Wolfgang ruttkowski (276 resultados)

Condición: New.

Condición: Sehr gut. 8°. 282 Seiten. OLeinen mit Schutzumschlag. Ein sauberes Exemplar! (Sammlung Dalp. 99).

gebundene Ausgabe. Condición: Gut. 154 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Einbandkanten sind leicht bestoßen. Sprache: Deutsch Gewicht in Gramm: 310. …

Condición: New.

), Ruttkowski, Wolfgang Victor, 1935-. Die literarischen Gattungen. Reflexionen über eine modifizierte Fundamentalpoetik. Bern, München, Francke, (1968), 155pp. 22 cm, very good hardcover, previous owner's name.

Condición: New.

8°, 282 S.m.Reg., gelber OLwdbd.m. rotgeprägt. RTitel u. typogr. OUmschl., dieser m. minim. Gebrauchssp.; (sehr) schönes Expl. Erste Ausgabe (= 'Sammlung Dalp', Band 99) mit umfangreicher Bibliographie.

Condición: New.

, Ruttkowski, Wolfgang Victor, 1935-. Das literarische Chanson in Deutschland. Bern. München: Francke Verlag, 1966, 282pp. 18 cm, very good dust-jacket, very good small yellow cloth, previous owner's name. Sammlung Dalp, Bd. 99. Substantial: "Bibliographie der Vortragsgattungen", and "Diskographie".

Original Cloth. Condición: Very Good/Good. First Edition. 'Glossary of Literary Terms in English, German and French with Greek and Latin Derivations of Terms for the Student of General and Comparative Literature'.

Gebundene Ausgabe, Leinen; SU. Condición: Gut. 282 S. Ohne SU. Einband wurde foliert. Einband leicht berieben, wenige Makierungen im Buch vorhanden, ansonsten gut erh. Sprache: Deutsch Gewicht in Gramm: 310.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Gebundene Ausgabe, Leinen; SU. Condición: Gut. 282 S. SU. leicht berieben/angeschmutzt, Seiten leicht gebräunt, ansonsten gut erh. Sprache: Deutsch Gewicht in Gramm: 310.

Condición: New.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 1994 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, Kyoto Sangyo University, language: English, abstract: In his essay 'On the Creation of ART' Monroe Beardsley, probably the best known American philosopher working in the field of aesthetics, is setting himself the task of inquiring into the creative process 'between the incept (short for: inceptive element) and the final touch' asking 'how the work of art itself comes into existence and takes on its character through the stages or phases of this process.' After an interval of more than two decades I would like to offer a few belated comments on Beardsley's ideas, since it seems to me that characteristic differences between American and German thought on this central issue of aesthetics can be shown by this. …

Condición: New.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

OLeinen mit OUmschlag. 282S. Guter Zustand. Enthält eine historische Abhandlung , einen definitorischen Teil (Gattungseinordnung ), eine ausführliche Bibliographie der Vortragsgattungen und eine Diskographie. Size: Kl.-8°.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Scientific Essay from the year 1999 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: none, , language: English, abstract: I. Prior attempts at sub-dividing aesthetic conceptsII. Some preliminary questions: 1. How do we use the term 'Art' 2. What is the difference between 'Art Object' and 'Aesthetic Object' 3. If the 'aesthetic' and 'artistic' value of an artifact are not the same, what is their relevancy for original works OF of art and their perfect copies 4. Can Art in spite of its dependency on the 'Art World' and on its recipients, contain generally valid meaning III. The central concepts 'aesthetic - artistic - beautiful' IV. Intersections of the central conceptsV. The nomenclature of Aesthetic Qualities, Experiences, and Objects VI. Summary in the form of suggestions(In: Acta Humanistica, Humanities S. No. 26, March 1999, 203-222).…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Scientific Essay from the year 1991 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, Kyoto Sangyo University (German Department), language: English, abstract: Einstein's universe is needed to explain many observations of space science. In the same way, Flatland can only be fully understood from the perspective of Spaceland; Lineland can only be explained from the perspective of Flatland, etc. The inhabitants of each of these 'dimensional worlds' cannot physically transcend their own world and, therefore, cannot visualize the next higher world. However, if they want to explain their own world, they need to do this from the perspective of the next higher one. This is what some types of religion and philosophy have been trying to do for millenia and what science is attempting today.(First presented at Tetsugakkai, Bukkyo Daigaku, Kyoto, 1991/2/6). …

