Lerski helmar (49 resultados)

softcover. Condición: Collectible; Very Good. First Edition; First Printing. Tight, clean and crisp. A hint of very light shelf/edge wear to wraps, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Numerous full page plates. Text in English and German. Preface by Paul Vogt. Introductory essay by Ute Eskildsen and Jan-Christopher Horak. Published on the occasion of the exhibition at Museum Folkwang, Essen, December 19, 1982 - January 25, 1983, Tel Aviv Museum, March15 - May 5, 1983, Fotomuseum im Stadtmuseum, Munchen, July 15 - September 18, 1983, Frankfurter Kunstverein, February - March, 1984, and at the Museum of Modern Art, San Francisco, June 8 - July 29, 1984.…

Softcover, 248 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition. French Style Cover. Illustrated with B&W plates. Text in French. A clean and unmarked copy. Large 8vo.

Softcover. Good. Signs of use cover. Discoloring/yellowing pages sides and edges. No notes.

Soft cover. Condición: Very Good. Sq. thick 4to b&w photos, English-Hebrew text, high Zionist art.(vv6/4.

Soft cover. Condición: Very Good. Softcover, 12mo. 1st Ed. 88 pp. Blue & white wraps. Anthology of Hebrew prose & poetry in English translation, plus a photo portrait section at rear by Helmar Lerski. The first title in a series of the Palestine Pioneer Library.

121 S. Leinen. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Widmung auf Vorsatz. Einband minimal berieben. Buchrücken stark ausgeblichen. Inhalte des Buches sonst sehr gut erhalten. Sprache: deu.

Softcover. Condición: Very good. No jacket. In German. Some shelfwear. Old price sticker on front cover. Inside is clean and unmarked.

Condición: Used: Like New. Envoi rapide et soigné.

Hardcover. Kartoniert, 140 Seiten. Quartformat (ca. 28 x 21,5 cm). Leichte Gebrauchsspuren, insgesamt gutes Exemplar. Gewicht: 600.

Trade Paperback. Condición: Like New. First Paperback Edition. First Paperback Edition, First Printing. Published by Museum Folkwang, 1983. Quarto. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have light shelf wear. A scarce copy of this collection of photographs by Helmar Lerski. Text is German and English. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell.…

Hardcover. Condición: Good. No Jacket. 1st Edition. Introduction by Curt Glaser. Lerski had worked as cameraman and photographer on a number of masterpieces of German Expressionist cinema, including Fritz Lang's Metropolis. He used Expressionist techniques to striking effect in this dramatically stylized document: his subjects are 'less representative types than complicated, anxious, and ephemeral souls flickering before the camera' (The Book of 101 Books) - - - - - - - - - This is a 1931 first edition hardcover without dust jacket in black cloth, text in German. In overall good condition with some signs of wear, sunning and rubbing to the outer black boards. Inside plates are in good to very good condition. The original was spiral bound within the hard outer board covers and this copy has been professionally and neatly rebound with book binding tape to hold the book block together once the spiral binding has collapsed ? common for this book if you look at other listings. Block is nice and tight. Included in: 802 Photobook from the M. + M. Auer collection, page 172, The Book of 101 Books, pages 68-69, The Open Book, pages 98-99, The Photobook: A History volume I, pages 130-131, Deutschland im Fotobuch, pages 124-125- - - - - - - - - Please note this book is being sold by Nonpareil Books, Liverpool, England only through AbeBooks.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Quarto, 110 pages, illustrated throughout. Brown cloth with printed spine. In original brown slip-case with pasted on image. Near mint copy. - First edition. One of 100 copies with a numbered original contact print. On rear of print and in pencil the handwritten text: 'Kontakt Abzug vom Original Glasnegativ', ausgeführt von Andre Gelpke, 1982. printed by artist photographer André Gelpke. With biography, professional chronology, exhibitions and reviews and reception. Introduction by Andor Kraszna-Krausz. Text in German and English.…

4°, 121 S., zahlr. Abb. (Photographien), OLn., WaV., gute Erhaltung.

