Arman schwartz (79 resultados)

Paperback. Condición: Very Good. Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condición: Very Good. Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his.…

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. Softcover, refference copy with some scattered markings in text, light wear.

Soft cover. Condición: Good. 352 page soft cover with illustrations. Many contributors - a collection of essays about his work. Light crease to front cover is the only flaw - otherwise unmarked, tight and clean.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New.

paperback. Condición: New. 1st.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini's operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond cliches of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection's essays explore Puccini's engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer's place in a variety of cosmopolitan formations, and reevaluate Puccini's orientalism and his complex interactions with the Italian fascist state.A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini's interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca's notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 179 pages. 9.25x6.75x0.50 inches. In Stock.

Paperback. Condición: New. Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini's operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond cliches of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection's essays explore Puccini's engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer's place in a variety of cosmopolitan formations, and reevaluate Puccini's orientalism and his complex interactions with the Italian fascist state.A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini's interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca's notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.…

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: New.

Condición: NUOVO. Firenze, Olschki Ed. cm.17x24, pp.X,180, brossura Collana Premio Rotary Giacomo Puccini Ricerca,2. Le opere di Puccini si basano sull'invenzione, senza precedenti, di oggetti sonori che sembrano tratti in modo immediato dalla realtà. Puccini's Soundscapes intende ripensare la carriera del compositore e reinterpretare molte delle sue opere maggiori attraverso l'esplorazione delle origini e dei confini del realismo sonoro. Più in generale, s'interroga sulle risposte dei compositori italiani ai mutamenti culturali dell'ascolto, propone un nuovo dialogo tra musicologia e studi sul suono, e un nuovo approccio alla modernità musicale.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: New. Editor(s): Senici, Emanuele; Schwartz, Arman. Series: The Bard Music Festival. Num Pages: 360 pages, 20 halftones. 10 tables. nine musical examples. BIC Classification: AVGC9; AVH. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 237 x 154 x 23. Weight in Grams: 516. . 2016. Reprint. Paperback. . . . .…

Condición: New.

Brossura. Condición: new. Firenze, 2016; br., pp. X-180, cm 17x24. (Centro Studi Giacomo Puccini. Premio Rotary. 2). From the bells in Tosca and the birdcalls in Madama Butterfly to the horns and sirens in Il tabarro and the music box melodies that inspired Turandot, Puccini's operas rely to an unprecedented degree on realistic and seemingly unmediated acoustic objects. Focusing on this pervasive if little- discussed aspect of the composer's art, Puccini's Soundscapes uses the twin categories of sound and realism to rethink the shape of Puccini's career, and to offer new interpretations of many of his major works, as well as those of his contemporaries. It asks how Italian composers responded to some of the fundamental transformations of auditory culture during the fin-de-siècle, and resituates their works within the discourses (aesthetic, political, and technological) of Italian modernity. Proposing a dialogue between musicology and sound studies, Puccini's Soundscapes offers new ways of listening to major artistic movements from verismo to futurism, and asks how "late Romantic" opera might contribute to a broader re-theorization of musical modernism. Libro.…