ad ilissum (279 resultados)

paperback. Condición: New. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Hardcover. Condición: Fine.

Condición: New. 2018. Paperback. . . . . .

Condición: New. 2018. Paperback. . . . . .

Condición: NEW.

Condición: New. 2018. Paperback. . . . . .

Condición: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 179 pages. 9.25x6.75x0.50 inches. In Stock.

Paperback. Condición: Very Good.

Paperback. Condición: New. This fascinating and beautifully illustrated book presents for the first time the rediscovered frescoes painted by Andrea Sacchi (1599-1661) for the loggia of Cardinal del Monte's Roman palace near via di Ripetta, Rome. Considered lost by generations of scholars, Andrea Sacchi's fresco cycle has survived in a private apartment in Rome. Largely unpublished and rarely mentioned in recent literature, the frescoes underwent a revelatory restoration in 2010-11. For the past three years, the author was granted exclusive access to study them thoroughly - resulting in this monograph. Accompanied by beautiful and full photographic documentation, this study compares the painted images with the detailed description given by the biographer Giovan Pietro Bellori; it sheds light on the iconography and style, above all with respect to the sources used; and integrates this key commission within Sacchi's early career. The cycle's iconography is explored with careful verification of early sources that now allows us to resolve some particularly complex problems of interpretation - above all those relating to alchemy. Cardinal del Monte's Palazzo di Ripetta housed a fully equipped pharmacological laboratory. Research on this cycle of frescoes has also made it possible to discover new archival evidence regarding Sacchi's date and place of birth.

Softcover. White/pink wraps with illustration. vii, 175 pages : illustrations (some color). The letters, collected here for the first time, are presented in their original French and edited by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work enabled him to situate the mostly undated letters in their proper time and context. To make these written documents more tangible, an introduction explores the friendship between the two men and highlights the principal subjects and themes around which the correspondence revolves, and the meticulous text is accompanied by nearly fifty color reproductions of the artwork referenced in the letters. Many of the letters attest to the frequent, at times daily, contacts between the two men, who met in Manet's studio and at dinners with Manet's wife and mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued on the occasion of Manet's solo exhibition of 1867. After more than a century of intense scholarship, our knowledge of Manet still presents many gaps. The correspondence presented in Manet to Bracquemond proves an essential new resource for our understanding of the life and work of the artist.--Amazon. VG (light scuffs & marks to wraps.).

Condición: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2022. 1st Edition. Paperback. . . . . .

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 156 pages. 6.69x9.44x0.47 inches. In Stock.

Paperback. Condición: new. Paperback. A fascinating and beautifully illustrated study of a cycle of frescoes that generations of scholars previously thought to be lost. This book presents, for the first time, the rediscovered frescoes painted by Andrea Sacchi (1599-1661) for the loggia of Cardinal del Monte's Roman palace near via di Ripetta, Rome. Largely unpublished and rarely mentioned in recent literature, the frescoes underwent a revelatory restoration in 2010-11. For the past three years, Giovan Battista Fidanza was granted exclusive access to study them thoroughly, resulting in this monograph. Accompanied by beautiful and full photographic documentation, this study compares the painted images with the detailed description given by the biographer Giovan Pietro Bellori. The volume sheds light on the iconography and style and integrates this key commission within Sacchi's early career. The research presented on this cycle of frescoes has made it possible to discover new archival evidence regarding Sacchi's date and place of birth, and the exploration allows us to resolve some particularly complex problems of interpretation, above all those relating to alchemy. This fascinating and beautifully illustrated book presents for the first time the rediscovered frescoes painted by Andrea Sacchi (15991661) for the loggia of Cardinal del Montes Roman palace near via di Ripetta, Rome. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. This new edition publishes the letters adressed by Édouard Manet (1832-1883) to his friend, the artist Félix Bracquemond (1833-1914). The correspondence, for the most part unknown, surfaced at a sale in Paris in June 2016 and was acquired the next year by the Fondation Custodia with the generous help of Jean-Luc Baroni. It is edited here for the first time by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work has enabled him to situate the mostly undated letters accurately and discuss their contents in the context of both artist's careers. The letters are presented in their original French language, accompanied by meticulous comments on their dating and subject matter, whereas illustrations reproduce most of the works alluded to in the texts. They are preceded by a comprehensive introduction on the friendship between the two men which highlights the principal subjects and themes around which the correspondence revolves over the years. Bracquemond and Manet probably met around 1860, at a time when Manet was beginning to take an interest in the potential of printmaking for disseminating his work. Both were among the founders of the 'Société des Aquafortistes' in 1862 and in these years Manet must have relied heavily on Bracquemond, the outstanding engraver of his generation, for his first attempts in the technique. The new interest in etching had a fierce supporter in Charles Baudelaire, who figures besides the two artists in Henri Fantin-Latour's Homage to Delacroix of 1864, the year Bracquemond portrayed his friend in an important pastel which is here reproduced for the first time in its original form.Many of the letters attest to the frequent, at times almost daily, contacts between the two men, who met in Manet's studio, at artist's cafés like the café de Bade and the Guerbois, and at dinners with Manet, his wife and his mother. Others concern joint projects, such as the illustration of Émile Zola's brochure issued at the occasion of Manet's solo exhibition of 1867, or Manet's ex-libris designed by Bracquemond in 1875. Their strong bond emerges perhaps most clearly from two longer letters in which Manet, writing from Arcachon - where, awaiting the end of the Commune, he tried to recover from the privations he suffered during the Siege of Paris in 1870 - poured his heart out to Bracquemond about the country's political situation. Laconic in form as most of the letters are, the correspondence will certainly prove to be an important source for our knowledge of Manet's life and dealings which, after more than a century of intense scholarship, still presents many a gap.This book is published by Ad Ilissum as the second volume in the series The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt.