Softcover, 140 pages; in German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Good. 4to. pp. 139, [1]. text in German. profusely illus. biblio. wrs. (joints rubbed with short splits at ends, spine nicked, pencil markings on several pages). Published in conjunction with an exhibition.

kart. Condición: Neu. fr. 175 Seiten Ill., 29 cm NEW ! Original packaged item. 9782072776236 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Französisch Gewicht in Gramm: 794.…

Revue in-4 ( 305 X 215 mm ) de 106 pages, broché sous couverture illustrée. Ce numéro rare de "TEMOIGNAGES DE NOTRE TEMPS" est un hommage affectueux et émouvant à la vie et à la culture juives, qui s'étend de l'Antiquité jusqu'au début des années 1930, avec le spectre d'Hitler et les premières persécutions des Juifs dans l'Allemagne nazie ( Hitler est devenu chancelier quelques mois plus tôt, le 30 janvier ). Textes Albert Einstein, Schalom Asch Victor Basch Jean Gallotti Norbert Guterman Aron Hermoni Pierre Lazareff Israël Lé vi Ludwig Lewisohn Maurice Liber Lord Melchett Maurice Mesecca Me. de Moro-Giafferi Léon Motzkine Elissa Rhaïss Jules Romains André Spire Me. Henri Torrès Dr. Chaïm Weitzmann. Très nombreuses photogravures en noir et blanc ( dont beaucoup en pleine page ), de Helmar Lerski ( sur les Juifs de Palestine ) André Kertesz Lipnitzki Man Ray Henri Cossira Eric Hurel-Affif Keystone View Cie. "TEMOIGNAGES DE NOTRE TEMPS" a été édité par le célèbre photographe et éditeur français Lucien Vogel. Petits manques au dos, couverture effrangée, quelques rousseurs et taches claires, bon exemplaire. Antisémitisme Judaisme Juif Revue.…

Leinen. Erstausgabe. Quart. Erste Auflage, 10 S. u. 80 Tafeln. Flex. Leinen mit Spiralheftung. Einband etwas berieben, Vortitel, Titelblatt u. letzte Seite geringf. braunfleckig, gutes Exemplar. LMEX.

110 S. Leinen im Leinenschuber. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit 1 Originalfoto. Mit zahlreichen Abbildungen und Tafeln. Einband minimal berieben. Schuber minimal berieben. Buch mit Inhalten sonst sehr gut erhalten. Sprache: deu.

Softcover. Condición: Good to very good condition. First edition. Small Folio (12 x 9 3/4"). [14], (1) 80 plates. Flexible black cloth with blind-stamped lettering to front board over spiral-bound black wraps and block. Publisher's device on title page. Introduction by Curt Glaser. Contains list of title for the photographs. Lerski (1871-1956) was an actor, filmmaker and photographer. He is known especially for his unique close-up portraits and for his series of human hands. This volume of unknown people is considered a landmark photography book and certainly Lerski's most important work. Text in German. Binding with very light wear along edges, some light creasing and minor chipping at head and tail of spine. Half-title with light damp staining. Verso of last photo with light damp-staining. Bibliographic refrences: Roth, "The Book of 101 Books", p.68-69. Martin Parr/ Badger, "The Photobook vol. 1" p.130-131.…

Berlin. Hermann Reckendorf. 1931. 4°. Schwarzes OLeinen mit Blindprägung. Hier die seltenere Ausgabe ohne Spiralbindung. Schönes Exemplar, innen tadellos, außen leicht unfrisch. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

Berlin. Hermann Reckendorf. 1931. 4°. Schwarzes OLeinen mit Blindprägung. Hier die seltenere Ausgabe ohne Spiralbindung. Schönes Exemplar, innen tadellos, außen gut, minimale Bestossungen am unteren Kapital und Ecken. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

