Vervaeck bart (95 resultados)

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Editorial: University of Nebraska Press, 2013
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Paperback. Condición: Good. How do narratives draw on our memory capacity? How is our attention guided when we are reading a literary narrative? What kind of empathy is triggered by intercultural novels? A cast of international scholars explores these and other questions from an interdisciplinary perspective in Stories and Minds, a collection of essays that discusses cutting-edge research in the field of cognitive narrative studies. Recent findings in the philosophy of mind and cognitive psychology, among other disciplines, are integrated in fresh theoretical perspectives and illustrated with accompanying analyses of literary fiction. Pursuing such topics as narrative gaps, mental simulation in reading, theory of mind, and folk psychology, these essays address fundamental questions about the role of cognitive processes in literary narratives and in narrative comprehension. Stories and Minds reveals the rich possibilities for research along the nexus of narrative and mind. Lars Bernaerts is a postdoctoral researcher at Ghent University. He teaches literary theory at the Free University of Brussels. Dirk De Geest is a professor of modern Dutch literature and literary theory at the KU Leuven. Luc Herman is a professor of American literature and narrative theory at the University of Antwerp. Bart Vervaeck is a professor of Dutch literature at Ghent University. Together with Luc Herman, he is the author of Handbook of Narrative Analysis (Nebraska, 2005).…

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Idioma: Inglés
Editorial: University of Nebraska Press, 2013
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Paperback. Condición: Good. How do narratives draw on our memory capacity? How is our attention guided when we are reading a literary narrative? What kind of empathy is triggered by intercultural novels? A cast of international scholars explores these and other questions from an interdisciplinary perspective in Stories and Minds, a collection of essays that discusses cutting-edge research in the field of cognitive narrative studies. Recent findings in the philosophy of mind and cognitive psychology, among other disciplines, are integrated in fresh theoretical perspectives and illustrated with accompanying analyses of literary fiction. Pursuing such topics as narrative gaps, mental simulation in reading, theory of mind, and folk psychology, these essays address fundamental questions about the role of cognitive processes in literary narratives and in narrative comprehension. Stories and Minds reveals the rich possibilities for research along the nexus of narrative and mind. Lars Bernaerts is a postdoctoral researcher at Ghent University. He teaches literary theory at the Free University of Brussels. Dirk De Geest is a professor of modern Dutch literature and literary theory at the KU Leuven. Luc Herman is a professor of American literature and narrative theory at the University of Antwerp. Bart Vervaeck is a professor of Dutch literature at Ghent University. Together with Luc Herman, he is the author of Handbook of Narrative Analysis (Nebraska, 2005).…

Stories and Minds : Cognitive Approaches to Literary Narrative
Bernaerts, Lars (EDT); De Geest, Dirk (EDT); Herman, Luc (EDT); Vervaeck, Bart (EDT)
Idioma: Inglés
Editorial: University of Nebraska Press, 2013
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Idioma: Inglés
Editorial: University of Nebraska Press 6/1/2013, 2013
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Idioma: Inglés
Editorial: University of Nebraska Press, US, 2019
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Paperback. Condición: New. Second Edition. Stories are everywhere, from fiction across media to politics and personal identity. Handbook of Narrative Analysis sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story. In addition to discussing classical theorists, such as Gérard Genette, Mieke Bal, and Seymour Chatman, Handbook of Narrative Analysis presents precursors (such as E. M. Forster), related theorists (Franz Stanzel, Dorrit Cohn), and a large variety of postclassical critics. Among the latter particular attention is paid to rhetorical, cognitive, and cultural approaches; intermediality; storyworlds; gender theory; and natural and unnatural narratology. Not content to consider theory as an end in itself, Luc Herman and Bart Vervaeck use two short stories and a graphic narrative by contemporary authors as touchstones to illustrate each approach to narrative. In doing so they illuminate the practical implications of theoretical preferences and the ideological leanings underlying them. Marginal glosses guide the reader through discussions of theoretical issues, and an extensive bibliography points readers to the most current publications in the field. Written in an accessible style, this handbook combines a comprehensive treatment of its subject with a user-friendly format appropriate for specialists and nonspecialists alike.Handbook of Narrative Analysis is the go-to book for understanding and interpreting narrative. This new edition revises and extends the first edition to describe and apply the last fifteen years of cutting-edge scholarship in the field of narrative theory.…

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Editorial: University of Nebraska Press, 2013
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Paperback. Condición: new. Paperback. What are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism?This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellatn, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry. A systematic transnational investigation of post-war literary experiments in Europe and the Americas. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: New. A systematic transnational investigation of post-war literary experiments in Europe and the AmericasClarifies concepts, provides a well-defined methodology and presents a wide array of international case studiesIntroduces the reader to major experimental authors and avant-garde traditions (that are often under-discussed) highlighting the transnational and interartistic context out of which they emergedPuts new figures on the map while repositioning more established writers. In doing so, it points the way to further investigations, whose methodological foundations this book purports to establishWhat are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism?This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellat n, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry.…

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Editorial: University of Nebraska Press, 2013
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Añadir al carrito1e dr. - 246 pag. - Met lit. opg. - Paperback.

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Paperback. Condición: New. A systematic transnational investigation of post-war literary experiments in Europe and the AmericasClarifies concepts, provides a well-defined methodology and presents a wide array of international case studiesIntroduces the reader to major experimental authors and avant-garde traditions (that are often under-discussed) highlighting the transnational and interartistic context out of which they emergedPuts new figures on the map while repositioning more established writers. In doing so, it points the way to further investigations, whose methodological foundations this book purports to establishWhat are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism?This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellat n, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry.…

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Stories and Minds : Cognitive Approaches to Literary Narrative
Bernaerts, Lars (EDT); De Geest, Dirk (EDT); Herman, Luc (EDT); Vervaeck, Bart (EDT)
Idioma: Inglés
Editorial: University of Nebraska Press, 2013
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