viso olga (151 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: New. Shrink wrapped! A brand new, unused and unread copy in perfect condition.

Paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Trade Paperback. Condición: Used.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Used - Good. First. Some wear. in a Good jacket. Very serviceable copy.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

134 pages, illustrated. Fine paperback exhibition catalog in decorative wrappers (soft cover book)/ no dust jacket, as issued.

Pictorial Softcover. Paperback. Condición: Fine. First Edition. A LITERARY and PHOTOGRAPHIC retrospective of the life, artworks of Spanish sculptor Juan Munoz. A FINE, bright, clean, tight copy sans flaws. Paperback. Book published in conjunction with the 2001-03 traveling exhibition of the same name. LAID-IN: Sheet of paper reading "In Memory of the Life and Work of Juan Munoz 1953-2001". PROLIFICALLY ILLUSTRATED in full-color and black-and-white photogpraphic reproduction of Munoz' sculptures and drawings (many full or double-page) with accompanying descriptive captions. 226 pages. NOTE: Due to the large size and weight of the book significant additional shipping cost will be requested/required for OUT-OF-U.S. shipment in accordance with country of destination. GN2.

Softcover, 134 pages, very good condition; clean and crisp; owner's name; no other internal marks. Includes the work of: Miroslaw Balka, Marlene Dumas, Robert Gober, Mona Hatoum, Mike Kelley, Guillermao Kuitca, Charles Ray, Doris Salcedo, Thomas Schutte, Rachel Whiteread. Foreign shipping may be extra.

Softcover, 228 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condición: Good. No jacket. First edition. Covers lightly rubbed. Small price sticker on inside front cover. Light, uniform yellowing along edges of pages.

Paperback. Condición: Very Good. The first monograph on the influential contemporary CubanAmerican interdisciplinary artist and writer Coco Fusco. Tomorrow, I will become an island is the first in-depth study of the performances, videos and social practice of the influential CubanAmerican artist Coco Fusco. Featuring contributions by renowned scholars of art history, performance art and Cuban cultural politics as well as an essay by the artist herself, the book offers a comprehensive review of Fuscos interdisciplinary art practice and her transnational perspective on race, gender and power. For more than three decades, Fusco has been a leader in conversations around the intersection of identity, feminism, culture, and politics in the Americas and beyond. Emerging during the 1980s as a pioneering advocate of multiculturalism in the arts, Fusco utilizes performance, video, exhibition making, archival research and writing to reflect upon the ways that intercultural relations and colonial histories shape the construction of the self and perceptions of cultural difference. Her work has critically examined society from a postcolonial perspective, engaging with debates about cultural politics throughout the Americas, Europe and elsewhere. This expansive approach is highlighted through a broad range of works that address themes including post-revolutionary Cuba, racial stereotypes, feminist politics, animal psychology, ethnographic displays, suppressed colonial records, military interrogation and sex tourism. The book will accompany an international touring retrospective of the artists work starting in 2023. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. First edition. Softcover. 216 pages. Published in conjunction with a major traveling retrospective show on Munoz. A fine and tight copy in illustrated wrappers.

Hardcover. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Printed cardboard slipcase contains two staple-bound booklets: one all photos, one mostly texts in English and Italian; very good condition; clean and crisp booklets and slipcase; no internal marks. Foreign shipping may be extra.

Softcover, 170 pages, very good condition, clean and crisp; owner's name; no other internal marks. Foreign shipping may be extra.

Soft Cover. Condición: Near Fine. First Edition; First Printing. Numerous illustrations in color and black and white. Published on the occasion of the exhibition June 20 - September 15, 1996. ; Tight, clean and crisp. A hint of very light dust soiling to top edge, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 10.90 X 8.40 X 0.40 inche; 134 pages.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Condición: Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Softcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. Edition Unstated. Some shelf and corner wear with corners curling. Text appears clean. Binding is tight and solid in very good condition. Looks Nice. Size: 28 cm. 134 pp. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; ISBN: 1881616738. ISBN/EAN: 9781881616733. Dewey Code: 709/.04/9074753 20. Pictures of this item not already displayed here available upon request. Inventory No: 1561007206.

Soft cover. Condición: Near Fine. 1st Edition. Minimal shelf wear to the corners; interior clean and fresh. Illustrated. Juan Muñoz (1953-2001) was a Spanish sculptor best known for his realistic figures installed in public spaces. Muñoz used a variety media, including paper-maché, resin, bronze, audio recordings, and painting to create his dynamic pieces, combining elements of sculpture and installation to blur the distinctions between reality and art. His works are in the collections of the Art Institute of Chicago, the Solomon R. Guggenheim Museum in New York, the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and The Museum of Modern in New York, among others.

hardcover. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

[6] pp.; 28 x 19 cm; gatefold; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure published in conjunction with show held October 18, 2001 - January 13, 2002. Traveled to the Museum of Contemporary Art, Los Angeles, April 21 - July 28, 2002; The Art Institute of Chicago, September 14 - December 8, 2002 and The Contemporary Arts Museum, Houston, January 24 - March 30, 2003. Text by Olga M. Viso. Good. Slight rubbing of covers and bumping of corners and spine edge. Contents clean and unmarked. Light yellow foxing of covers.

Paperback. Condición: Fine. 1st. x, 134 pages, illustrations (some colour); 28 cm. Exhibition held at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 20 to September 15, 1996. Firm binding, clean inside copy. *** "The Hirshhorn's landmark show 'Distemper' defined what may be the last major art trend of the 20th century -- the prevailing sense of social and cultural dismay that Washington columnist E.J. Dionne called the 'distemper' of the 1990s. This brilliant exhibition catalog presents the work of ten younger artists whose work reflects the distemper of the times: Miroslaw Balka, Marlene Dumas, Robert Gober, Mona Hatoum, Mike Kelley, Guillermo Kuitca, Charles Ray, Doris Salcedo, Thomas Schutte, and Rachel Whiteread. Together, they represent a wide swath of the globe, from Europe and the Americas to Africa and the Middle East. Although their artistic agendas vary widely, they share a sense of being cultural barometers." - Publisher. *** CONTENTS: Distemper: dissonant themes in the art of the 1990s, by Neal Benezra and Olga M. Viso; A privacy which can be public: Miroslaw Balka; On beauty: Marlene Dumas; Plumbing Robert Gober: Robert Gober; Direct physical experience: Mona Hatoum; Failure and sublimation: Mike Kelley; Connection and contradiction: Guillermo Kuitca; Abstract sculpture and lived reality: Charles Ray; The dynamic of violence: Doris Salcedo; A path toward that goal: Thomas Schutte; A sense of silence: Rachel Whiteread; Biographies of the artists, by Leslie R. Rabinovitz and Olga M. Viso. *** Includes: Miroslaw Balka - Marlene Dumas - Robert Gober - Mona Hatoum - Mike Kelley - Guillermo Kuitca - Charles Ray - Doris Salcedo - Thomas Schutte - Rachel Whiteread. Size: 4to. Collectible.