Victor grippo (23 resultados)

Softcover, 104 pages, in English with some texts in French, Dutch or Spanish, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Condición: Very Good. Mexico City: Museo Universitario Arte Contemporaneo / Universidad Nacional Autonoma de Mexico, 2014. Softcover exhibition catalog: French wrappers. 63 pages, illustrated. Texts are published in Spanish and English. No marks or writing to book. The covers are lightly rubbed; faint sticker shadow to front side; else as new. *** Catalogo de exposicion de tapa blanda: 63 paginas, ilustrado. Los textos están publicados en español e inglés. Sin marcas ni escritura para reservar. Las fundas están ligeramente frotadas; lo demás como nuevo.…

Softcover, staple-bound, 8 pages, in Spanish, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover. Condición: Very Good. Text is in Spanish with English translation at the back. Presumed first edition, trade paperback exhibition catalog with French flaps, has a mild skew to the binding, strong sunning to the spine and hinges, light bumps to the spine ends and cover corners, smudging to the tail of the text block, and slight toning to the page edges with creasing to some corners. Overall, this is a solid, tight, Very Good copy.…

Condición: Fine. 1st Edition. Small quarto, 23 pages, illustrated throughout. Illustrated wrappers. Fine. - First edition. One of 3000 copies.

Soft cover. Condición: Near Fine. 1st Edition. 4to. 358pp. Pictorial limp card wrapps.; French flaps. Slight rubbing to covers and sunning to spine. A very good copy. *** Catalogue of a retrospective exhibition of Argentine painter, engraver and sculptor Victor Grippo (1936-2002), at Collection Costantini, Buenos Aires, Argentina. Text in Spanish with English translation at rear.…

Buenos Aires, n.d. 39 pp. B./w. ills. Softcover.

Tapa Blanda. Condición: New. Libro.

Soft Cover. Condición: Near Fine. This is a near fine softcover copy with virtually no wear. A little bit of delamination along the top edge of back cover near the spine. Slight yellowing to text block page edges. Text in Spanish with English translation at the rear. This monograph was prepared to accompany the first major exhibition of a large selection of Grippo's work since 1995, and was staged at MALBA: Museo de arte Latinamericano de Buenos Artes. Victor Grippo (1936- 2002) was one of Argentina's most important artists. He became a member of several groups, notably Grupo de los Trece and CAYC. Essays by Ana Longoni, Adriana Lauria, Llilian Llanes, Guy Brett, Angeline Scherf and Justo Pastor Mellado. Chronology. Bibliography. Exhibition checklist with 83 works catalogued. Illustrated mostly in color, some black & white. 11" high X 9" wide, 356 pages. Heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Softcover, 358 pages, in Spanish with English at rear; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. Condición: New.

Soft Cover. Condición: Fine. First Edition. Text : English. 40 p.; ill. b/w; 17 x 24 cm.; 200 g. Fine copy. Book.

Victor Grippo, Jorge Glusberg, CAYC, GT -758, CAYC, Buenos Aires, 1977. 270 x 217 mm. Sheet printed black on cream stock. This sheet, dated August 19 1977, presents an article written by Jorge Glusberg on the Argentine artist Victor Grippo, relating to his upcoming exhibition. This article is further continued on the sheet numbered GT -759. Victor Grippo, Jorge Glusberg, CAYC, GT -759, CAYC, Buenos Aires, 1977. 270 x 217 mm. Sheet printed black on cream stock. This sheet, dated August 19 1977, presents an article written by Jorge Glusberg on the Argentine artist Victor Grippo, relating to his upcoming exhibition. This article is the continuation of the sheet numbered GT - 758.Communication sheet mailed by Centro de Arte y Comunicación [CAYC]. Jorge Glusberg, the founder of CAYC, used sheets such as these to establish an international network connecting conceptual and avant-garde artists across continents. CAYC materials were recently exhibited at a conference on Latin American art at the Getty Research Institute (2017), at the Pacific Standard Time Gallery in San Diego (2018) and at Reference Point in London (2021-22).…

Encuadernación de tapa blanda. Condición: Muy bien. 1ª Edición. Centro de Arte Contemporáneo. Córdoba Argentina. 12 de noviembre de 1988. Texto de Jorge Romero Brest.Y ANTONIO SEGUI. Artistas Invitados. C. Alonso. Luis BENEDIT, Bonevardi, GRIPPO, VICTOR, Simes y Wells & otros . Luis F. Benedit: tres obras reproducidas a plena pág, dos B/N y una color. Victor Grippo : tres obras reproducidas a plena pág, dos B/N y una color. Cada artista con su reseña biógrafica., 45 pp Curadora Martha Nanni. Ed. Fundación de Arte Contemporáneo, Córdoba. Argentina, raro ejemplar,caj-black art-.…

Condición: Very Good +. 217 x 270 mm. Sheet printed black on cream, with top right and bottom left corners cut. A communication sheet mailed out by CAYC, Centro de Arte y Comunicacion in Buenos Aires. Jorge Glusberg (founder of CAYC) reprised the focus on communication and used sheets such as these to establish an international network connecting conceptual and avant-garde artists across continents. CAyC and their activities recently featured in Pacific Standard Time gallery (2018) in San Diego and Getty Research Institute conference on Latin American Art (2017). Condition: folded as mailed. Some minor wear to edges, VG++.…

