veronique plesch (54 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Lower left corner of back cover and several pages creased.

First edition Fine and bright black wraps in close to fine illustrated dustjacket with crisp bright text throughout. Softcover. Quite handsome all around in its presentation, format and design. Profusely illustrated with deep informative text.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. clean, unmarked copy.

Soft cover. Condición: Near Fine+. 226 pages. Some of the articles include: Cult Lines and Hellish Mountains: The Development of Sacred Landscape in the Early Medieval Alps; From Prostitutes to Brides of Christ: The Avignonese Repenties in the Later Middle Ages; and Creating Family Identity in Books of Hours.

Soft cover. Condición: Very Good. 1st Edition. Art. This is a clean, unmarked copy with moderate shelf wear.

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Soft Cover. Condición: Near Fine Plus. Estado de la sobrecubierta: Very Good. First Edition. softcover in dust jacket, as issued., minor wear to dj top edge in a couple of spots. dj in mylar protector. no other flaws or wear. clean. no markings. no bumps. sturdy binding.; unpaginated, apprx. 36pp., 14 color plates. essay. catalogue. artist's books. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1. Minor shelf wear. Else a bright, clean copy. Giovanni Canavesio, a Piedmontese artist-priest active in the last decades of the fifteenth century in the southern Alps, left behind a significant body of work, including pictorial cycles and altarpieces. This book is an in-depth analysis of his most ambitious cycle on the Passion of Christ, completed in 1492, on the walls of the pilgrimage sanctuary of Notre-Dame des Fontaines outside the French town of La Brigue. Plesch's primary aim is to understand the cycle's complex and multi-layered meaning. She analyzes the subject matter of the scenes, the significance of their order, how the pictorial and graphic sources were adapted, and the range of formal and visual means used to convey content. Plesch also places Canavesio and his pictorial cycle within wider contexts of the production and consumption of religious art and the nature of devotion in an early modern rural Alpine community. The two facets of Canavesio's life and work?that of artist and that of priest?are also discussed. Plesch argues that the religious messages conveyed by the cycle scenes, as well as the strategies used by the artist to convey meaning and to structure the viewer's experience, were indeed informed by his training as a priest. Canavesio's approach to the definition of meaning, as well as his pictorial strategies, are considered in the context of the medieval art of preaching, an art whose rules derived from those of rhetoric. By also placing the cycle within the larger universe of late medieval religious devotion, Plesch connects Canavesio's work not only with preaching but with devotional meditation and religious theater as well.

Condición: , , mooi exemplaar / fine copy. 2011, paperback, mooi exemplaar / fine copy.

Softcover. Condición: Very good condition. Softcover. Inscribed and signed by the author.

Hardback. Veronique Plesch, University of Notre Dame Press. Giovanni Canavesio, a Piedmontese artist-priest active in the last decades of the fifteenth century in the southern Alps, left behind a significant body of work, including pictorial cycles and altarpieces. This book is an in-depth analysis of his most ambitious cycle on the Passion of Christ, completed in 1492, on the walls of the pilgrimage sanctuary of Notre-Dame des Fontaines outside the French town of La Brigue. Plesch's primary aim is to understand the cycle's complex and multi-layered meaning. She analyzes the subject matter of the scenes, the significance of their order, how the pictorial and graphic sources were adapted, and the range of formal and visual means used to convey content. Plesch also places Canavesio and his pictorial cycle within wider contexts of the production and consumption of religious art and the nature of devotion in an early modern rural Alpine community. The two facets of Canavesio's life and work-that of artist and that of priest-are also discussed. Plesch argues that the religious messages conveyed by the cycle scenes, as well as the strategies used by the artist to convey meaning and to structure the viewer's experience, were indeed informed by his training as a priest. Canavesio's approach to the definition of meaning, as well as his pictorial strategies, are considered in the context of the medieval art of preaching, an art whose rules derived from those of rhetoric. By also placing the cycle within the larger universe of late medieval religious devotion, Plesch connects Canavesio's work not only with preaching but with devotional meditation and religious theater as well. Hardback.

Condición: Used: Very Good.

Condición: fine.

Condición: , , mooi exemplaar / fine copy. 2009, paperback, mooi exemplaar / fine copy.

Condición: , , goed exemplaar / good copy. 2005, paperback, goed exemplaar / good copy.

Paperback. Condición: As New. This book is like new; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; Word & Image Interactions; 1.02 x 8.98 x 5.98 Inches; 422 pages.

