wiley kehinde (115 resultados)

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Condición: Brand New. Wiley, Kehinde Ilustrador. 68 pages. 9.00x6.00x0.17 inches. In Stock.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Jacket has slight wear on corners. Bottom corners of cover are creased. Binding is tight. Inside is clean and unmarked.

Condición: New.

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Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Hardback or Cased Book. Condición: New. Kehinde Wiley: An Archaeology of Silence. Book.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The latest in the World Stage series of portraits by Kehinde Wiley (born 1977), this volume presents 13 new paintings, the result of the artist's trip to Haiti-a nation that is often presented as a place of chronic poverty, corruption and deprivation. In Haiti Wiley actively went looking for beauty, staging pageants to cast his portrait subjects and advertising with open calls on the radio and posters put up in the streets of Jacmel, Jalouise and Port-au-Prince. Wiley worked within the tradition of pageant culture native to the Caribbean but also subverted it, choosing his winners at random. The paintings draw on the artistic traditions of France and Spain (the colonial rulers of Haiti before the Haitian Revolution), as well as Haiti's varied religious traditions and local crafts, creating a composite portrait of contemporary Haiti through its people, history and culture.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. New paintings from Wiley that examine how nature is depicted and symbolized in Japanese artThis striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 16001868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about mans relationship to nature.Following the artists sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wileys work within the historical context of Japanese painting as well as contemporary Black art. In Wileys own words, In this new turn, Im trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities.Kehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. New paintings from Wiley that examine how nature is depicted and symbolized in Japanese artThis striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 1600-1868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about man's relationship to nature.Following the artist's sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wiley's work within the historical context of Japanese painting as well as contemporary Black art. In Wiley's own words, "In this new turn, I'm trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities."Kehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide.

Oversized Hardcover. Condición: New. Los Angeles native and New York-based visual artist Kehinde Wiley's first monograph consists of larger-than-life figures that disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. His models, attired in everyday clothing, assume poses found in paintings representative of the history of their surroundings, immediately producing a discourse that is at once visceral and cerebral in scope. Illus., 20 four-color images. 56p.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Fine. 1st Edition. Fine hardcover in illustrated boards. Clean and bright, like new. No signs of wear or aging. First Edition, Second Printing. Includes a color broadside advertisement for this exhibition from the Virginia Museum of Fine Arts. 192 pp.

Hardcover. Condición: new. Hardcover. That is the archaeology I am unearthing: the specter of police violence and state control over the bodies of young Black and brown people all over the world. Kehinde WileyPublished with Fine Arts Museums of San Francisco.Kehinde Wiley: An Archaeology of Silence features a new body of paintings and sculptures by American artist Kehinde Wiley confronting the legacies of colonialism through the visual language of the fallen figure. It expands on a subject the artist first explored in his 2008 series Downa group of large-scale portraits of young Black men inspired by Wileys encounter with Hans Holbein the Youngers The Dead Christ in the Tomb (152122) at the Kunstmuseum Basel. Holbeins painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art that Wiley traced across religious, mythological and historical subjects. An Archaeology of Silence extends these considerations to include men and women around the world whose senseless deaths, often unacknowledged or silenced, are transformed into a powerful elegy of global resistance against state-sanctioned violence. The resulting paintings of Black bodies struck down, wounded or dead, all referencing iconic historical paintings of slain heroes, martyrs or saints, offer a haunting meditation on the violence against Black and brown bodies through the lens of European art history.Kehinde Wiley (born 1977) is a world-renowned visual artist. Working in the mediums of painting, sculpture and video, Wiley is best known for his vibrant portrayals of contemporary African American and African-diasporic individuals that subvert the hierarchies and conventions of European and American portraiture. Wiley became the first African American artist to paint an official US Presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. He lives and works in Beijing, Dakar and New York. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Very Good. Published on the occasion of the exhibition Kehinde Wiley The World Stage: Israel at Roberts & Tilton, Culver City, April 9 - May 28, 2011 and The Jewish Museum, New York, March 9 - July 29, 2012.

Hardcover. Condición: Very Good. Published on the occasion of the exhibition The World Stage: India - Sri Lanka at Rhona Hoffman Gallery, September 10 - October 23, 2010.

Hardcover. Condición: Very Good. Published on the occasion of the exhibition The World Stage: Africa Lagos - Dakar at the Studio Museum in Harlem, New York, July 17 - October 26, 2008.

Hardcover. Condición: New. New, In plastic.

Hardcover. Condición: New. New, in plastic.

Hardcover. Condición: New. New, In plastic.

Hardback. Condición: New. "That is the archaeology I am unearthing: the specter of police violence and state control over the bodies of young Black and brown people all over the world." -Kehinde WileyPublished with Fine Arts Museums of San Francisco.Kehinde Wiley: An Archaeology of Silence features a new body of paintings and sculptures by American artist Kehinde Wiley confronting the legacies of colonialism through the visual language of the fallen figure. It expands on a subject the artist first explored in his 2008 series Down-a group of large-scale portraits of young Black men inspired by Wiley's encounter with Hans Holbein the Younger's The Dead Christ in the Tomb (1521-22) at the Kunstmuseum Basel. Holbein's painting triggered an ongoing investigation into the iconography of death and sacrifice in Western art that Wiley traced across religious, mythological and historical subjects. An Archaeology of Silence extends these considerations to include men and women around the world whose senseless deaths, often unacknowledged or silenced, are transformed into a powerful elegy of global resistance against state-sanctioned violence. The resulting paintings of Black bodies struck down, wounded or dead, all referencing iconic historical paintings of slain heroes, martyrs or saints, offer a haunting meditation on the violence against Black and brown bodies through the lens of European art history.Kehinde Wiley (born 1977) is a world-renowned visual artist. Working in the mediums of painting, sculpture and video, Wiley is best known for his vibrant portrayals of contemporary African American and African-diasporic individuals that subvert the hierarchies and conventions of European and American portraiture. Wiley became the first African American artist to paint an official US Presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. He lives and works in Beijing, Dakar and New York.

Hardcover. Condición: New.

Hardcover. Condición: new. Hardcover. The latest installment in Wileys series imposing the language of old master portraiture onto the ethnicities and ethnic iconography most excluded from Western artKehinde Wileys acclaimed World Stage series inserts into the language of old master portraiture the very ethnicities and ethnic iconography that western art has most excluded from it, or that western art has portrayed solely in colonial, Orientalist terms. Among the countries and continents he has previously depicted in this ambitious traveling epic are Brazil, Africa, China, India and Sri Lanka. The rhetoric of Wileys paintings is powerful in its compositional candor, color palette and playfulness with constructions of visual meaning; as Paul D. Miller (DJ Spooky) notes, Wileys canvas surfaces are a mirror reflection of Americas unceasing search for new meanings from the ruins of the Old World of Europe and Africa. This volume includes a selection of new World Stage portraits, focusing on contemporary youth from Jewish-Ethiopian-Israeli, Jewish-Israeli and Arab-Israeli communities. Catalog of an exhibition held at Roberts & Tilton, Culver City, Calif., Apr. 9-May 28, 2011; The Jewish Museum, New York, Mar. 9-July 29, 2012. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.