Zilch phd harriet (25 resultados)

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Hardcover. Condición: new. Hardcover. Trees and climbing vines, birds and fungi, dwellings and set-like interiors: Monika Michalko (*1982 Sokolov, Czech Republic) combines figurative and object-like, organic and ornamental, abstract, and architectural elements in her painting. Her pictorial compositions are invariably fictional: memories, phantasms, and dreamlike scenes form a painterly cosmos that is defined by its own laws. The distinctive tonality of her works further amplifies their oneiric quality. These compositions tend to be vaguely reminiscent of modernist artists such as Paul Klee, Kasimir Malevich, Giorgio de Chirico, Odilon Redon, or James Ensor. In 2023, she created her tableau vivant " Ship of Fools" . Various performers, including children and a dog, are shown against a backdrop of towering cardboard waves on the verge of breaking. Monika Michalko succeeds in creating an exhilarating balancing act between the animate and inanimate, statics and movement. The image of a ship full of fools gone astray bears a number of references to the city of Nuremberg, among them: the late medieval satirical allegory " The Ship of Fools" by Sebastian Brant (1457- 1521) was one of the most popular German-language illustrated works of the fifteenth century. Among the artists that worked with Brant in Basel on the illustrations was the young Albrecht Due rer. Monika Michalko arrives at a new interpretation of the motif and presents a contemporary metaphor for the state of our chaotic world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

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Condición: New. 2026. paperback. . . . . .

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Synopsis ON STAGE is the title of Andreas Schulze' s exhibition, with which he turns Kunsthalle Nü rnberg into a stage for his surreal visual worlds. Time and again, the great dazzling world of entertainment coincides with trivial everyday aesthetics, art-historical references collide with banal ornaments and knickknack. Large-format images of neat-looking car bodies jostle bumper to bumper for a photograph for a folding panel of a room-filling traffic jam. But Andreas Schulze is taking us for a ride; his images of mobility, progress, dynamism, and status look almost childlike. The artist has always had an eye for the absurdities of our everyday lives. In 1989, he still said that the avant-garde moved between two extremes: intellectuality and crude banality. He, on the other hand, has always sought a bourgeois mediocrity. He has since been quoting it with an amused shrug: amorphous tubes, bulging objects, stylized waves, points of light, misty areas, and little clouds of exhaust gas arrange themselves in peculiar landscapes. Brick walls, velour carpets, floor lamps, rubber trees, and all manner of everyday objects are the stage for the familiar, which suddenly appears strange and combines with humor and inscrutability. After all, much that at first seems carefree does actually not represent a visual feel-good place. Andreas Schulze' s pictorial concept is banal and enigmatic, peculiar, yet despite all its familiarity it does evoke a subliminal sense of unease. About the Author Andreas Schulze, born in Hanover in 1955, lives and works in Cologne. He has been a professor at Kunstakademie Dü sseldorf since 2008. He belongs to the generation of artists who in the 1980s explored the field of painting and were sweepingly referred to as the " Neue Wilde" (The New Fauves). They saw their frame of reference in the radicalism of the punk attitude of the period. Andreas Schulze belonged to this scene, but clearly distanced himself from any expressive, spontaneous, and subjective style. Harriet Zilch (born 1976), art historian, has been director of the Kunsthalle Nuremberg since 2022. She has curated numerous exhibitions and written catalog articles on international artists, including Mathilde der Heijne, Stephan Balkenhol, Silvia Bä chli, Alicja Kwade and others. Daniel Schreiber, born in 1977, is a German non-fiction author of a Susan Sontag biography " Geist und Glamour" (2007) and the highly acclaimed and widely read German essays " Nü chtern" (2014), " Zuhause" (2017), and the bestseller " Alone" (2021 German original edition; English edition will be available at Reaktion Books). He lives in Berlin. " At 40, Alex Petalas appears more seasoned than your average older-millennial collector. Thanks to his family' s shipping business, the Swiss-Greek qualified solicitor has been buying art since his late 20s. He opened The Perimeter in 2018, a non-profit, private art space in a renovated Bloomsbury mews house where he stages two exhibitions a year based around his collection," writes the The Art Newspaper in October 15, 2021.…

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Condición: Collectible; Like New.

Condición: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Hardback or Cased Book. Condición: New. Monika Michalko. Here in the Real World: Cat. Kunsthalle N�rnberg. Book.

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Condición: New. 2025. hardcover. . . . . .

hardcover. Condición: New. Special order direct from the distributor.

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Condición: Neuf.

Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 232 pages. 11.25x8.50x11.50 inches. In Stock.

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Hardcover. Condición: new. Hardcover. Trees and climbing vines, birds and fungi, dwellings and set-like interiors: Monika Michalko (*1982 Sokolov, Czech Republic) combines figurative and object-like, organic and ornamental, abstract, and architectural elements in her painting. Her pictorial compositions are invariably fictional: memories, phantasms, and dreamlike scenes form a painterly cosmos that is defined by its own laws. The distinctive tonality of her works further amplifies their oneiric quality. These compositions tend to be vaguely reminiscent of modernist artists such as Paul Klee, Kasimir Malevich, Giorgio de Chirico, Odilon Redon, or James Ensor. In 2023, she created her tableau vivant " Ship of Fools" . Various performers, including children and a dog, are shown against a backdrop of towering cardboard waves on the verge of breaking. Monika Michalko succeeds in creating an exhilarating balancing act between the animate and inanimate, statics and movement. The image of a ship full of fools gone astray bears a number of references to the city of Nuremberg, among them: the late medieval satirical allegory " The Ship of Fools" by Sebastian Brant (1457- 1521) was one of the most popular German-language illustrated works of the fifteenth century. Among the artists that worked with Brant in Basel on the illustrations was the young Albrecht Due rer. Monika Michalko arrives at a new interpretation of the motif and presents a contemporary metaphor for the state of our chaotic world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Arbres et vrilles végétales, oiseaux et champignons, logis et intérieurs décors: Monika Michalko (*1982 Sokolov, République tchèque) rapproche dans sa peinture des éléments figuratifs et objectifs, organiques et ornementaux, abstraits et architecturaux. Les compositions de ses tableaux sont toujours fictives: souvenirs, fantasmes et scènes oniriques y forment un univers pictural défini par ses propres lois. La tonalité spécifique des ses ?uvres elle aussi renforce leur caractère onirique. Toujours, ces compositions rappellent de loin des artistes modernes comme Paul Klee, Kasimir Malewitsch, Giorgio de Chirico, Odilon Redon ou James Ensor. Dans son tableau vivant «Ship of Fools» (Nef des fous) de 2023, différents interprètes dont des enfants et un chien se montrent dans un décor aux fortes vagues de carton ondulé sur le point de se rompre. Monika Michalko réussit un grand écart passionnant entre animé et inanimé, statique et mouvement. La représentation d?un navire égaré plein de fous présente de nombreuses références à Nuremberg: la satire morale de la fin du Moyen-âge «La Nef des fous» de Sebastian Brant (1457?1521) a été l?une des ?uvres en langue allemande illustrées les plus populaire»s du 15èmesiècle. Parmi les artistes avec lesquels Brant a collaboré à Bâle pour les illustrations se trouvait aussi le jeune Albrecht Dürer. Monika Michalko trouve ici une nouvelle interprétation du motif et propose une métaphore contemporaine pour décrire l?état de notre monde chaotique.…