yves ernst (40 resultados)

Hardcover. Condición: Good. Underlining on some pages Satisfaction 100% guaranteed.

Taschenbuch. Condición: Gut. 252 (3) Seiten Einband angegilbt, Kanten gering berieben, Bleistift-Besitzeintrag /// Standort Wimregal HOM-03175 ISBN 2710305615 Sprache: Französisch Gewicht in Gramm: 186.

Broschur. Condición: Gut. 252 (3) S. ; 8 Mit transparentem Schutzumschlag und der seltenen Original-Bauchbinde! Kanten gering bestossen, papierbedingte Seitenbräunung /// Standort Wimregal HOM-03179 Sprache: Französisch Gewicht in Gramm: 165.

Broschur. Condición: Gut. 239 (6) Seiten Einband vergilbt, Kanten gering berieben, Bleistift-Besitzeintrag /// Standort Wimregal HOM-03177 ISBN 2710305615 Sprache: Französisch Gewicht in Gramm: 285.

Condición: Good. Good condition. German and French. [3722563313] (Montreux-Bernese Oberland Railway Company, Photography) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

First Edition. Softcover. First Edition. Catalog for an exhibition held from January 6-31, 1965, at Martha Jackson Gallery in New York. Illustrated in black-and-white. Light vertical crease to the center rear wrapper, else Near Fine in saddle-stapled wrappers.

Encuadernación de tapa blanda. Condición: Bien. Taschen, 1990. Texto en alemán, inglés y francés. Arte. Surrealismo. Completo: Carpeta tapa blanda de editorial ilustrada con 6 láminas color de medidas 43 x 31 cms. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 3894500743.

