wigley philip (38 resultados)

Hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Good. No Jacket. Black boards. Clean pages with no markings in the text except for the normal library markings and attachments.

Softcover. Condición: As New. 294pp. Laminated printed light card covers. In as new condition throughout. 8vo. Studies the relations between Britain and Canada from the end of the First World War to the Imperial Conference of 1926.

Hardcover First Printing. First Edition. Illustrated throughout. Fine in fine dust jacket, in mylar cover.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0521211573.

Soft cover. Condición: Near Fine. 1st Edition. Large-format softcover, measuring approximately 9.25" x 12.25", is in near fine condition, with crease to lower outside corner of rear cover. Binding is sound. Interior is clean and bright. 104 pages. "This book presents a radical architecture, exemplified by the recent work of seven architects. Illustrated are projects for Santa Monica, Berlin, Rotterdam, Frankfurt, Hong Kong, Paris, Hamburg, and Vienna, by Frank O. Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha M. Hadid, Bernard Tschumi, and the firm of Coop Himmelblau.".

Condición: New.

Catalog for the 1988 MOMA exhibition on Deconstructivist Architecture. The deconstructivist movement, alive in some or another since the 1920, is best exemplified by some of Gehry's work in the 1970s, as well as by projects by Koolhaas, Meier, Hadid, Tschumi, et al.

Paperback. Condición: Fine. First. The exhibit "Deconstructivist Architecture" created quite a stir well before it opened at the Museum of Modern Art in New York on June 23, 1988. After all, it was curated by Philip Johnson, the grand old man of Modern architecture and the founding director of MOMA's Department of Architecture and Design, as well as Mark Wigley, at 31 years old a man of a younger generation but already teaching at Princeton's School of Architecture. Pre-opening, the consensus in the media seemed to be that the exhibit would mark a great turning point in architectural trends. Once the exhibit was underway, however, opinion was mixed. Critics and working architects were divided as to just what Johnson and Wigley were getting at, and just what "Deconstructivism" meant in terms of architecture. The exhibit was relatively small, and started out by drawing upon MOMA's collection of items from the Russian avant-gardei.e., the "Constructivists"of the early 20th century before moving on to projects by seven architectural stars of 1988 who, in many minds, didn't seem to have much in common with each other, let alone with those early Constructivists. However, the debate that the exhibit kicked off about what exactly architecture is, not just Deconstructivism within architecture, and what are its limits, still continues. So in a sense, the exhibit, as well as its publicity and publications, continue to be important, including this catalog of the exhibition. It is loaded with black-and-white photographs, some full-page, others half-page, and a few spanning two pages, of projects at various stages of development by architects Frank O. Gehry, Daniel Libeskind, Rem Koolhaus, Peter Eisenhman, Zaha M. Hadid, Coop Himelblau, and Bernard Tschumi. Others, within a preface by Johnson and an essay by Wigley, are smaller. We are listing our copy as "Fine;" the boards still have that stiffness on opening that new books have, but there are a couple of minor flaws that keep it from being called "As New." There is a small chip at the top of the back of the spine and a bit of wear along the top of the back of the cover, but otherwise the cover is in excellent condition. The binding is still tight and square and the pages are bright and clean, with no marks or any other flaws. See our photos for details.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. In.

1. Auflage. 104 Seiten. OBr., Quart, 104 S.; Knickspur in hinterer Umschlagseite, sonst gut erhaltenes Exemplar. Softcover.

Hardback in Dust Wrapper. Condición: Good. Estado de la sobrecubierta: Good. Condition Notes: Ex-Public Library: Lending card to the first blank; Numerals to the spine; Library stamp to the title page verso; Text complete, clean and tight otherwise. Dust wrapper in a removable library sleeve; First edition (first printing). Hardback. Dust wrapper over black boards with gilt titles to the spine; Measures 9¼" x 6¼" (0.9 kg); pp (x) 294; Index; Bibliography; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #177729 ||.

Condición: New. pp. 308.

Unknown binding. Condición: Good. Likely ex-military library - likely lighter use with corresponding military stamp. Likely condition is Fair-Good if not stated. All other info as listed. NB note this is a placeholder description and my entire list is being regularly updated with photographs and information. Please enquire for further details for this copy.

1st edition. "focuses attention on the 'first' British Commonwealth, whose development may be said to span the years from the turn of the (20th) century to 1947. In this period at least, distinctions between empire and commonwealth were not nearly so clear-cut as they would later be.Even in the most sensitive, nationalistic and isolationist of the dominions, something of the imperial remained". Pp.192, errata slip loosely enclosed. Red cloth, dustwrapper. VG/VG.

Softcover. First Edition; First Printing. Very Good+ in wraps. Small bump on spine crown. Light foxing on top text block edge. ; 104 pages.

Original-kartoniert; 4°; 101 (3) Seiten; durchgehend illustriert. Umschlag etwas lichtrandig; sonst sehr gutes Exemplar. Sprache: Deutsch 620 gr.

Condición: New. This book studies the relations between Britain and Canada from the end of the First World War to the Imperial Conference of 1926. Series: Cambridge Commonwealth Series. Num Pages: 308 pages, black & white illustrations. BIC Classification: 1DBK; 1KBC; 1QFC; 3JJG; HBJK; HBLW; JPS. Category: (G) General (US: Trade). Dimension: 228 x 152 x 18. Weight in Grams: 460. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: New. This book studies the relations between Britain and Canada from the end of the First World War to the Imperial Conference of 1926. Series: Cambridge Commonwealth Series. Num Pages: 308 pages, black & white illustrations. BIC Classification: 1DBK; 1KBC; 1QFC; 3JJG; HBJK; HBLW; JPS. Category: (G) General (US: Trade). Dimension: 228 x 152 x 18. Weight in Grams: 460. . 2009. 1st Edition. paperback. . . . .

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book studies the relations between Britain and Canada from the end of the First World War to the Imperial Conference of 1926. It is concerned principally with the problems of imperial co-operation and consultation in foreign affairs and defence policy, and with the pressures developing out of these problems to reformulate the constitutional relations of Britain and her dominions. In the course of examining Canadian attempts to redefine empire-commonwealth relationships this book also throws fresh light on the evolution of British attitudes to the dominions during these years. Often there were serious policy disagreements in Whitehall - the Colonial Office preferring to conciliate, the Foreign Office to challenge the overseas governments - and Dr Wigley, with close attention to official and private papers, shows clearly that developments in this period owed far more to Britain's own responses and priorities than has been previously realised.

Condición: Very Good. 8vo. Ex British Foreign Office library with a few library markings else VG.Ê Very good. First Edition. Hardback.

Broschiert. Quart. 101 Seiten. Broschur. Mit zahlr. schw.-w. Abb. gutes Exemplar.

paperback. 305x225mm, 101pages, b/w photographs, En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Paperback. Condición: Very good. 23 x 31cm 104pp very good exhibition catalogue with a preface by Philip Johnson, curator of the exhibition followed by an essay on the meaning of deconstructivist architecture by assistant curator, Mark Wigley. Projects include the Gehry House and the Office for Metropolitan Architecture by Rem Koolhaas. Buildings, plans and sketches reproduced in black and white.