Encuadernación de tapa blanda. Condición: Excelente. 1ª Edición, Edición Limitada. Malba organizó la exposición Víctor Grippo. Homenaje, una selección de 20 obras antológicas, con objetos, instalaciones, obras en proceso, cajas y ambientaciones reconstruidas especialmente para la ocasión. Este ensayo de Marcelo Pacheco fue publicado en el ejemplar que acompañó a la muestra. Grippo tenía su propio laboratorio mental, sus breves anotaciones, sus dibujos, sus esquemas, sus encuentros con los materiales, sus manos rozando maderas, metales, aguas coloreadas, espejos, rosales, herramientas, plomadas, terciopelos, hortalizas, pintura, panes, pipetas y tubos de ensayo; libros con frases reservadas para transcribir, inscribir y grabar en sus piezas, y textos para escribir mezclando sus propias palabras y su amor por el sonido de las frases pronunciadas en un murmullo, escritas en una mesa, impresas en un papel. Y el oficio sereno, cuidadoso, obsesivo, mágico, secreto, cansador; el tiempo es la distensión del alma decía San Agustín. Y después estaba el ánimo, concentrado, ansioso, maravillado o decepcionado, más alto o más bajo, más elocuente o menos expansivo, sonoro o mudo, esplendores y timidez, libre o aprisionado, suspendido o disperso. En cada entrega de símbolos Grippo ponía en el universo un rastro de sentido, una huella, una pregunta. Procesos cifrados en objetos domésticos o en series alquímicas o en la mesa del carpintero. Interesado en los procesos, se sabía constructor de sistemas, estructuras y juegos de tiempos, y trayectorias de emociones estéticas y de pensamiento que curvaban el espacio y se deslizaban sobre la materia, ampliando nuestros cuerpos, nuestros sentidos, nuestras conciencias. Grippo fue sabio labrando la tierra; trabajando la madera y sus restos de viruta; forjando el hierro para crear herramientas; levantando paredes para albergar la ilusión de un hogar; picando piedras y adoquines. Años antes, junto a otro artista y a un paisano, había hecho el pan cotidiano en un horno de barro, al aire libre, en medio de una plaza, ofreciendo el alimento primordial el de la civilización más antigua y el de la fe a los acelerados transeúntes del centro. excelente estado 1° ed. limitada , 82 pp. numerosas reproducciones B/N y color . textos BILINGUES ESPAÑOL INGLÉS DE MARCELO PACHECO Y ADRIANA LAURIA . JOYA DOCUMENTO DE ARTE. EST ART 3 ML joya.…

Condición: Near Fine. 217 x 270 mm. Sheet printed black on cream, with top right and bottom left corners cut. A communication sheet mailed out by CAYC, Centro de Arte y Comunicacion in Buenos Aires. Jorge Glusberg (founder of CAYC) reprised the focus on communication and used sheets such as these to establish an international network connecting conceptual and avant-garde artists across continents. CAyC and their activities recently featured in Pacific Standard Time gallery (2018) in San Diego and Getty Research Institute conference on Latin American Art (2017). Condition: folded as mailed. NF.…

Buenos Aires: Centro de Arte y Comunicación (CAyC), 1971. Octavo (21 × 16.5 cm). Original printed staple-stitched cardboard; [24] pp. Leaves and binding somewhat toned; else good or better. Publication in the context of the exhibition "Arte de Sistemas", in which the artists Víctor Grippo, Alberto Pellegrino, and Alfredo Portillo present three "proposals" (or conceptual works). The third exhibition, organized in July 1971 under the title "Arte de Sistemas" (Systems Art), was important not only because it succeeded in showing numerous renowned international artists such as Vito Acconci, Dan Graham, Hans Haacke, Allan Kaprow, Joseph Kosuth and Dennis Oppenheim, but also because it followed a strict rule: 101 experimental artists used only one specific construction paper in a single format. This was intended to create a standardized system in which all artists could participate on an equal footing. (José?Carlos Mariátegui, Cybernetics and systems art in Latin America: the art and communication center, CAyC, and its pioneering art and technology network, in: Ai & Society 37, 2022, pp. 1071-1084.) Despite this specifically technical paradigm, Glusberg addressed an extraordinarily broad spectrum of contemporary positions and genres of contemporary art at the time (different systems). These included artists from Conceptual Art, Arte Povera, Concrete Art and Poetry, Op Art, Land Art, Fluxus, Mail Art, Cybernetic Art, Installation Art, Process Art, etc. System aesthetics" endeavored to unite the widest possible spectrum. "Arte de Sistemas" was the attempt to realize and depict an understanding of interacting systems in a context. The systems theorist and artist Jack Burnham, whose texts in the magazine "Artforum" played a decisive role in shaping the concept of systems aesthetics, had a formative theoretical influence on this. One of his theories was that art functions as a kind of "information processing device" that mediates between natural phenomena and cultural phenomena. The exhibition was shown at the Museo de Arte Moderno in Buenos Aires, which opened to the public in 1960. (Cf. entry for the CAyC Newsletter 1971 / GT-54 on the page "CAYC Files", ht tps://ica a.mfah. o rg) The best-known artist of the three protagonists of CAyC is Víctor Grippo. He was strongly influenced by "Arte povera" and the works by Joseph Beuys. He also mostly used elementary everyday objects such as food, tools and tables for his installations. Grippo became known above all for his use of the potato as a typical crop of the American continent. (AKL, LXII, 2009, p. 343) As of March 2025, OCLC found seven copies in North America.…

