Zeqo arnisa (12 resultados)

Wrappers. Condición: Fine Condition. 89 pages. Paperback, bound in stiff illustrated paper covers and wrapped in a printed paper belly-band. Texts in English and German. Faint shelfwear rubbing to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Published on the occasion of the exhibition held from February 8-April 22, 2014. Book. …

Paperback. Condición: New. A timely exploration of the allusive, sculptural fiber work of an important contemporary South African artist The book presents an early career survey of the work of Cape Town-based artist Igshaan Adams (b. 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work-Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical-the publication highlights some of Adams's material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist's recent work, addressing its engagement with presence, absence, and the trace. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (April 2-August 1, 2022).…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Softcover. Quarto. Stitchbound softcover. Floppy orange cloth wraps with black titles. 109 pages : illustrations (chiefly colour) ; 30 cm. "The book presents an early career survey of the work of Cape Town-based artist Igshaan Adams (born 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work-Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical-the publication highlights some of Adams's material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist's recent work, addressing its engagement with presence, absence, and the trace. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives"--. VG+. Small stamp inside stating "removed from an art museums library", otherwise as new.…

Hardcover. Condición: Brand New. 191 pages. 7.50x7.00x1.00 inches. In Stock.

Condición: New. KlappentextKatarina Zdjelars Video-, Sound- und Textarbeiten dokumentieren alle einen Moment k&oumlrperlichen Ausdrucks, der beim &Uumlbergang von Sprache zu Musik sicht- und h&oumlrbar wird. Sie zeigen, wie sich historische und geopo.

Paperback. Condición: New. A timely exploration of the allusive, sculptural fiber work of an important contemporary South African artist The book presents an early career survey of the work of Cape Town-based artist Igshaan Adams (b. 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work-Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical-the publication highlights some of Adams's material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist's recent work, addressing its engagement with presence, absence, and the trace. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (April 2-August 1, 2022).…

Condición: Very Good.