william c lipke (30 resultados)

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condición: Good+. White pictorial soft cover, solid. Vermont.

Soft cover. Condición: Very Good. Square folio. Soft cover. Stiff, pictorial wrappers. 79pp. Profusely illustrated in b&w. Errata slip laid in. Very good inside & out.

Softcover. White soft cover, brown lettering and pictorial, lightly rubbed, edge of front cover a bit curled. Vermont; 18519.

Paperback. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good, Softcover, 119p., illus.

Soft cover. Condición: Good. 1st Edition. Clean copy with some loose pages and price marked in pencil inside cover. Robert Hull Fleming Museum, Burlington, VT. Foreword by Richard Janson. Essays by Paul A. Eschholz, Sheafe Satterthwaite and Lipke.

Condición: Good. Estado de la sobrecubierta: None. 129 pages. Volume 17 No. 1 of The American Review of Canadian Studies. Topic: Inuit Art - Contemporary Perspectives. A collection of essays. Price sticker on back lower right corner. Record # 806201.

Condición: Good, back cover clipped, Softcover, 119p.

Wraps. Condición: G/No Dustjacket. Black & White/Color Illus. Ilustrador. Burlington, VT: Robert Hull Fleming Museum. G/No Dustjacket. 1976. . Wraps. A bicentennial project with maps, steroviews, drawings, prints, postcards, photographs, and paintings. . 8vo., 119pp., Binding yellowed, curled with light stains, foxed fore-edges .

PAPERBACK. Condición: VG. 1ST.

Paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condición: Very Good. Burlington, Vermont: Robert Hull Fleming Museum, University of Vermont, 1979. 111 pages; b&w illustrations. Papers presented at a lecture series and a symposium held concurrently with an exhibition. Essays by seven contributors: Kebabian, Rob Tarule, Charles F. Hummel, Jan Seidler, Anne Farnam, John Kelsey, Robert F. West. Pictorial Wrapper (softcover). Very Good. 4to.

Paperback. Size: 8" X 9" 112pp., profusely illustrated, some in color. Covers lightly rubbed, else very good plus, clean and tight condition.

Softcover. Condición: VG-, some yellowing to cover. White wraps. 119 pp. Numerous bw & color plates. This fine volume is comprised of three essays and many wonderful illustratrations, celebrating the wonderful state of Vermont!

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Softcover. Condición: Good++.

Softcover. Wraps. 112 pp. 82 bw, 12 color repros. Schmidt was a reclusive Vermonter who created outdoor sculpture using discarded items and earthen materials. Good (some cracking along spine and cover joint. wraps scuffed & edge-worn).

paperback. Condición: Very Good. First Edition. Unread. No markings in book. Binding is fine. Minor shelf wear to covers. 112pp.

Paperback. Condición: Good. Dust jacket shows some rubbing, scuffing and discoloration and edges show some rubbing, scuffing and very light chipping. Book itself shows some rubbing, scuffing and edge wear.

Soft cover. Condición: Very Good. 1st Edition. 1979 first edition paperback in very good condition. A few small marks on end papers. No other marks to pages, clean and bright, tight, even binding. The card cover has a few small creases, no major flaw. Items are dispatched the same or the following working day. Please note our excellent customer feedback.

Paperback. White illustrated wraps; [28] pp; richly illustrated. "Exhibition at the White Museum, Cornell University, April 7-30, 1967" -- website. Good ( Wraps show pen marks on cover; covers are foxed and show shelfwear; pages are foxed, but clean; binding is solid).

Condición: BUONO USATO. INGLESE Cartonato flessibile illustrato con qualche macchie segni d'usura al dorso e lungo i bordi. Numero pagine 112.

Soft cover. Condición: Very Good. No Jacket. Covers a little worn.

8vo. pp. 119. profusely illus. (some colour). biblio. wrs.

Condición: BUONO USATO. IED. INGLESE Volume brossurato in cartoncino semi rigido, con illustrazione al piatto. Pagine in buonissimo stato, ricche di riproduzioni di fotografie a colori e in nero, fuori testo. Mostra tenutasi dal 15 aprile al 10 maggio 1975. Numero pagine 112.

Paperback. White illustrated wraps; [28] pp; richly illustrated. "Exhibition at the White Museum, Cornell University, April 7-30, 1967" -- website. VG ( Wraps are foxed and show shelfwear; pages are foxed, but clean; binding is solid).

Trade Paperback. Condición: Used - Very Good.

Ownership Inscription of Roger Cardinal, Some hand written notes in the Index, Near Fine in publishers creased and slightly worn decorated wrappers. 1st edition.Roger Cardinal was one of BritainÕs most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.CardinalÕs interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN B0006CEPGC.

85 black & white illustrations. Card covers. Dustwrapper. 112pp. Large-8vo. Dustwrapper slightly rubbed. Owners name on endpaper, else very good.