Condición: Very good +. Hacia un perfil del arte latinoamericano: muestra del grupo de los trece e invitados especiales organizada por Jorge Glusberg [Towards a Latin American Profile of Art: Exhibition of the group of the thirteen and special guests organised by Jorge Glusberg], CAyC, Buenos Aires, 20 June 1972. 232 x 172mm. 28 sheets printed black on white stock, in folio printed black on yellow. Unnumbered edition of 2000. Text in Spanish and English. Illustrated throughout. Published to coincide with the exhibition at CAyC, 26 June 3 July 1972. The 'group of the thirteen' includes Jacques Bedel, Luis Benedit, Gregorio Dujovny, Carlos Ginzburg, Victor Grippo, Jorge Gonzales Mir. Jorge Glusberg, Vicente Marotta, Luis Pazos, Alberto Pelligrino, Alfredo Portillos, Juan Carlos Romero, Julio Teich. The 'special guests' include Marcel Alocco, Juan Navarro Baldeweg, Juan Bercetche, Guillermo Deisler, Juan Downey, Ken Friedman, Jochen Gerz, Klaus Groh, Guerrilla Art Action Group, Dick Higgins, Richard Kostelanetz, Uzi Kotler, Auro Lecci, Oscar Maxera, Marie Orensanz, Osvaldo Romberg, Clorindo Testa, Enrique Torrojo, Horst Tress, Jiri Valoch and Horacio Zabala. Contains an essay on 'Art and Ideology' by Glusberg and illustrated profiles on each of the artists, as well as installation shots of the exhibition at the third Coltejer Biennal in Medellin, Columbia, in May-June 1972. Condition: no stamps or writing, light soiling to covers, some light toning to internal pages. Overall: Very good+. …

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Ruth Benzacar Galería de Arte, Buenos Aires, 1990. 1ª Edición. Catálogo de la exposición en pliego de 4 hojas de 59x42. Fotografías en color y b/n. Texto de Jorge Glusberg ("El Grupo Cayc y el mito de El Dorado"). En la muestra obras de Clorindo Testa, Alfredo Portillos, Víctor Grippo, Jacques Bedel y Luis F. Benedit.…

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Ruth Benzacar Galería de Arte, Buenos Aires, 1988. 1ª Edición. Catálogo de la exposición en pliego de 4 hojas de 43x57. Curador: Horacio Safons. Dibujos: Luis Benedit. Textos: Horacio Safons y Jorge Glusberg.

Sin Encuadernar. Condición: Bien. 1ª Edición. Galería Lirolay, Buenos Aires, 1971. Hoja con el programa de exposiciones de la galería Lirolay de Buenos Aires para el año 1971. Plegada en 6 y con los datos del destinatario escritos a mano. En la programación: Alcira Fridman (pinturas); Mirta N. Rossetti (pinturas); "Nuevas Expresiones" (Bedel, Di Benedetto, Jorge Duarte, Fioravanti, Gamarra, González Mir, Grippo, Lezama, Luna Ercilla, Orlandi, Pellegrino, Hilda Sánchez.); Carola Gutiérrez ("Masfortemas"). Hoja con el programa de exposiciones de la galería Lirolay de Buenos Aires para el año 1971. Plegada en 6 y con los datos del destinatario escritos a mano. En la programación: Alcira Fridman (pinturas); Mirta N. Rossetti (pinturas); "Nuevas Expresiones" (Bedel, Di Benedetto, Jorge Duarte, Fioravanti, Gamarra, González Mir, Grippo, Lezama, Luna Ercilla, Orlandi, Pellegrino, Hilda Sánchez.); Carola Gutiérrez ("Masfortemas"). Hoja con el programa de exposiciones de la galería Lirolay de Buenos Aires para el año 1971. Plegada en 6 y con los datos del destinatario escritos a mano. En la programación: Alcira Fridman (pinturas); Mirta N. Rossetti (pinturas); "Nuevas Expresiones" (Bedel, Di Benedetto, Jorge Duarte, Fioravanti, Gamarra, González Mir, Grippo, Lezama, Luna Ercilla, Orlandi, Pellegrino, Hilda Sánchez.); Carola Gutiérrez ("Masfortemas"). Hoja suelta de 35,5x26,5. …

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Galería Arte Múltiple, Buenos Aires, 1976. 1ª Edición. Catálogo de la exposición con texto de Grippo. Diseño: Distéfano + Fontana (Juan Carlos Distéfano y Rubén Fontana). Formato: pliego de 4 hojas de 72x18.