Zilch harriet (96 resultados)

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Hardcover. Condición: Very Good. light shelfwear, NICE! Oversized.

Paperback or Softback. Condición: New. Delicatessen. Between Art & Cuisine: Cat. Kunsthalle Nuremberg. Book.

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Paperback. Condición: new. Paperback. Equator + North Pole or Candied atmospheric electricity were the names given to Italian futurists' dishes in the early 1930s, which they put on the menu at the Tavern to the Holy Taste Buds . Don't eat, just look and smell, are Ben Heinrich's and Lukas Pue rmayr's instructions for her current Recipe for the Hemlock Cup . This publication Delicatessen. Between Art & Cuisine takes a look at the diverse works of many artists, their recipe suggestions and their preference for restaurants as an extended workbench, whether historical positions such as those of Daniel Spoerri, Allen Ruppersberg, Pierro Manzoni, Dieter Roth and Gordon Matta-Clark or the contemporary ones by Thomas Friemel and Michael Riedel, Carsten Hoe ller, Sonja Ahlhae user, Boris Becker, Tobias Hantmann, Candida Hoe fer, Martin Parr, Wolfgang Stehle, Walid Raad, and many others more. In addition to questions of creativity, where art and cuisine have undoubtedly always been thought of in parallel, it is also about rituals and ceremonies in our food culture. Because food has achieved immediate pop status in the last few decades: everywhere, on all TV channels cooking shows, on social media posts and selfies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condición: New.

Condición: New.

Hardback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. hb, no d/w, 174pp, illus. English and German text.

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Hardcover. Condición: new. Hardcover. Trees and climbing vines, birds and fungi, dwellings and set-like interiors: Monika Michalko (*1982 Sokolov, Czech Republic) combines figurative and object-like, organic and ornamental, abstract, and architectural elements in her painting. Her pictorial compositions are invariably fictional: memories, phantasms, and dreamlike scenes form a painterly cosmos that is defined by its own laws. The distinctive tonality of her works further amplifies their oneiric quality. These compositions tend to be vaguely reminiscent of modernist artists such as Paul Klee, Kasimir Malevich, Giorgio de Chirico, Odilon Redon, or James Ensor. In 2023, she created her tableau vivant " Ship of Fools" . Various performers, including children and a dog, are shown against a backdrop of towering cardboard waves on the verge of breaking. Monika Michalko succeeds in creating an exhilarating balancing act between the animate and inanimate, statics and movement. The image of a ship full of fools gone astray bears a number of references to the city of Nuremberg, among them: the late medieval satirical allegory " The Ship of Fools" by Sebastian Brant (1457- 1521) was one of the most popular German-language illustrated works of the fifteenth century. Among the artists that worked with Brant in Basel on the illustrations was the young Albrecht Due rer. Monika Michalko arrives at a new interpretation of the motif and presents a contemporary metaphor for the state of our chaotic world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New.

Condición: New. 2026. paperback. . . . . .

Condición: Good. Original pictorial boards, illustrated endpapers, numerous (double page) illustrations (including photographs) mostly in colour, text in German, 4to.; Small borttom corner endpaper folded.

Paperback. Condición: New. Fabian Treiber's (b. Ludwigsburg, 1986; lives and works in Stuttgart) paintings show what appear to be interiors while interrogating subjective projections and our perceptions of reality. The artificial spaces bear witness to human existence even though there are no people to be seen. In his still lifes, Treiber negotiates classical questions of painting: form and structure, colour and composition, representation of space and organization of the surface. His paintings primarily implement formal rather than narrative decisions. This lets the artist provoke a deliberate breach in which the ostensibly fallacious emerges as the essential quality of painting - the effect is that of works that seem somehow off but are actually just right.Fabian Treiber studied painting and intermedia design at the Stuttgart State Academy of Art and Design (ABK Stuttgart). His works have won him a Karl Schmidt Rottluff Fellowship; he was also a finalist for the 2021 Hans Purrmann Grand Prize. He has had numerous solo shows, including at Kunsthalle Nürnberg, Nuremberg; Kunstverein Ludwigsburg; and Galerie Ruttkowski;68, Cologne.…

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Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Synopsis ON STAGE is the title of Andreas Schulze' s exhibition, with which he turns Kunsthalle Nü rnberg into a stage for his surreal visual worlds. Time and again, the great dazzling world of entertainment coincides with trivial everyday aesthetics, art-historical references collide with banal ornaments and knickknack. Large-format images of neat-looking car bodies jostle bumper to bumper for a photograph for a folding panel of a room-filling traffic jam. But Andreas Schulze is taking us for a ride; his images of mobility, progress, dynamism, and status look almost childlike. The artist has always had an eye for the absurdities of our everyday lives. In 1989, he still said that the avant-garde moved between two extremes: intellectuality and crude banality. He, on the other hand, has always sought a bourgeois mediocrity. He has since been quoting it with an amused shrug: amorphous tubes, bulging objects, stylized waves, points of light, misty areas, and little clouds of exhaust gas arrange themselves in peculiar landscapes. Brick walls, velour carpets, floor lamps, rubber trees, and all manner of everyday objects are the stage for the familiar, which suddenly appears strange and combines with humor and inscrutability. After all, much that at first seems carefree does actually not represent a visual feel-good place. Andreas Schulze' s pictorial concept is banal and enigmatic, peculiar, yet despite all its familiarity it does evoke a subliminal sense of unease. About the Author Andreas Schulze, born in Hanover in 1955, lives and works in Cologne. He has been a professor at Kunstakademie Dü sseldorf since 2008. He belongs to the generation of artists who in the 1980s explored the field of painting and were sweepingly referred to as the " Neue Wilde" (The New Fauves). They saw their frame of reference in the radicalism of the punk attitude of the period. Andreas Schulze belonged to this scene, but clearly distanced himself from any expressive, spontaneous, and subjective style. Harriet Zilch (born 1976), art historian, has been director of the Kunsthalle Nuremberg since 2022. She has curated numerous exhibitions and written catalog articles on international artists, including Mathilde der Heijne, Stephan Balkenhol, Silvia Bä chli, Alicja Kwade and others. Daniel Schreiber, born in 1977, is a German non-fiction author of a Susan Sontag biography " Geist und Glamour" (2007) and the highly acclaimed and widely read German essays " Nü chtern" (2014), " Zuhause" (2017), and the bestseller " Alone" (2021 German original edition; English edition will be available at Reaktion Books). He lives in Berlin. " At 40, Alex Petalas appears more seasoned than your average older-millennial collector. Thanks to his family' s shipping business, the Swiss-Greek qualified solicitor has been buying art since his late 20s. He opened The Perimeter in 2018, a non-profit, private art space in a renovated Bloomsbury mews house where he stages two exhibitions a year based around his collection," writes the The Art Newspaper in October 15, 2021.…

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Condición: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New. Winfried Baumann (born 1956) is an extraordinary artist who works at the interface between art, architecture and design. Since 2001, he has dedicated himself to projects described under the umbrella term Urban Nomads. These are linked to concepts such as mobility, housing, food and transport, designed for all rough sleepers and other neo-nomads. His most recognized venture is called Instant Housing: a collection of miniature mobile living accommodation for those in need of shelter. Other groups of art works are called Instant Cooking, Instant Help and Instant Exhibition. This volume presents the images of Winfried Baumann's social art that prompt questions about human dignity. They are complemented by an exclusive interview with the artist and two essays by specialists in the field. In a time when ways of living are constantly questioned and social mobility is a requirement for all, Baumann's work invites us to reflect on our own lifestyles, and those of others. …