Welling michael (90 resultados)

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Near Fine. 1st. 128 pages, illustrations (some colour); 28 cm. Near fine. Firm binding, clean inside copy. Wraps lightly soiled. Large softcover, Profusely illustrated. *** "This exhibition catalogue brings together a comprehensive selection of American photographer James Welling's images from the past 25 years, offering the opportunity for an in-depth study of the complex and mutable priorities upon which this work builds its strength. The different series of works complement and contrast one another as a network of associations, rather than a linear chronology. For example, we see the on-going tension between the representational power of photography and its pictorial purity (or abstraction) when moving from the images of railroads to his pictures of crumpled fabric and foil imaginary landscapes. And most recently, the 'Light Sources' pictures embrace a wide range of associations from the world observed or natural, the sun shining through a thicket of trees, to the world engineered or mediated, a mosaic of ceiling lights. Essays by Michael Fried and Sarah Rogers focus on individual images from different series as well as varied preoccupations from the past three decades." - Publisher. Size: 4to. Collectible.…

Softcover, 128 pages, good condition; yellow stain at center of front cover; light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Softcover, 128 pages, very good condition except 1-inch crease to upper left corner of rear cover and last 40 pages; light rubbing to rear cover; no internal marks. Foreign shipping may be extra.

Condición: New. pp. 152.

Paperback. Condición: New. Co-author Michael Basman has been reputed to be an original and independent chess player and thinker for the whole of his chess career. However, around 1978 he mobilized his creativity to develop new ways in chess strategy, based on a personal set of avant-garde opening systems such as the St.George (early b4. of .b5) and Grob (early g4. or .g5).  Consistently employing his new ideas, a whole new system of chess playing gained recognition among his colleagues, and generated a cult following among chess amateurs. Around 1990 Mike took the next step by creating the Global opening and it's pincer movements from the flanks. This constituted the final stage in the ultra-hyper-modern school of flank-strategy that he started 12 years earlier.Pressed by popular demand, Mike Basman has written several popular works on his ideas such as 'St. George's opening', 'The Killer Grob' and 'The Global opening' but these bestsellers have gone out of print a long time ago.  So both authors felt it was about time to revive interest in the "Basmanic" school of chess.  Mike has supplied most of the material, and co-author Gerard has accepted the task (as a former cult-follower in his younger days) to do a critical selection and examination of everything available. We hope that 2021, the year that Mike Basman turns 75, will see a revival of  Basman's avant-garde ideas in chess among players of the new generations.…

Paperback. Condición: New. Co-author Michael Basman has been reputed to be an original and independent chess player and thinker for the whole of his chess career. However, around 1978 he mobilized his creativity to develop new ways in chess strategy, based on a personal set of avant-garde opening systems such as the St.George (early b4. of .b5) and Grob (early g4. or .g5).  Consistently employing his new ideas, a whole new system of chess playing gained recognition among his colleagues, and generated a cult following among chess amateurs. Around 1990 Mike took the next step by creating the Global opening and it's pincer movements from the flanks. This constituted the final stage in the ultra-hyper-modern school of flank-strategy that he started 12 years earlier.Pressed by popular demand, Mike Basman has written several popular works on his ideas such as 'St. George's opening', 'The Killer Grob' and 'The Global opening' but these bestsellers have gone out of print a long time ago.  So both authors felt it was about time to revive interest in the "Basmanic" school of chess.  Mike has supplied most of the material, and co-author Gerard has accepted the task (as a former cult-follower in his younger days) to do a critical selection and examination of everything available. We hope that 2021, the year that Mike Basman turns 75, will see a revival of  Basman's avant-garde ideas in chess among players of the new generations.…

Soft cover. Condición: As New. 1st Edition. Still in shrinkwrap. Grey spine with white titles.

Paperback. Condición: Brand New. 152 pages. 9.00x7.00x0.50 inches. In Stock.

Paperback. Condición: Very Good. Reprint. Clean, crisp copy.

Condición: New. pp. 152.