Condición: Near Fine. 4to, (36 pp), near fine in wraps. Lavishly illustrated in color. Includes a catalogue of Christopher Gausby's artist's books and broadsides to date. Also included is a copy of the following artist's books by Gausby, all fine in wraps with printed cover label: SUMMA (1990); NOTEBOOK V (1993); ESSAYS (1995); APPENDICES (nd). Editions unstated, but presumed small. A nice selection of the enigmatic work of Christopher Gausby, incorporating collage, calligraphy, typesetting and other fine printing techniques. Scarce.

Encuadernación de tapa blanda. Condición: Nuevo. 1ª Edición. CLUEVER, C. / V. PLESCH / L. HOEK, EDS.: ORIENTATIONS. SPACE / TIME / IMAGE / WORLD (WORD & IMAGE INTERACIONS, 5). AMSTERDAM, 2005, 360 p. figuras, 640 gr. Encuadernacion original. Nuevo. (NB-1-3) 640 gr. Libro.

Hardcover. Condición: Brand New. 458 pages. 10.25x6.75x1.25 inches. In Stock.

Condición: Fine. Number of books: 1 book.

Condición: New.

Condición: Brand New. The imaginary is explored as it manifests itself in encounters between the verbal and the visual. These essays explore the transposition of the imaginary comic books, film and digital media, with special attention to the imaginary of places and the relationship with memory.

Paperback. Condición: New. KlappentextThis book aims at offering a broad survey of the encounter between word and image studies and anthropology and to demonstrate the mutual benefits of this dialogue for both disciplines in the three fields of the image (Marin), .

Hardcover. Condición: New. KlappentextWith the looming water scarcity on earth, what better challenge than word and image studies to provide new understanding to this fluid element, and to address its philosophical, mythographic, semiotic, artistic stakes?

Condición: New. Covers word and image studies in addition to media studies.KlappentextrnrnBased on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twent.

Hardcover. Condición: New.

Condición: New.

Buch. Condición: Neu. Neuware - To what extent does water constitute an archetypal element, producing moral values and prone to ambivalence Myths abound with magical fountains, fertile rivers or deadly abysses. Water lends itself to rites of lustration or regenerative baptismal immersion. Circumnavigation has given rise to epic tales of conquest or exploration, populated by monsters and delights. The specificity of this volume is the knotting together of the iconic and the verbal, by renewing our trust in the exemplary regime of art, most capable of apprehending the unpredictable, the ephemeral, and the continuous. Against the backdrop of existential shipwrecks, water wars, the proliferation of microplastics, the scoriae of an unbridled productivity, a work like this one can raise awareness about the right to water, its beneficial virtues, and its inexhaustible imaginary. Dans quelle mesure l'eau constitue-t-elle un élément archétypal, producteur de valeurs et enclin aux ambivalences Les mythes regorgent de fontaines magiques, de fleuves matriciels ou d'abysses mortifères. L'eau se prête à des rites de lustration ou d'immersion baptismale régénérante. La circumnavigation a engendré des récits épiques à visée conquérante ou humaniste, peuplés de monstres et de délices. Il s'agit ici d'établir un lien entre l'iconique et le verbal en renouvelant notre confiance dans le régime d'exemplarité de l'art, seul à même d'appréhender ce qui est imprévisible, éphémère et continu. Contre les naufrages existentiels, les guerres de l'eau, le pullulement des microplastiques, scories d'un productivisme effréné, un ouvrage comme celui-ci peut sensibiliser au droit à l'eau partagé, à ses vertus bienfaisantes et à son imaginaire inépuisable.

Taschenbuch. Condición: Neu. Neuware - This book aims at offering a broad survey of the encounter between word and image studies and anthropology and to demonstrate the mutual benefits of this dialogue for both disciplines in the three fields of the image (Marin), the social history of writing (Petrucci), and memory (Yates). The themes discussed by the contributors to this volume, all specialists in their field, highlight each in their specific field one or more aspects of the agency of both text and image. Bridging the gap between the Anglo-Saxon and the Latin research traditions, this bilingual volume focuses on three major questions: What do we do with texts and images How do texts and images become active cultural agents And what do texts and images help us do Contributions cover a wide range of topics and disciplines (from visual poetry to garden theory and from ekphrasis to new media art), and represent therefore the best possible overview of what cutting-edge analysis in word and image studies stands for today.