524 pp.; 24.5 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Museen der Stadt, Köln, Germany, May 20 - August 16, 1981. Texts by Laszlo Glozer, Hugo Borger, Karl Ruhrberg, and Kasper Koenig. Artists include Laszlo Glozer, Hugo Borger, Karl Ruhrberg, Kasper Koenig, Georges Roualt, Marc Chagall, Oskar Kokoschka, Man Ray, Salvador Dali, Yves Tanguy, Constantin Brancusi, Otto Freundlich, Henry Moore, Max Beckmann, Oskar Schlemmer, Paul Klee, Julius Bissier, Fritz Winter, Kurt Schwitters, Wassily Kandinsky, Georges Vantongerloo, Jean Arp, Alberto Magnelli, Sophie Taeuber-Arp, Max Bill, Richard Paul Lohse, Camille Graeser, Julio Gonzalez, Henri Laurens, Pablo Picasso, Piet Mondrian, Joan Miró, Alexander Calder, Fernand Léger, Stuart Davis, László Moholy-Nagy, Max Ernst, Marcel Duchamp, André Masson, Roberto Echaurren Matta, Wilfredo Lam, Mark Tobey, Robert Motherwell, Arshile Gorky, Joseph Cornell, Giorgio de Chirico, Giorgio Morandi, Ivan Le Lorraine Albright, Eugene Berman, Paul Delvaux, Horace Pippin, Abraham Rattner, Stanley Spencer, Dorothea Tanning, Hans Bellmer, Balthus, Jean Hélion, Georges Braque, Jean Fautrier, Jean Dubuffet, Antonin Artaud, Henri Michaux, Alberto Giacometti, Wols (Wolfgang Schulze), Francis Picabia, René Magritte, Karel Appel, Constant (Constant Nieuwenhuys), Henry Heerup, Carl-Henning Pedersen, Willi Baumeister, Werner Heldt, Ernst Wilhelm Nay, Hans Hartung, Lucio Fontana, Jackson Pollock, David Smith, Clyfford Still, Barnett Newman, Henri Matisse, Bram Van Velde, Jean Bazaine, Serge Poliakoff, Maria Helena Veira da Silva, Nicolas De Staël, Pierre Soulages, Jean-Paul Riopelle, Sam Francis, Georges Mathieu, César Domela, Fritz Glarner, Josef Albers, Auguste Herbin, Ellsworth Kelly, Norbert Kricke, Reg Butler, Lynn Chadwick, Pietro Consagra, Etienne Martin, Herbert Ferber, Bernhard Heiliger, Barbara Hepworth, Berto Lardera, Luciano Minguzzi, Mirko (Mirko Basaldella), Eduardo Paolozzi, Theodore Roszak, Nicolas Schoeffer, Hans Uhlmann, Alberto Burri, Giuseppe Capogrossi, Emilio Vedova, K.R.H. Sonderborg, Karl Otto Götz, Bernard Schultze, Emil Schumacher, Francis Bacon, Germaine Richier, Asger Jorn, Hans Hofmann, Franz Kline, Willem de Kooning, Arnulf Rainer, Antonio Saura, Antoni Tapies, Eduardo Chillida, Mark Rothko, Cy Twombly, Edward Hopper, Jasper Johns, Robert Rauschenberg, Richard Hamilton, Bernard Réquichot, Raymond Hains, Jacques Mahé de la Villéglé, François Dufrene, Yves Klein, Arman (Armand Fernandez), Christo, Jean Tinguely, Niki de Saint-Phalle, Daniel Spoerri, Mimmo Rotella, Piero Manzoni, Jan J. Schoonhoven, Heinz Mack, Otto Piene, Günther Uecker, Jesus-Raphael Soto, Gotthard Graubner, Yaakov Agam (Jacob Gipstein), Pol Bury, Frank Joseph Malina, Paul Talman, Diter Rot [Dieter Roth], Diter Rot [Dieter Roth], John Cage, George Brecht, Wolf Vostell, Robert Filliou, Nam June Paik, Allan Kaprow, Jim Dine, George Segal, Claes Oldenburg, Ad Reinhardt, Frank Stella, Kenneth Noland, Morris Louis, Roy Lichtenstein, John Chamberlain, James Rosenquist, Mark di Suvero, Andy Warhol, Robert Morris, Donald Judd, Dan Flavin, Robert Ryman, Agnes Martin, Larry Poons, Sol LeWitt, Carl Andre, Paul Thek, Horace Clifford Westermann, Richard Artschwager, Edward Kienholz, Öyvind Fahlström, William N. Copley, Georg Baselitz, Frank Auerbach, David Hockney, Larry Bell, John McCracken, Edward Ruscha, Bruce Nauman, John Baldessari, Hermann Nitsch, Günter Brus, Otto Muehl, Joseph Beuys, Sigmar Polke, Gerhard Richter, A.R. Penck [Ralf Winkler], Jörg Immendorff, Blinky Palermo, Ulrich Rückriem, Richard Tuttle, Salon de la Jeune Peinture, Walter de Maria, Richard Long, Michael Heizer, Jan Dibbets, Robert Smithson, Michelangelo Pistoletto, Pino Pascali, Pier Paolo Calzolari, Mario Merz, Luciano Fabro, Jannis Kounellis, Giulio Paolini, Giuseppe Penone, Giovanni Anselmo, James Lee Byars, Franz Erhard Walther, Gilbert & George, Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner, On Kawara, Panamarenko, Jean Le Gac, Christian Boltanski, Daniel Buren, Malcolm Morley, Hanne Darboven, Richard Serra, Reiner Ruthenbeck, Eva Hesse, Vito Acconci, Dan Graham and Marcel Broodthaers. Includes exhibition checklist and index of illustrations. Text in German. Good. Yellowing and dusting of covers, rubbing of cover edges, and bumping of bottom edge of recto. Dust soiling to text block edge, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condición: Very Good. 36th edition ; folio in pictorial boards ; ex-lib, stamps, remains of label ; knocked ; 528 pp. ; 33 x 24 cm ; 66 color photos, 792 b/w-photos ; as stated, numerous photographs, many in color ; G. Book.

Paperback. Condición: Good. 240 p. ; 20 cm / Het leven van de generatie van in de jaren '60 geborenen wordt bepaald door verveling. Dutch.

Quality Paperback / Broché. Condición: Near Fine / Bel+. Size: tall 8vo / in-8o. Book.

Quality Paperback / Broché. Condición: Near Fine / Bel+. Size: tall 8vo / in-8o. Book.