Condición: New. 2020. 1st Edition. Hardcover. . . . . .

Paperback. Condición: New. This fascinating and beautifully illustrated book presents for the first time the rediscovered frescoes painted by Andrea Sacchi (1599-1661) for the loggia of Cardinal del Monte's Roman palace near via di Ripetta, Rome. Considered lost by generations of scholars, Andrea Sacchi's fresco cycle has survived in a private apartment in Rome. Largely unpublished and rarely mentioned in recent literature, the frescoes underwent a revelatory restoration in 2010-11. For the past three years, the author was granted exclusive access to study them thoroughly - resulting in this monograph. Accompanied by beautiful and full photographic documentation, this study compares the painted images with the detailed description given by the biographer Giovan Pietro Bellori; it sheds light on the iconography and style, above all with respect to the sources used; and integrates this key commission within Sacchi's early career. The cycle's iconography is explored with careful verification of early sources that now allows us to resolve some particularly complex problems of interpretation - above all those relating to alchemy. Cardinal del Monte's Palazzo di Ripetta housed a fully equipped pharmacological laboratory. Research on this cycle of frescoes has also made it possible to discover new archival evidence regarding Sacchi's date and place of birth.

Paperback. Condición: New.

Condición: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2019. Paperback. . . . . .

Paperback. Condición: new. Paperback. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century.Constantins transactions are reconstructed on the evidence of his dealers mark applied to drawings here identified for the first time and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Staedel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantins multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Josephine, Napoleons wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prudhon. Constantins working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background.This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institutions founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, byEdouard Manet to his friend the painter and printmaker Felix Bracquemond. This extraordinary and original study traces the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors' item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century. Constantin's transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Städel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantin's multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Joséphine, Napoleon's wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prud'hon. Constantin's working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background. This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, byÉdouard Manet to his friend the painter and printmaker Félix Bracquemond.

Paperback. Condición: new. Paperback. With his radical usage of etching, painter Felix Bracquemond (1833-1914) influenced his contemporary Edouard Manet (1832-1883) significantly, an influence that is evident in Manet's oeuvre. The relationship between the two artists, however, was even closer than their art reveals. As the countless letters sent by Manet to Bracquemond-unknown until surfacing at a sale in Paris in 2016-prove, the friendship between the two men was more profound than mere artistic influence. The letters, collected here for the first time, are presented in their original French and edited by Jean-Paul Bouillon, whose lifelong occupation with Bracquemond's life and work enabled him to situate the mostly undated letters in their proper time and context. To make these written documents more tangible, an introduction explores the friendship between the two men and highlights the principal subjects and themes around which the correspondence revolves, and the meticulous text is accompanied by nearly fifty color reproductions of the artwork referenced in the letters. Many of the letters attest to the frequent, at times daily, contacts between the two men, who met in Manet's studio and at dinners with Manet's wife and mother. Others concern joint projects, such as the illustration of Emile Zola's brochure issued on the occasion of Manet's solo exhibition of 1867. After more than a century of intense scholarship, our knowledge of Manet still presents many gaps. The correspondence presented in Manet to Bracquemond proves an essential new resource for our understanding of the life and work of the artist. This new edition publishes the letters adressed by Edouard Manet (18321883) to his friend, the artist Felix Bracquemond (18331914). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. The distinguished private collection, known as the Griffin Collection, comprises in its entirety examples of every category of ring - signet, devotional, memorial, decorative - dating from antiquity to modern times. This catalogue, focusing on about 150 rings in the collection, is concerned with perhaps the most personal rings of all, those associated with love and marriage. Some can be recognised by the figure of Cupid armed with his quiver of golden arrows, others by the symbols of heart and clasped hands. However, the majority are gold bands, sometimes plain and occasionally decorated, that are inscribed with mottoes in English expressing the admiration, affection, and pledges of fidelity which bind humankind together. Known as posies or little poems because they often rhyme, these mottoes were current on rings from the late Middle Ages until the middle of the 19 th century. Through these rings, Ms. Scarisbrick engagingly tells the long story of the relations between the sexes from the fifteenth century, when the cult of courtly love was superseded by an idealization of monogamous marriage, to an end in the twentieth century as a result of a different moral outlook. Scholars would agree that the Griffin Collection of posy rings makes an important contribution to English social history and connects with the national literature from Chaucer to Byron. Small though they are in scale, their significance was appreciated by Victorian collectors, and they are well represented in the leading museums, notably the Victoria and Albert Museum, the British Museum, and the Museum of London, as well as the Ashmolean and Fitzwilliam museums in Oxford and Cambridge. Yet none of these institutions have ever published fully illustrated catalogues of their posy rings, nor has there been an up-to-date study since the seminal monograph by Joan Evans entitled English Posies and Posy rings (1931). In this respect, the catalogue of the Griffin Collection, which illustrates the rings and sets them in context, using wide-ranging literary and historical sources, breaks new ground. It also contains posy rings with inscriptions hitherto unrecorded and others with identified maker's marks.

Condición: New. 2020. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.