Bilnaes (35 resultados)

Paperback. Condición: new. Paperback. This text is a conversation replete with broken edges and fragmentations, jagged in its attempt to grapple with insurmountable grief and loss. In it is a summoning of our legacies of struggle, as we search for guiding certainties such as that of the sun. Embodied in this rehearsal is a sensorial envisioning of an orbit of return, entangled with refusal, memory, and grief, and ruptured by the inconceivable violence of annihilation of our people in Gaza. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: new. Paperback. What form does the enormity of the Palestinian Catastrophe take, and by which political grammars is its ongoing condition disrupted and contested? Combining materialist critique with poetic interjections, the authors propose reading the Nakba neither as an isolated event nor a reified structure, but as a series of violent negations running parallel to the catalytic force of resistance. In doing so, they redirect focus from overdetermined theorizations of colonial violence to generative practices of refusal, cautioning against the structural heft and imposed permanence of settler-colonialism. As Palestinians have repeatedly shown, the colonial limit is not impenetrable. The booklet also critically engages with iterations of Palestines vanishing map, commonly circulated as a convenient summary of dispossession. These cartographic representations are reinterpreted as a negative image that comes into focus with each act of resistance, gradually processing as land and self are restored. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. What aesthetic practices have Palestinians been employing throughout their revolutionary anti-colonial tradition, both historically and in contemporary times? How can we read the performative gestures, image-making techniques, and singing replete inPalestines streets as ones embedded within a collective psychosocial and material experience and not as arbitrary isolated events? In An Echo in Search of its Shadow, Aesthetics of the Repressed Adam HajYahia and Haitham Haddad formulate an aesthetic theory of revolt by examining anti-colonial praxis. Unfolding through analysis, image-making, and poetics, HajYahia and Haddad assemble a new framework from which to understand dialectics between the visual and the audial, body and soul, form and content. Instead of the usual approach to aesthetics and politics where aesthetics are practiced and politics are thought, An Echo in Search of Its Shadow urges us to practice politics and think aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. Basel Abbas and Ruanne Abou-Rahme have been developing a practice that examines the idea of being in the negative as a principle form of ongoing dispossession, and the call to becoming the negative as a movement towards becoming unbound from colonial capture. First appearing in their work in 2019 and emerging from witnessing the Great March of Return in Gaza and its aftereffects in the Palestinian imaginary, the work is indebted to the multiple forms of resistance and refusal practiced in Palestine every day. In their multidisciplinary practice the space of the negative continues to occupy a principal dimension, asking what it means to resist in impossible conditions, to refuse the terrain as given: What does it mean to breathe where one should not breathe? To emerge from the site of exclusion and extraction unbound? Unfolding through poetics of abstraction and repetition, Being the negative offers Abbas and Abou-Rahmes first theoretical and discursive consolidation of being in, becoming, and embracing the negative.Accompanying their text are images from their works, and drawings by the late Tawfik Abou-Rahme, Ruanne Abou-Rahmes father. These materialize an intergenerational conversation of perseverance and resistance, as with each piece of paper an aesthetic of indebtedness and inheritance is written and rewritten. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: new.

Condición: new.

Condición: new.

Taschenbuch. Condición: Neu. Neuware.

Taschenbuch. Condición: Neu. Neuware.

Taschenbuch. Condición: Neu. Neuware.

Condición: NEW.