Condición: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condición: Très bon. Paris, Galerie André François Petit, 1961. Plaquette in-8 agrafé sous une couverture simili bois, 20 pages, illustrations en noir. Édition originale de ce catalogue paru à l'occasion de l'exposition d'oeuvres anciennes de Max Ernst et Yves Tanguy à la Galerie André François Petit. Liste des 18 pièces exposées, toutes reproduites au catalogue. On joint le carton d'invitation au vernissage de l'exposition ainsi que deux coupures de presse consacrées à l'événement.

Hardcover. Condición: Brand New. gld edition. 300 pages. 9.25x6.25x1.00 inches. In Stock.

1972. Verviers (Belgique) Temps Mêlés n°116-117 1972- Broché 12 5 cm x 17 cm 43 pages - Direction : André Blavier poèmes de Alain Bogaerts Jacques Bourlez Guido Costers J. P. Ernst Jean Fraitis Daniel Giraud José Hubrecht P. Didier Lejeune Dona Tyman Yves Bosseur - Très bon état. Bon état.

Couverture souple. Condición: Très bon. Paris 1981. 1 Volume/1. -- Comme Neuf -- Broché cousu. Couverture illustrée à rabats . Format in-4°( 29 x 22,8 cm )( 944 gr ). ------ 45 pages suivies de 129 planches couleurs et 4 pages de Biblio . ***************************** ref 459.

Couverture rigide. Condición: Comme neuf. Estado de la sobrecubierta: Comme neuf. Edition originale. Paris 2003. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée pleine toile rouge sous jaquette illustrée. Format in-4°( 29,3 x 21,5 cm )( 1365 gr ). ------ 400 pages environ regroupant l'ensemble des Numéros 1 à 16 . ******************** "" Je pense que, de toutes les publications surréalistes, Le Surréalisme au service de la Révolution, dont les six numéros s'échelonnent de 1930 à 1933, est de loin la plus riche, au sens où nous pouvions l'entendre, la mieux équilibrée, la mieux construite et aussi la plus vivante (d'une vie exaltante et dangereuse). C'est là que le surréalisme a donné toute sa mesure de flamme : durant un temps, les uns et les autres n'ont vu que cette flamme et n'ont pas eu peur de s'y consumer."" André Breton, Entretiens. ************.

Condición: Used: Good. Occasion - Bon Etat - HTML (1996) - Grand Format.

Condición: VG. Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu, Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels, Agora Studio Traveling Exposition 1975, Agora Studio, Maastricht, 1975. 160 x 160mm. 35pp. Printed black on white stock in stapled wraps. This catalogue is for the travelling exposition in Autumn 1975 of Agora Studio, through Centro di Arte y Communication, Buenos Aires; Estudio Actual, Carracas and Museo de Arte Contemporaneo, Sao Paulo. Cover design by Klaus Groh. Text by Willem K. Coumans, founder of the Institution of social photography. Includes an image of artwork and biography for each artist including Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion (no image), Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu (no image), Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur (no image), Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels. An important small catalogue of the conceptual art scene of artists based in the Netherlands who via connections with South America (Cayc, Buenos Aires, Raul Marroquin, Ulises Carrion etc) had this touring exhibition. Cayc in turn had exhibitions in Europe (including ICA London, ICC Antwerp and Agora Studios Maastricht). Many of the artists would also feature in Agora's Fandangos magazine. Condition: Some toning to wraps, some rust to staples, internal pages very good+. Overall VG.

Christian Bourgois, 1995, 189 p., broché, environ 24x15 cm, couverture un peu jaunie avec les coins un peu frottés, bon état néanmoins et intérieur bien propre.

Encuadernación de tapa blanda. Condición: Aceptable. Tres libros en aceptable estado, encuadernados en tela. Los libros son los siguientes: MEMORIAS Las emocionantes memorias del magnate de la industria aeronáutica alemana + EL VERDADERO STALIN + ADENAUER.

Erste Ausgabe. 21 x 27 cm. Erste Auflage, 22 S. Farbig illustrierter Originalkarton. Reich bebildert. Minimale Lagerungsspuren am Einband. Beiligt: Einladungskarte einer Ausstellung Max Ernst in der Galerie Marie-Louise Muller, Bevais.