Soft cover. Condición: New. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Edited by Shane Lavalette. Guest Editor Michael Bühler-Rose. Essays by Adam Bell, Alex Klein, Lesley A. Martin, Arthur Ou, Lyle Rexer, Noel Rodo-Vankeulen and James Welling. Photographs by Claudia Angelmaier, Sema Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Noel Rodo-Vankeulen, Torbjørn Rødland, Joachim Schmid, Penelope Umbrico, Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer), Charlie White, Ann Woo and Mark Wyse. Includes notes on the contributors. Designed by Katherine Hughes. 104 pp., with 53 four-color plates. 10 x 7-3/4 inches. This first edition was limited to 2000 copies. New in publisher's shrink wrap. From the publisher: "Lay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself.".…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: New.

Condición: New. In English.

Paperback. Condición: New. In shrink wrap.

Paperback. Condición: Brand New. 1st edition. 304 pages. 9.25x6.70x0.75 inches. In Stock.

Trade Paperback. Condición: New. This survey of American photographer James Welling's images from the past 25 years offers the opportunity for an in-depth study of the complex and mutable priorities upon which this work builds its strength. The different series of works complement and contrast one another as a network of associations, rather than a linear chronology. For example, we see the on-going tension between the representational power of photography and its pictorial purity (or abstraction) when moving from the images of railroads to his pictures of crumpled fabric and foil imaginary landscapes. And most recently, the 'Light Sources' pictures embrace a wide range of associations from the world observed or natural -- the sun shining through a thicket of trees -- to the world engineered or mediated -- a mosaic of ceiling lights. Essays by Michael Fried and Sarah Rogers focus on individual images from different series as well as varied preoccupations from the past three decades. BEAUTIFUL COPY!!.…

Softcover. Condición: Sehr gut. 165 S. m. 47 Abb. u. 16 Farbfotos, kt. - Mitteilungen aus der Biologischen Bundesanstalt für Land- und Forstwirtschaft;247 - Mit Beiträgen v. Fred Klingauf, Ulrike Göttlicher-Göbel, Ute K. Vieting, Sabine Storck-Weyhermüller, Frithjof Holtz u.v.a.

Softcover. Condición: Fine. First Edition. Softcover first edition is fine. ; 9.25 X 0.75 X 6.75 inches; 130 pages.

Hardcover. Condición: Good. No Jacket. 1st Edition. 1st ed., 1st printing; 184 pages : color illustrations ; 24 cm ; OCLC 1196884729 ISBN 9780578607542, 0578607549 LCCN 2010041467 LC SB327 .S26 2011 Dewey 635.65 green cloth ; no dustjacket ; Contents: Preface -- Introduction -- All about heirloom beans -- What is an heirloom bean? -- Growing heirloom beans -- 30 heirloom beans -- Bibliography -- Appendix -- Index -- Acknowledgments ; An illustrated manual for cooking, growing and enjoying your favorite varieties: 30 varieties, 30 recipes ; marks on pages 14, 45-47, 53, 65, 69, 73, 109, 179 ; G. Book.…

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Photographs by James Welling. Texts by Sarah J. Rogers and Michael Fried. Includes an exhibition checklist, selected bibliography and a biography. 128 pp., with 10 four-color and 70 duotone plates. 11 x 10 inches. Published on the occasion of an exhibition at the Wexner Center for the Arts, which traveled to other venues. Near Fine (moderate surface wear and rubbing, 1/2-inch scratch to front cover, else Fine). Includes Welling's major series to date, including Polariods, Usines de Dentelle, Light Sources, numerous architectural series, Railroads and New Abstractions. …

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Trade Paperback. Condición: Used - Like New. This survey of American photographer James Welling's images from the past 25 years offers the opportunity for an in-depth study of the complex and mutable priorities upon which this work builds its strength. The different series of works complement and contrast one another as a network of associations, rather than a linear chronology. For example, we see the on-going tension between the representational power of photography and its pictorial purity (or abstraction) when moving from the images of railroads to his pictures of crumpled fabric and foil imaginary landscapes. And most recently, the 'Light Sources' pictures embrace a wide range of associations from the world observed or natural -- the sun shining through a thicket of trees -- to the world engineered or mediated -- a mosaic of ceiling lights. Essays by Michael Fried and Sarah Rogers focus on individual images from different series as well as varied preoccupations from the past three decades. Very nice clean, tight copy free of any marks.…

Softcover, 128 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.