abuse and everyone who longs to believe again that they were created for something more. Encounter God's relentless love as Jessie does, and let it raise you, too, from the ashes of brokenness.…

paperback. Condición: Good. Crease on cover and a few pages*.

paperback. Condición: Very Good. Crease on cover*.

Paperback. Condición: Fair.

Paperback. Condición: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Crease on cover*.

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Paperback. Condición: As New. APPEARS UNREAD. Paperback. Covers show minimal shelving wear, otherwise an UNBLEMISHED copy.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paperback. Condición: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.