Condición: Near Fine. Victor Brauner, Oscar Dominguez, Max Ernst, Espinoza, Rene Magritte, André Masson, Matta Echaurren, Joan Miro, Wolfgang Paalen, Man Ray, Kurt Seligman, Yves Tanguy. Ilustrador. First Edition thus. Limited Edition. Reverential publication of Lautreamont, whose real name was Lucien Ducasse, a French poet born in Uruguay, who published only two works in his short life, but those works influenced and inspired Surrealism, and thus this book has contributions from many of the big names in that movement, both artists but also writers -- besides Breton, there are apercus from Aragon, Paul Eluard, and others. No. 561 of 1121 copies in limitation. 12mo. 19.5 by 14.5 cm. xiv, [1], 415, [6] pp. Binding has some edgewear, rubbing along joints, and a few light scratches and minor abrasions. Interior is tight and clean. Three Quarters Morocco. Marbled paper pastedown on boards.

8vo. (230 x 154 mm). [3 unnumbered leaves, one large and fold-out]. Title to front cover, verso and interior of folding flap with text 'Europe' by James Thrall Soby, page (also to interior of wrapper) with 'Catalogue' with artist, title and date of each work, leaf of white paper with the text 'America' by Nicola Calas recto, verso with blank leaf with notes here with numerous signatures (see below), following fold-out spread with monochrome reproduction photograph by George Platt Lynes of the participating artists (see also below), recto and verso also with the text 'America' concluding on the inner rear wrapper. Original publisher's pale yellow printed wrappers with folding flap, titles to front cover in green, later green board slipcase. [PROVENANCE: Margaret and Alfred Barr; acquired from Barr's estate by Thomas Walther; private collection Berlin]. Margaret and Alfred Barr's presentation copy of the catalogue for the exhibition they had done so much to enable, signed by all of the participating artists and by the gallerist Pierre Matisse. Pierre Matisse's presentation is in black ink to the foot of the blank 'Notes' leaf bearing the signatures of the participating artists: 'THIS IS A SPECIALLY SIGNED COPY FOR MARGARET AND ALFRED BARR / Pierre Matisse / NEW YORK MARCH 3d 1942'. The copy is signed in various colour inks by all of the participants: Marc Chagall (blue ink), Pavel Tchelitchew (turquoise), Ossip Zadkine (red), Eugene Berman (purple), Yves Tanguy (umber), Fernad Léger (red), Max Ernst (blue), André Masson (red), André Breton (turquoise), Amedée Ozenfant (blue), Kurt Seligmann (umber), Piet Mondrian (blue / black), Roberto Matta Echaurren (sepia) and Jacques Lipchitz (green). It is significant that Margaret Scholari Barr, known as Marga, is listed first in the presentation by Pierre Matisse, as from 1940 she had taken charge of the ongoing operations to help artists and writers fleeing Europe. Each individual required 'a visa from the State Department, an affidavit of financial support, an affidavit of moral sponsorship vouching that he or she was in imminent danger and would not be inimical to U.S. interests, biographical sketches and letters of reference proving identities and the above, and at least $400 for ocean passage'. In conjunction with Curt Valentin (himself a beneficiary of the Barrs' help), Kay Sage (she married Yves Tanguy, another beneficiary in 1940), Kay Boyle and the Emergency Rescue Committee. Although no exact list of all of those who benefited from the help of the Barrs and the ERC remains extant, the majority of those who exhibited in 'Artists in Exile' did and the present catalogue represents a remarkable testament to their work, their efforts and their humanity. The exhibition - perhaps an unlikely one given the range of participants and their differing outlooks, temperaments and sympathies - was held at Pierre Matisse, 41 East 57th Street, New York from 3rd - 28th March, 1942; each of the artists contributed one work undertaken after their arrival in the US, those by Masson and Lipchitz were courtesy of the Buchholz Gallery. 'Pierre Matisse did not run after publicity, but there were times when publicity ran after him. That is what happened in March 1942 when the Pierre Matisse Gallery in New York opened a show called 'Artists in Exile'. The title came fraught with pathos. So did the timing . The word 'exile' had sharp teeth . As he wrote to his father . 'I stayed in town to hang the exiles' show today, instead of tomorrow. I took this precaution because all the exhibitors are right here in town. You know what they are like. They'd insist on giving me advice, and making sure that their own painting had a very goood place . They number fourteen in all, and I got them together for a group photograph. As most of them didn't speak to one another when they were in France, I was afraid there would be trouble when they were all thrown together . '. (Pierre Matisse quoted by John Russell). 'In no sense were they a band of brothers. But they did all agree to huddle together before the camera . Given the variety of age, instinct, outlook, nationality, and relative achievement that was in question, the show was necessarily the equivalent of alphabet soup. It was not likely that the fourteen artists in question would ever again be in the same room at the same time. Not only were they a tight fit in the space available, but solidarity was minimal. And yet, for an uneasy quarter of an hour, along with other unlikely conjunctions, André Masson sat next to Piet Mondrian, and Marc Chagall sat between Max Ernst and Fernand Léger. There was zero eye contact. Unsmiling, they sat stiff and still and stared straight ahead.' (James Russell). ' . as the situation became increasingly desperate across the Atlantic [i.e. in Europe] in the 1930s, European artists, scholars, and arts workers began reaching out to MoMA for help. Working in concert with the Emergency Rescue Commitee (ERC), a group of New York-based activists, MoMA staff, including director Alfred H. Barr Jr. and his wife, art historian Margaret Scholari Barr, who led the initiative at the Museum, helped their peers in Europe secure the papers and funds necessary to immigrate to the US . Scholari Barr made 'rescue' operations her full-time occupation in these years . Artists including André Breton, Marc Chagall, Max Ernst and Piet Mondrian were able to relocate here through the aid of the Barrs and the ERC.' (MoMA catalogue). 'Sometimes doing more than the government was willing to do, MoMA was the final hope for many. The Barrs took advantage of their contacts and MoMA?s reputation to turn the museum into a literal protector and defender of modern art.' (Christina Eliopoulos). [see Christina Eliopoulos' 'In Search of MoMA?s ?Lost? History: Uncovering Efforts to Rescue Artists and Their Patrons', MoMA, 2016; see John Russell's 'Matisse: Father and Son', New York, 1999, pp. 201 - 203].