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 1990 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, , language: English, abstract: Although both designed strata models for various kinds of art and especially for literature, the philosophers Nicolai Hartmann and Roman Ingarden never entered into any kind of dialogue. Also in secondary literature there is no exact comparison of their systems to be found.For that reason, the two strata systems are compared here for the first time and their resp. advantages and deficiencies are being pointed out.Amongst other things, the following topics are being discussed: 1. In what way Hartmann's 'Real Foreground' ('Realer Vordergrund') is more specifically subdivided in Ingarden's system, 2. How, on the other hand, Ingarden's 'Stratum of Depicted Objects' ('Schicht der dargestellten Gegenständlichkeiten') was more thoroughly subdivided by Hartmann, 3. Why there cannot be found in Hartmann's system a corresponding stratum for Ingarden's 'Stratum of Schematized Aspects' ('Schicht der schematischen Ansichten') and 4. Why Hartmann's two strata of the 'Irreal Background' ('Irrealer Hintergrund') are consolidated by Ingarden and expressly not seen as a stratum.(In: Acta Humanistica XIX/3, Foreign Lang. and Lit. S. No. 17,June 1990, 64-82).…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 1999 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, , course: Acta Humanistica, Humanities S. No. 26 (1999) 203-222, language: English, abstract: Contents:I. Prior Attempts at Sub-Dividing Aesthetic ConceptsII. Some Preliminary Questions: 1. How Do We Use the Term 'Art' 2. What Is The Difference Between 'Art Object' and 'Aesthetic Object' 3. If the 'aesthetic' and 'artistic' values of an artifact are not the same, what is their relevancy for original works of art and their perfect copies 4. Can Art - In Spite Of Its Dependency On The 'Art World' and On Its Recipients - Contain Generally Valid Meaning III. The Central Concepts 'aesthetic - artistic - beautiful' IV. Intersections Of the Central ConceptsV. The Nomenclature Of Aesthetic Qualities, Experiences, And Objects VI. Summary In The Form Of Suggestions. …

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 1996 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, , language: English, abstract: Dieser Aufsatz ist eine Fortsetzung der schichtenästhetischen Arbeiten des Autors, die in deutscher Sprache erschienen sind.Es wird versucht, ein 'synthetisches Modell' der stratologischen Kunstkonzepte von Nicolai Hartmann und Roman Ingarden für einen ontologischen Vergleich von vier ganz verschiedenen Gegenständen zu nutzen: einen Gebrauchsgegenstand, ein kunstgewerbliches Objekt, sowie für je ein Kunstwerk der Literatur und der Musik.Die dabei gewonnenen Einsichten über die besondere Daseinsstruktur von Kunst lassen überraschende und in ihrer philosophischen Begründung neue Aufschlüsse über Grenzen der Wirkungsmöglichkeit 'moderner' Kunstarten zu.Der Aufsatz beginnt und endet mit Reflexionen über die zeitliche Begrenztheit und eingeschränkte Gültigkeit unserer Kunstkonzepte überhaupt.…

Hardcover. Condición: Good. Estado de la sobrecubierta: Zufriedenstellender Umschlag. Wolfgang Victor Ruttkowski: Der literarische Chanson in Deutschland. Francke Verlag Bern und München 1966. Leinen gebunden mit (randlädiertem) Schutzumschlag, 282 Seiten, ordentlicher Zustand.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2000 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, , language: English, abstract: Ever since their 'declaration of independence' from the national literary sciences, about a century ago, comparatists have been desperately groping for a comprehensive theory, broad enough to accommodate not only their investigations into the development and functioning of literary genres, but also their pet subject of the 'mutual elucidation of the arts'.These reflections are to be understood as an attempt to examine some ideas and models produced mainly in Germany after the last world war. These will be examined for their usefulness in providing such a comprehensive theory, or at least a base for the construction of such a theory. Two of these models seem to be opposed to each other ('Fundamentalpoetik' and the sociological approach). However, I hope to show that in reality they complement each other. The third model ('Strata Poetics') is still widely unknown, but could, in my view, combine the two others into a unified theory. (In: Acta Humanistica, Humanities S. No. 27, March 2000, 221-242).…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2007 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: keine, , language: English, abstract: The concept of genre can be satisfactorily explained only in com parison with the concepts of stratum and structure. Proceeding from this conviction we shall try here to establish a demarcation of these often used terms and at the same time prove their interdependence.…

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2001 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, .), grade: R. Serge Denisoff Award for Bes, , language: English, abstract: Cabaret songs have been in existence for a little more than a cen tury, which makes the genre surveyable. The reasons for its former pop ularity and recent decline in Europe and for its continued popularity in the USA can be discerned. If, however, we are asked for a precise definition of what a 'cabaret song' is - as compared to other kinds of songs e.g., pop songs or jazz songs we soon find ourselves confronted with considerable difficulties. The simplest imaginable answer that a cabaret song is a song performed in a cabaret or nightclub of a certain, originally European, type, is not necessarily true. Cabaret songs can be heard in music halls, in movies and on recordings of all kinds. As we shall see, we aim with the term at a certain style of performance rather than song, even though obviously not every kind of text can be performed as a cabaret song.…