ute ed eskildsen (30 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography.Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves.

Softcover, 138 pages, in German, poor condition; heavy foxing to outer page edges. As is. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Soft Cover. Condición: Good. No Jacket. 1st Edition. There is wear to the edges and corners of the covers. There is staining tot he rear coversand there is a mark where a sticker has been. There is also a new sticker to the rear covers.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good condition, some shelf wear on edges of covers and one crease down the length of the spine. English and Spanish language exploration of human photographic portraiture in the first half of the 20th century.

Condición: Very Good. Softcover, 270 pages, illustrated throughout in color and b&w. Text in English and Spanish. Light edgewear to wrappers, else a clean, tight copy. Featuring work by Cecil Beaton, Brassaï, Henri Cartier-Bresson, Robert Frank, Raoul Hausmann, Richard Avedon, Man Ray, El Lissitzky, Aleksandr Rodchenko and dozens more of the most outstanding photographers of the twentieth century. Analyzes photography as an artistic medium from 1900 to 2000-paying particular attention to the myriad ways that human beings have been portrayed across the years. Record # 350138.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. W : 160 Seiten, Leineneinband/clothbound with jacket - Paris is the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950's have been brought together in a single book. His visit to Paris in 1951 was his second return to Europe after he had settled in New York City in 1947 and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs selected by Robert Frank and Ute Eskildsen suggest that Frank's experience of the new world had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Good. [Exhibition catalogue]. 4to. 42 pp. Soft black and white photographic wraps with orange lettering and white spine. Very good with marginal edgewear along bottom right corner of front wrap. Black and white photographic plates. Includes an interview between the exhibited artist, Annelise Kretschmer and the catalogue editor, Ute Eskilden. Catalogue created to accompany the exhibition Annelise Kretschmer, Fotografin", held at the Museum Folkwang in Essen, Germany from September 10, 1982 through October 10, 1982. Includes an artist chronology, an annotated catalogue of exhibited works as well as a select biography and bibliography. Auf Deutsch.

4°, Olwd Ou. Condición: Gut. 175 S. Erste Ausgabe ,- Druckfrisches Exemplar Sprache: Deutsch Gewicht in Gramm: 1200.

Paperback. Condición: New. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography.Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves.

29,5x23,5 cm. 188 pp. Richly illustrated. Soft cover. A near fine copy.

Hardcover with dustjacket, 268 pages; good condition; dj lightly rubbed and lightly ruffled along top edge and has vertical crease down right; no internal marks. This copy of the book was sent to an order in China and returned to me with official Chinese postal stickers on outside of package with "not admitted" on 1 label. The package had been opened and the page with Zeitungsfoto 296 1991 has been heavily dog-eared at lower right corner; the image shows a swastika and people giving the Nazi salute. Book will be mailed with the original return package which details it not being allowed into China. Foreign shipping may be extra.

28x21,5 cm. 176 pp. Richly illustrated. Soft cover. A very good copy.

EA, 26x23 cm, 88 S., OPbd., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

4to, cloth, dj, illustrated, 120 p. In fine condition. K20.

////Profusamente ilustrado con fotografías de R. Avedon, Cecil Beaton, Brassaï, Cartier-Bresson, Agustí Centelles, Joan Colom, Raoul Hausmann, Germaine Krull, André Kertész, Man Ray, Lee Miller, Tina Modotti, Moholy-Nagy, Ortiz-Echagüe, Irving Penn, A. Rodtchenko, . ////27x22. 271 págs./Texto en español e inglés. /Cine-Fotografía, Catálogos Arte.

Museum Folkwang/Steidl, Göttingen 2010. 4to. 335 pages. Illustrated with photographs in b/w and colour. Orig. boards in dust wrapppers. In Fine/fine wrapper condition. * **With an orig. letter enclosed from the exhibition to Jan Persson thanking him for his coorporation with the Exhibition.The English Language Catalogue is Published inConnection with the Exhibition 'A Star is Born. Photography and Rock since Elvis.'.

