wafaa bilal (23 resultados)

Condición: Good. Good condition ex-library book with usual library markings and stickers.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

paperback. Condición: Good. Illustrated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

First edition Very fine and bright stiff wraps with strong square spine and crisp bright text throughout. Nicely illustrated throughout. Review copy with slip enclosed.

Condición: New.

Paperback. Condición: New. Bilal puts his body on the line to condemn the Iraq War, expose US-Iraq tensions and highlight immigrants' struggles in AmericaPublished with Museum of Contemporary Art Chicago.Wafaa Bilal's (born 1966) complex artistic practice spans a range of mediums and interests, including performance, time-based media, sculpture and interactive and digital technologies. He frequently incorporates-and risks-his own body in his pieces: allowing an audience to shoot him with paintballs or having a video camera drilled into his head. Accompanying his first major survey, at the Museum of Contemporary Art Chicago, this critical volume covers the breadth of Bilal's versatile career, centering on his performance practice. It highlights significant early works such as Domestic Tension (2007) and 3rdi (2010) alongside newer projects that investigate the relationship between Saddam Hussein, Iraqi history, the Iraq War and US-Middle East relations. Much like Bilal's broader practice, this publication shows us what it means to consciously engage across cultures while highlighting the negative global implications of imperialism and exploitation.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Bilal puts his body on the line to condemn the Iraq War, expose US-Iraq tensions and highlight immigrants struggles in AmericaPublished with Museum of Contemporary Art Chicago.Wafaa Bilals (born 1966) complex artistic practice spans a range of mediums and interests, including performance, time-based media, sculpture and interactive and digital technologies. He frequently incorporatesand riskshis own body in his pieces: allowing an audience to shoot him with paintballs or having a video camera drilled into his head. Accompanying his first major survey, at the Museum of Contemporary Art Chicago, this critical volume covers the breadth of Bilals versatile career, centering on his performance practice. It highlights significant early works such as Domestic Tension (2007) and 3rdi (2010) alongside newer projects that investigate the relationship between Saddam Hussein, Iraqi history, the Iraq War and USMiddle East relations. Much like Bilals broader practice, this publication shows us what it means to consciously engage across cultures while highlighting the negative global implications of imperialism and exploitation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Paperback. Condición: Brand New. 136 pages. 10.75x7.50x10.70 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. 1st Edition. Very clean and well bound copy, internally as new. Front cover very lightly worn at the corner, some dust soiling to the white part of the rear panel but overall sharp copy.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Paperback. Condición: new. Paperback. Bilal puts his body on the line to condemn the Iraq War, expose US-Iraq tensions and highlight immigrants struggles in AmericaPublished with Museum of Contemporary Art Chicago.Wafaa Bilals (born 1966) complex artistic practice spans a range of mediums and interests, including performance, time-based media, sculpture and interactive and digital technologies. He frequently incorporatesand riskshis own body in his pieces: allowing an audience to shoot him with paintballs or having a video camera drilled into his head. Accompanying his first major survey, at the Museum of Contemporary Art Chicago, this critical volume covers the breadth of Bilals versatile career, centering on his performance practice. It highlights significant early works such as Domestic Tension (2007) and 3rdi (2010) alongside newer projects that investigate the relationship between Saddam Hussein, Iraqi history, the Iraq War and USMiddle East relations. Much like Bilals broader practice, this publication shows us what it means to consciously engage across cultures while highlighting the negative global implications of imperialism and exploitation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Bilal puts his body on the line to condemn the Iraq War, expose US-Iraq tensions and highlight immigrants struggles in AmericaPublished with Museum of Contemporary Art Chicago.Wafaa Bilals (born 1966) complex artistic practice spans a range of mediums and interests, including performance, time-based media, sculpture and interactive and digital technologies. He frequently incorporatesand riskshis own body in his pieces: allowing an audience to shoot him with paintballs or having a video camera drilled into his head. Accompanying his first major survey, at the Museum of Contemporary Art Chicago, this critical volume covers the breadth of Bilals versatile career, centering on his performance practice. It highlights significant early works such as Domestic Tension (2007) and 3rdi (2010) alongside newer projects that investigate the relationship between Saddam Hussein, Iraqi history, the Iraq War and USMiddle East relations. Much like Bilals broader practice, this publication shows us what it means to consciously engage across cultures while highlighting the negative global implications of imperialism and exploitation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.