Hardcover. Condición: Very Good. 1st Edition. Bordas, Paris, 1949. The complete three-volume anthology of poems by Tristan Tzara, comprising of 23 etchings in color. Eight colored etchings by Max Ernst (Volume I), Seven by Yves Tanguy (Volume II), Eight by Joan Miro (Volume III) encased in a black box with large geometric mosaic decorations adorning the covers. It took Tzara 16 years to complete the poems for all three volumes, starting in 1916 and finishing in 1932. Limited edition of 200 copies, of which this is one of 169 in Auvergne. The volumes are signed by the artists and Tzara. Signed by Illustrator(s).

Soft cover. Condición: Very Good. 1st Edition. 86 pp. Softcover, bound in printed wraps. The edges rubbed with small tears/chips along the yapp edges. Last issue of the short-lived surrealist magazine with articles in French and English including Duchamp's Allegorie de Genre.

Aix-en-Provence : L'Arc n°37 (ca 1970). Reproduction intégrale du numéro unique de Documents 34 en fac-similé. Bon état. Livres.

Aix-en-Provence, directeur Stéphane Cordier. Un volume 14,4x19,4cm, 112 pages sur papier alfa mousse, illustrées de planches d?illustration pleine page sur papier couché. Bon état. Si L?Arc connaîtra le succès avec ses monographies d?écrivains, ses premiers numéros sont consacrés à la culture méditerranéenne avec une prédilection pour la photographie. 100 numéros paraîtront jusqu?à 1986. Livres.

Miró, Joan Ilustrador. xiv, 415 p. comte de Lautréamont. ill. ; 20 cm. Half title: uvres complètes d'Isidore Ducasse comte de Lautréamont. Trade edition.Crack iun cover paper but a very good copy."Contenant Les chants de Maldoror, les poésies, les lettres, une introduction par André Breton, des illustrations par Victor Brauner, Oscar Dominguez, Max Ernst, Espinoza, René Magritte, André Masson, Matta Echaurren, Joan Miro, Paalen, Man Ray, Seligmann, Tanguy , une table analytique, des documents, répercussions." Box 150.