Hardcover. Condición: g+ to vg. Limited edition. 1/100. Folio (12 x 9 1/2"). 110, [2]pp. Original full brown cloth with white lettering to spine. Limitation page hand-numbered (No. 37/100). Book housed in its matching publisher's slipcase with b/w photographic reproduction pasted onto front cover. Completed in 1936 in Palestine, where Swiss Avant-Garde portrait photographer Helmar Lerski had immigrated in 1932, "Metamorphosis through Light" is a stunning 'tour de force' in which Lerski carried his talent to extremes. With the help of up to 16 mirrors and filters, he directed the natural light of the sun in constant new variations and refractions onto his model, the Bernese-born, at the time out-of-work draughtsman and light athlete Leo Uschatz. Thus he achieved, in a series of over 140 close-ups "hundreds of different faces, including that of a hero, a prophet, a peasant, a dying soldier, an old woman and a monk from one single original face" (Siegfried Kracauer in "Theory of Film," Oxford University Press, 1960, p. 162). According to Lerski, these pictures were intended to provide proof "that the lens does not have to be objective, that the photographer can, with the help of light, work freely, characterize freely, according to his inner face." Laid in at rear, inside a white envelope, is a splendid silver gelatin print (10 3/4 x 8 1/2") produced by German photographer André Gelpke from Helmar Lerski's original plate. The print depicts a close-up portrait of Leo Uschatz not featured in the book. The verso has been hand-captioned, numbered and signed by Gelpke. One of 100 copies, of which this is No. 37. Minor shelf wear and sporadic fraying along edges of slipcase. Head of spine slightly bumped (not affecting pages throughout). Text in German and English. Slipcase in overall good+, binding in good+ to very good, interior and silver gelating print in very good condition. About the author: Helmar Lerski (1871-1956) was born in Strasburg, then part of the German empire, as Israel Schmuklerski. His parents were Jewish immigrants of Polish origin. In 1876 the family moved to Zurich, Switzerland, where they obtained Swiss citizenship. Lerski moved to New York in 1893 at the age of twenty-two to work as an actor, changing his name in 1896. He spent several years with a German theatre company in Chicago and Milwaukee, where he met his first wife, a photographer.In 1911 Lerski began to experiment with photography by adapting dramatic stage lighting techniques to portrait photographs of fellow actors. In 1912, Lerski was encouraged to pursue a career in photography by Rudolph Dührkoop, who had come to St. Louis to demonstrate his photographic techniques. In 1914/15 he taught German language and literature at the University of Texas in Austin. In 1915, after more than twenty years in America, Lerski moved to Berlin, and after showing his portraits, was asked to become a cameraman at the UFA studios, where he worked as a cameraman and expert for special effects for many films, including Fritz Lang's movie Metropolis (1927). Lang wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Lerski used specially made mirrors to create the illusion of actors interacting with huge, realistic-looking sets. With fascism on the rise, Lerski immigrated to Palestine where he worked as a director and cameraman for documentary films. After the war, Lerski moved back to Zurich, where he spent the rest of his life.

Condición: Gut. 110 S., 1 Bl. Zahlr. fotografische Schwarzweiß-Abbildungen. Braunes Orig.-Leinen in illustriertem Orig.-Leinenschuber. 30 x 24 cm. -- Handschriftlich nummeriertes Exemplar der Vorzugsausgabe, die in hundert Exemplaren mit einer Original-Photographie (einem "Kontaktabzug vom Original-Glasnegativ, ausgeführt von André Gelpke") in Leinen-Schuber aufgelegt wurde. Mit einem Vorwort von Andor Kraszna-Krausz, und einer Dokumentation zur Entstehung und Rezeption der "Verwandlungen". -- Helmar Lerski (1871-1956) war ein Schweizer Fotograf und Kameramann. "Das Projekt `Verwandlung durch Licht`, eine aus 175 Aufnahmen bestehende Portraitserie eines Mannes, entstand 1936 in mehrmonatiger Arbeit. Das hier vorliegende Buch bringt erstmals ein Konzentrat dieses Werkes." - With a preface by Andor Kraszna-Krausz. Text in Deutsch und Englisch / Texts in English and German. -- /////// -- NO SHIPPING TO THE US at the moment !! -- ////// Sprache: Deutsch Gewicht in Gramm: 550.