Zweig janet (11 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. First U.S. edition, first printing, so stated. Light rubbing to edge of boards, else book in fine condition; dust jacket with light rubbing/wear to extremities, faint toning to spine, and a vertical crease to back flap, else fine.R. Roswell Angier (Jacket photo); Janet Zweig (ilustrador). …

Hardback or Cased Book. Condición: New. Recursive Apologies: Janet Zweig's Text Generating Sculptures 1990-2010. Book.

Condición: Fine condition. Estado de la sobrecubierta: No Jacket, as issued. First Edition. Evanston, Illinois:: Northwestern University, 1986. 6" wide by 9" tall. A beautiful copy. Bright, shiny, clean, tight. No owner's name or bookplate. Spine is square/flat. Pages are fresh, crisp, and unmarked. This issue has a special section with 7 poems and 2 essays by W. S. Di Piero. Other contributions include stories: Janet Desaulniers (THE NEXT DAY); Amy Herrick (IN THE AIR, OVER OUR HEADS); Carol Emshwiller (YUKON); Martha Bennett Stiles (WOLFE COUNTRY); autobiography by Paul Zweig ; and poems by Joyce Carol Oates (GREEN HORNETT; OLD CONCORD CEMETARY); Paul Breslin (THE SCALE); letters by Cynthia Ozick; etc. . First Edition. Softcover. Fine condition./No Jacket, as issued. 183pp. + 12 pages of ads. …

Soft cover. Condición: Very Good. Artist's book by Janet Zweig features experimental offset printing, using color-filtered black-and-white photography to explore themes of color separation and recombining, often incorporating narrative elements like comic strips. Softcover artist's book in very good condition. Cover has slight scuffing at top corners. interior is clean and free of markings.…

Hardcover. Condición: new. Hardcover. A guide to Zweig's algorithmically generated sculptures that anticipated contemporary Large Language ModelsIn the early 1990s, when personal computing was young and artificial intelligence was not yet a part of the popular imagination, American artist Janet Zweig (born 1950) made extraordinary and prescient creations: sculptures that married early computers, simple algorithms and dot-matrix printers with mechanical parts to auto-generate streams of poetic text that moved objects. Richly illustrated, Recursive Apologies presents these sculptures alongside the sources that inspired them. Sporting a recursive design that mirrors the very concepts it explores, the volume offers both a visual archive and a reflection on our ongoing relationship with thinking machines. It also features essays by artists and scholars Thyrza Nichols Goodeve, Jena Osman and Johanna Drucker that evince how Zweig's witty contraptions were an early premonition of our current technological reality: an atmosphere of disinformation, fake news and digital hallucinations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Hardback. Condición: New. A guide to Zweig's algorithmically generated sculptures that anticipated contemporary Large Language ModelsIn the early 1990s, when personal computing was young and artificial intelligence was not yet a part of the popular imagination, American artist Janet Zweig (born 1950) made extraordinary and prescient creations: sculptures that married early computers, simple algorithms and dot-matrix printers with mechanical parts to auto-generate streams of poetic text that moved objects. Richly illustrated, Recursive Apologies presents these sculptures alongside the sources that inspired them. Sporting a recursive design that mirrors the very concepts it explores, the volume offers both a visual archive and a reflection on our ongoing relationship with thinking machines. It also features essays by artists and scholars Thyrza Nichols Goodeve, Jena Osman and Johanna Drucker that evince how Zweig's witty contraptions were an early premonition of our current technological reality: an atmosphere of disinformation, fake news and digital hallucinations.…

Paperback. Condición: Near Fine. Near fine poetry periodical, no writing, slight wrinkle to top edge back cover. Contributions by, among many others, Robert Creeley and Joe Brainard; Emilie Clark and Lyn Hejinian; Ron Padgett; Leslie Scalapino. 315 pages. M07680.

Condición: New. Special order direct from the distributor.

Buch. Condición: Neu. Neuware - A guide to Zweig's algorithmically generated sculptures that anticipated contemporary Large Language ModelsIn the early 1990s, when personal computing was young and artificial intelligence was not yet a part of the popular imagination, American artist Janet Zweig (born 1950) made extraordinary and prescient creations: sculptures that married early computers, simple algorithms and dot-matrix printers with mechanical parts to auto-generate streams of poetic text that moved objects. Richly illustrated, Recursive Apologies presents these sculptures alongside the sources that inspired them. Sporting a recursive design that mirrors the very concepts it explores, the volume offers both a visual archive and a reflection on our ongoing relationship with thinking machines. It also features essays by artists and scholars Thyrza Nichols Goodeve, Jena Osman and Johanna Drucker that evince how Zweig's witty contraptions were an early premonition of our current technological reality: an atmosphere of disinformation, fake news and digital hallucinations.…

Hardback. Condición: New. A guide to Zweig's algorithmically generated sculptures that anticipated contemporary Large Language ModelsIn the early 1990s, when personal computing was young and artificial intelligence was not yet a part of the popular imagination, American artist Janet Zweig (born 1950) made extraordinary and prescient creations: sculptures that married early computers, simple algorithms and dot-matrix printers with mechanical parts to auto-generate streams of poetic text that moved objects. Richly illustrated, Recursive Apologies presents these sculptures alongside the sources that inspired them. Sporting a recursive design that mirrors the very concepts it explores, the volume offers both a visual archive and a reflection on our ongoing relationship with thinking machines. It also features essays by artists and scholars Thyrza Nichols Goodeve, Jena Osman and Johanna Drucker that evince how Zweig's witty contraptions were an early premonition of our current technological reality: an atmosphere of disinformation, fake news and digital hallucinations.…