Paperback. Condición: new. Paperback. What form does the enormity of the Palestinian Catastrophe take, and by which political grammars is its ongoing condition disrupted and contested? Combining materialist critique with poetic interjections, the authors propose reading the Nakba neither as an isolated event nor a reified structure, but as a series of violent negations running parallel to the catalytic force of resistance. In doing so, they redirect focus from overdetermined theorizations of colonial violence to generative practices of refusal, cautioning against the structural heft and imposed permanence of settler-colonialism. As Palestinians have repeatedly shown, the colonial limit is not impenetrable. The booklet also critically engages with iterations of Palestines vanishing map, commonly circulated as a convenient summary of dispossession. These cartographic representations are reinterpreted as a negative image that comes into focus with each act of resistance, gradually processing as land and self are restored. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: new. Paperback. This text is a conversation replete with broken edges and fragmentations, jagged in its attempt to grapple with insurmountable grief and loss. In it is a summoning of our legacies of struggle, as we search for guiding certainties such as that of the sun. Embodied in this rehearsal is a sensorial envisioning of an orbit of return, entangled with refusal, memory, and grief, and ruptured by the inconceivable violence of annihilation of our people in Gaza. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Paperback. Condición: new. Paperback. Basel Abbas and Ruanne Abou-Rahme have been developing a practice that examines the idea of being in the negative as a principle form of ongoing dispossession, and the call to becoming the negative as a movement towards becoming unbound from colonial capture. First appearing in their work in 2019 and emerging from witnessing the Great March of Return in Gaza and its aftereffects in the Palestinian imaginary, the work is indebted to the multiple forms of resistance and refusal practiced in Palestine every day. In their multidisciplinary practice the space of the negative continues to occupy a principal dimension, asking what it means to resist in impossible conditions, to refuse the terrain as given: What does it mean to breathe where one should not breathe? To emerge from the site of exclusion and extraction unbound? Unfolding through poetics of abstraction and repetition, Being the negative offers Abbas and Abou-Rahmes first theoretical and discursive consolidation of being in, becoming, and embracing the negative.Accompanying their text are images from their works, and drawings by the late Tawfik Abou-Rahme, Ruanne Abou-Rahmes father. These materialize an intergenerational conversation of perseverance and resistance, as with each piece of paper an aesthetic of indebtedness and inheritance is written and rewritten. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Paperback. Condición: new. Paperback. What aesthetic practices have Palestinians been employing throughout their revolutionary anti-colonial tradition, both historically and in contemporary times? How can we read the performative gestures, image-making techniques, and singing replete inPalestines streets as ones embedded within a collective psychosocial and material experience and not as arbitrary isolated events? In An Echo in Search of its Shadow, Aesthetics of the Repressed Adam HajYahia and Haitham Haddad formulate an aesthetic theory of revolt by examining anti-colonial praxis. Unfolding through analysis, image-making, and poetics, HajYahia and Haddad assemble a new framework from which to understand dialectics between the visual and the audial, body and soul, form and content. Instead of the usual approach to aesthetics and politics where aesthetics are practiced and politics are thought, An Echo in Search of Its Shadow urges us to practice politics and think aesthetics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware.

Paperback. Condición: new. Paperback. This text is a conversation replete with broken edges and fragmentations, jagged in its attempt to grapple with insurmountable grief and loss. In it is a summoning of our legacies of struggle, as we search for guiding certainties such as that of the sun. Embodied in this rehearsal is a sensorial envisioning of an orbit of return, entangled with refusal, memory, and grief, and ruptured by the inconceivable violence of annihilation of our people in Gaza. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. What form does the enormity of the Palestinian Catastrophe take, and by which political grammars is its ongoing condition disrupted and contested? Combining materialist critique with poetic interjections, the authors propose reading the Nakba neither as an isolated event nor a reified structure, but as a series of violent negations running parallel to the catalytic force of resistance. In doing so, they redirect focus from overdetermined theorizations of colonial violence to generative practices of refusal, cautioning against the structural heft and imposed permanence of settler-colonialism. As Palestinians have repeatedly shown, the colonial limit is not impenetrable. The booklet also critically engages with iterations of Palestines vanishing map, commonly circulated as a convenient summary of dispossession. These cartographic representations are reinterpreted as a negative image that comes into focus with each act of resistance, gradually processing as land and self are restored. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. What aesthetic practices have Palestinians been employing throughout their revolutionary anti-colonial tradition, both historically and in contemporary times? How can we read the performative gestures, image-making techniques, and singing replete inPalestines streets as ones embedded within a collective psychosocial and material experience and not as arbitrary isolated events? In An Echo in Search of its Shadow, Aesthetics of the Repressed Adam HajYahia and Haitham Haddad formulate an aesthetic theory of revolt by examining anti-colonial praxis. Unfolding through analysis, image-making, and poetics, HajYahia and Haddad assemble a new framework from which to understand dialectics between the visual and the audial, body and soul, form and content. Instead of the usual approach to aesthetics and politics where aesthetics are practiced and politics are thought, An Echo in Search of Its Shadow urges us to practice politics and think aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…