Wang chia chi (20 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Hou, Chi-Chia (ilustrador).

French Flaps. Condición: Fine. No Jacket. 1st Edition. Palazo dele Prigioni, Castello 4209, San Marco. Text in Chinese and English.

Condición: mäßig. S. 113-135, Abb., 25 cm, Bibliotheksexemplar, gebräunt, Ecke geknickt, Rücken mit Läsuren, Inhalt gut erhalten. Sprache: Englisch.

Condición: mäßig. S. 341-387, Abb., 25 cm, Bibliotheksexemplar, gebräunt, Ecke geknickt, Rand beschädigt, Inhalt gut erhalten. Sprache: Englisch.

Condición: mäßig. S. 287-385, Abb., 25 cm, Bibliotheksexemplar, gebräunt, Ecke geknickt, Rückenbeschädigt, Bindung gelockert, Inhalt gut erhalten. Sprache: Englisch.

Paperback. Condición: Brand New. 216 pages. 9.00x0.51x6.00 inches. In Stock. Hou, Chi-Chia (ilustrador).

Condición: mäßig. S. 1-99, Abb., 25 cm, Bibliotheksexemplar, gebräunt, Ecke geknickt, Bindung in mehrere Teile gebrochen, Inhalt gut erhalten. Sprache: Englisch.

Encuadernación de tapa blanda. Condición: Como Nuevo.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Hardcover. Condition: VERY GOOD.  Dust Jacket Condition: VERY GOOD. 1st Edition. First edition stated 2009, first printing May 2009. Text in English and Chinese. Published by Lin & Keng Gallery, Taipei/ Beijing, China. Hardcover in laminated pictorial boards with DJ. Some edgewear to dust jacket.  Dust jacket wrinkled at upper portion of spine.  No tears in dust jacket.  Tight binding.  no edgewear, all sharp corners, no markings of any kind, no bent page corners. 4to, 176 pages, illustrated throughout with full page color illustrations.  Actual book is pictured.  See images provided.   In his sculptures and paintings, Tony Wong uses both western and Chinese myths, legends and allegories and then adds his own imagery. Through analysis, metamorphosis and refinement, his consciousness becomes the creative language of his art work. This is a technique of casually expressing both simple and complex metaphors or allusions, and presenting the various spiritual conditions, plights, hopes and desires of people living in modern times. In both his two or three dimensional works, the spirit expressed is identical; there are no references to specific times or places and there is a close and indissoluble relationship between the work itself and the artist's rich brushwork.   Biography   "Narrative" is a key, fundamental characteristic of Tony Wong's work. His works often show a distinct trait of storytelling. Wong says as a child he listened to his grandmother tell countless Chinese folk tales and these later became the inspiration and source material for his works. Despite that, his works do not necessarily provide any specific plot line. In a brief essay, the American art critic Gerrit Henry (1950-2003) wrote: "While his paintings sometimes evoke the Chinese legends his grandmother told him as a child, they depend not so much on any specific legend as much as on the power of images to suggest a story that is meaningful to all." In other words, although Wong broadly draws upon mythological, legendary and classical literary themes, he avoids sinking into mere illustrative interpretation through deft tinkering. "My paintings can tell stories but have no fixed meaning," Wong has said.   "Ultimately, it is up to the observer to draw their own conclusions as to the meaning." After the transformation, the narrative characteristics of Wong's works remain but the storylines are concealed, leaving only the situations. As such, his works leave space for the open analysis and interpretation of the observer. Despite Wong's insistence that he has little interest in a dialectic between Western and Eastern painting, his incorporation of traditional Chinese mythology, legends and narratives into his works seems to have begun at least as early as 1983. When toying with new ideas, Wong has always generally first produced a prototype in oil pastel on paper before moving on to produce the full-sized work in oil. He then takes the heavy use of oil pigments a step further and develops it into a '3-D painting'. His sculptures retain the flat, two-dimensional compositional concept with a largely frontal orientation more closely related to painting. The heavy layering and sense of commotion in the three-dimensional oils are, of course, not only capable of driving an emotional response in the observer, but they also call to mind passion and powerful expressive style of that vanguard of modern painting Vincent van Gogh (1853-1890).   Tony Wong was born in Taishan County in China's Guangdong Province in 1948. In 1966, he left Hong Kong and emigrated to the United States where he began studies at The Art Institute of Chicago in 1968. He studied his master's degree at University of California, Berkeley, after which he left Berkeley in 1975 and took a position as assistant professor of art at the Illinois State University in Normal, Illinois. In 1977, Wong walked away from teaching and headed off to develop in the art scene of New York City. …

Hardcover with dustjacket in printed slipcase, 230 pages; in English and Chinese; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. Exhibition catalogue. Unpaginated, approx. 130 pages. Dual language text: English/ Japanese. Unmarked copy with light wear only.

Condición: Good. 4to. 123 pp. Soft cover. Very Good. Color plates. Features works by Chung-Ming Yang, Chien-Jung Lin, Tung-Lu Hung, et al.

dj. First Edition. First edition. Hardcover. 107 pages. Foreword by Ping Lin. Essay by Chia Chi Jason Wang and with an artist statement by Chou. Includes numerous color illustrations. A very good copy with bumping to the top corners of the boards and to the pages as well and with a very near fine half dust jacket as issued. Uncommon.…

Paper. Condición: Good, unless otherwise noted. 38x27cm, xii, 140 pp. including 20 pp. English summary. 50 plates with many illustrations. // A study of archaic bronzes excavated from the Yinxu Shang dynasty capital sites of Xiaotun and Houjiazhuang, Detail and descriptions of their casting process and decorative patterns. Useful English summary. Main text in Chinese.…

Hardcover. Condición: Very Good. 1st Edition. First edition monograph, dated April 2013. Colour illustrated boards 26 x 33cm. Text in English and Chinese. 152pp including numerous colour illustrations and essays, many of which focusing on his mountain landscapes, also including some portraits. Covers very good with some light staining and bumping. Interiors fine. …

Paper. Condición: Good, unless otherwise noted. 38x27cm, ix, 102 pp. including 12 pp. English summary. 19 plates with many illustrations. // A study of archaic bronzes excavated from Xiaotun and Houjiazhuang, with descriptions of their casting process and decorative patterns.

Softcover, unpaginated; in English and Chinese, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra. Foreign shipping may be extra.

1930, China, Published By The Science Society of China, Nanking, China, 18 paginas con ilustraciones, 26x17, cubiertas originales en rustoca, 80 gramos, buen estado.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition stated 2009, first printing May 2009. Text in English and Chinese. Published by Lin & Keng Gallery, Taipei/ Beijing, China. Hardcover in laminated pictorial boards with DJ. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no bent page corners, not a reminder. DJ new, bright and shiny, no tears no chips, no edgewear, not clipped. 4to, 176 pages, illustrated throughout with full page color illustrations. Heavy book will require additional postage for priority and international orders. ISBN 9789578238657. ASIN: B0096S7QJ0 . Rare book.…

Paper. Condición: Good, unless otherwise noted. 38x27cm, xiv, 161 pp. including 31 pp. English summary. 59 plates, 39 figures. // A study of archaic bronzes excavated from Xiaotun and Houjiazhuang, at the huge Yinxu site of the Shang dynasty capital in Henan, China. Much detail and descriptions of the casting process and decorative patterns. Comprehensive sumary in English. Main text in Chinese. Very scarce. Slight creasing to covers and tear to bottom of spine. Good inside, a bit of creasing.…