Yolla bolly press (40 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paper Back. Condición: Good.

hardcover. Condición: Good. Ex-library; usual treatments. Nice dust jacket and cover. Clean pages. Binding is secure.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

No Binding. Condición: Fine. Single sheet of creme paper folded once to form four 9 1/4 by 6 inch pages. Order envelope laid in. A fine copy.

Paperback. Condición: New. Special order direct from the distributor.

No Binding. Condición: Fine. Creme paper folded once to form four 8 1/2 by 7 1/4 inch pages, one illustration by Deanna Glad. Order form and return envelope laid in. A fine copy in the original, lightly used printed mailing envelope.

No Binding. Condición: Fine. Single sheet of creme paper folded once to form four 10 by 6 1/2 inch pages, one woodcut by Vincent Perez. A fine copy.

No Binding. Condición: Fine. Broadside of thick creme paper measuring 14 by 6 inches, one color woodblock by Karin Wikstrom. color photograph of the artist with the book, letter, order form and return envelope laid in. One fold as issued. A fine copy.

Large wraps. Fine condition. Pamphlet describing the history of this great fine press.

No Binding. Condición: Fine. Single sheet of thick creme paper folded once to form four 12 3/4 by 9 1/2 inch pages. Letter, order card and return envolope laid in. A fine copy in the original, used printed envelope.

No Binding. Condición: Fine. Single sheet of English Saunder paper folded once to form four 11 by 8 1/2 inch pages, color woodcut by Aaron Johnson with "About the Woodcuts" on reverse. Letter and return envelope laid in. A fine copy in a white envelope.

Promotional materials for The Inland Whale by Theodora Kroeber, with decorative flyer, informational materials and attractive envelope and ordering information.

Condición: New. Discusses the elements of the human body. Includes suggestions for related experiments and projects.KlappentextrnrnDiscusses the elements of the human body. Includes suggestions for related experiments and projects.

A folded sheet measuring 12" x 9 3/4" with a 10 1/4" x 7 1/4" insert to the reader. Also included is the original order card and envelope. Features a woodcut illustration on the front by Karin Wikström. The inside has a description of "California Writers of the Land", "A Story of the Santa Lucias', and "About the Yolla Bolly Press Edition". The back page lists other books in the series and the terms of purchase. The insert tells readers of why they chose to create this edition and the making of it. The order card is unused and has the publisher's address stamped envelope. All are stored in the original publishers stamped envelope which measures 13" x 10" broadside-as new, envelope-has wear and some staining. …

No Binding. Condición: Fine. Six broadsides printed on creme Somerset paper in red and black, measuring 10 3/4 by 2 3/4 inches, enclosed in a manilla envelope printed in red. Printed for the Bay Area Book Festival in 1992. Sentiments pilfered from "Quote, Unquote" edited by Jonathan Williams. Fine copies in a fine envelope.…

8vo. cloth, paper label on cover and spine. xiv, 28 [16] pages. Published in a limited edition of 265 numbered copies. Fine condition. Illustrated. Note from publisher laid in. Signed by Garth Jeffers, who wrote the foreword. Printed letterpress on Rives and Fabriano papers, with handcolored initials and chapter numerals. Short biography of the poet. cloth, paper label on cover and spine. Yolla Bolly Press (ilustrador).…

4to. half-leather, cloth boards, mylar jacket, slipcase. (vi), 127+1 pages. Two hundred forty copies of this book were printed, of which two hundred twenty-five were made available for sale and signed by Houston and Livingston on the colophon (See Broomfield, His Place for Story, A82a[1]). A fine copy in a fine slipcase, which is slightly faded at the edges and the spine. The typeface is Montype Veronese, set by Othmar Peters. The book was printed by James Robertson and bound by Hans Schuberth. This is the first in the California Writers of the Land series. Afterword by James Houston with the woodblacks by Mark Livingston. half-leather, cloth boards, mylar jacket, slipcase. Yolla Bolly Press (ilustrador).…

8vo. cloth, paper spine label, slipcase. xvi, 125+(1) pages. The Love Letters of Una and Robinson Jeffers. Limited to an edition of 245, this volume marked as 'Out of Series (Broomfield A92a[1]i). Lacking the slipcase. Lightly stained, else a near fine copy. A book of the correspondence between lovers Robinson and Una Jeffers, including some of Robinson's poetry. James and Carolyn Robertson designed the book, which is composed in Eric Gill's Perpetua types on Ragston paper. Eight tipped-in plates of photographs. cloth, paper spine label, slipcase. Yolla Bolly Press (ilustrador).…

large oblong 8vo. suede covered boards with illustrated inlaid paper cover label, slipcase with paper spine label. (56) pages. Limited to 155 copies, of which this is one of 75 numbered copies of the slipcased edition and signed by the artist (Broomfield A107a[1]). Laid in is a sheet from the Press designating this copy to be FOR THE LIBRARY OF MICHAEL BROOMFIELD. Fine in fine slipcase. The fourteenth book issued by Yolla Bolly Press, designed and printed by James and Carolyn Robertson in Covelo, CA, by special arrangement with the Jeffers family and Random House, this being the first authorized edition of this great work in volume form. Roan Stallion is considered by many to be the best of Jeffers' blank verse narratives. It is the story of California, a woman who is one-fourth Indian, and her mystical union with a great stallion; it caused a furor when first published in 1925. San Francisco artist Karin Wikstrom conceived, and cut in wood, seven blocks which express the dramatic character of the story and its setting in the rugged and primitive Big Sur landscape. The illustrations are printed on a handpress, from the artist's blocks, in black and colored inks. The text was set by hand in Pegasus, with display lines set in Albertus and printed letterpress on Rives BFK Gray made in France by Arjomari. The book was sewn by hand and bound in flexible boards covered in soft sage gray pigskin suede by Klaus-Ulrich Rotzcher, loosely inserted in a slipcase made of archival board and covered in Japanese cotton. suede covered boards with illustrated inlaid paper cover label, slipcase with paper spine label. Yolla Bolly Press (ilustrador).…

large oblong 8vo. flexible suede covered boards, clamshell box. (56) pages; commentary 15+(1) pages. Limited to 155 copies, signed by the artist, of which 60 (numbered copies 10-69) were offered for sale in this boxed version, with a separately bound commentary and an extra unbound woodblock print (Broomfield A107b[1]). Spine of clamshell is lightly faded, else a fine copy. The fourteenth book issued by Yolla Bolly Press, designed and printed by James and Carolyn Robertson in Covelo, CA, by special arrangement with the Jeffers family and Random House, this being the first authorized edition of this great work in volume form. Roan Stallion is considered by many to be the best of Jeffers' blank verse narratives. It is the story of California, a woman who is one-fourth Indian, and her mystical union with a great stallion; it caused a furor when first published in 1925. For this deluxe edition, San Francisco artist Karin Wikstrom conceived, and cut in wood, seven blocks which express the dramatic character of the story and its setting in the rugged and primitive Big Sur landscape. The illustrations are printed on a handpress, from the artist's blocks, in black and colored inks. The text was set by hand in Pegasus, with display lines set in Albertus and printed letterpress on Rives BFK Gray made in France by Arjomari. The book was sewn by hand and bound in flexible boards covered in soft sage gray pigskin suede by Klaus-Ulrich Rotzcher, loosely inserted in a box and slipcase made of archival board and covered in Japanese cotton. The commentary volume by Tim Hunt, editor of the Jeffers collected works published by Stanford University Press, is printed on the same Rives paper as the text, handsewn and bound in wrappers of heavy, rag-content colored papers. flexible suede covered boards, clamshell box. Yolla Bolly Press (ilustrador).…