Hardcover. Condición: Very Good. 1st Edition. Gr.4° -80 B/w Photo-Plates. Everyday Heads - Unknown People seen by Helmar Lerski(Israel Schmuklerski 1871-1956) Swiss photographer who laid some of the important foundations of modern photography. His works are on display in the USA, Germany, Israel and Switzerland. He focused mainly on portraits and the technique of photography with mirrors. First edition, inscribed and dated in Hebrew. Text in German. Original blue Binding (no dust-jacket). Some foxing at endpapers otherwise in Good condition.…

Softcover. Condición: g- to vg. First edition. Large quarto (11 1/2 x 8"). 105, [3]pp. Original photo-illustrated wrappers, with white lettering to front cover. This scarce issue of "Témoignages de Notre Temps" (Witness to our Time), is a loving and moving tribute to Jewish life and culture, that spans ancient times to the early 1930s with the spectre of Hitler and the early persecutions of Jews in Nazi Germany (Hitler became chancellor a few months prior, on January 30th). Includes texts by Albert Einstein, Dr. Chaïm Weizmann and others, along with hundreds of splendid black-and-white photogravures (many full page), including Helmar Lerski's impressive series on Jews in Palestine. "Témoignages de Notre Temps" was edited by noted French photographer and publisher Lucien Vogel. Wrappers partly creased along edges. Page 5 with four "Spécimen" stamps (not affecting lettering). Lower corner of the first 18 pages slightly creased. Lower front corner bumped, thus slightly affecting pages throughout. Text in French. Wrappers in overall good- to good, interior in good to very good condition.…

Hardcover. Condición: g+ to vg. Limited edition. 1/100. Folio (12 x 9 1/2"). 110, [2]pp. Original full brown cloth with white lettering to spine. Limitation page hand-numbered (No. 37/100). Book housed in its matching publisher's slipcase with b/w photographic reproduction pasted onto front cover. Completed in 1936 in Palestine, where Swiss Avant-Garde portrait photographer Helmar Lerski had immigrated in 1932, "Metamorphosis through Light" is a stunning 'tour de force' in which Lerski carried his talent to extremes. With the help of up to 16 mirrors and filters, he directed the natural light of the sun in constant new variations and refractions onto his model, the Bernese-born, at the time out-of-work draughtsman and light athlete Leo Uschatz. Thus he achieved, in a series of over 140 close-ups "hundreds of different faces, including that of a hero, a prophet, a peasant, a dying soldier, an old woman and a monk from one single original face" (Siegfried Kracauer in "Theory of Film," Oxford University Press, 1960, p. 162). According to Lerski, these pictures were intended to provide proof "that the lens does not have to be objective, that the photographer can, with the help of light, work freely, characterize freely, according to his inner face." Laid in at rear, inside a white envelope, is a splendid silver gelatin print (10 3/4 x 8 1/2") produced by German photographer André Gelpke from Helmar Lerski's original plate. The print depicts a close-up portrait of Leo Uschatz not featured in the book. The verso has been hand-captioned, numbered and signed by Gelpke. One of 100 copies, of which this is No. 37. Minor shelf wear and sporadic fraying along edges of slipcase. Head of spine slightly bumped (not affecting pages throughout). Text in German and English. Slipcase in overall good+, binding in good+ to very good, interior and silver gelating print in very good condition. About the author: Helmar Lerski (1871-1956) was born in Strasburg, then part of the German empire, as Israel Schmuklerski. His parents were Jewish immigrants of Polish origin. In 1876 the family moved to Zurich, Switzerland, where they obtained Swiss citizenship. Lerski moved to New York in 1893 at the age of twenty-two to work as an actor, changing his name in 1896. He spent several years with a German theatre company in Chicago and Milwaukee, where he met his first wife, a photographer. In 1911 Lerski began to experiment with photography by adapting dramatic stage lighting techniques to portrait photographs of fellow actors. In 1912, Lerski was encouraged to pursue a career in photography by Rudolph Dührkoop, who had come to St. Louis to demonstrate his photographic techniques. In 1914/15 he taught German language and literature at the University of Texas in Austin. In 1915, after more than twenty years in America, Lerski moved to Berlin, and after showing his portraits, was asked to become a cameraman at the UFA studios, where he worked as a cameraman and expert for special effects for many films, including Fritz Lang's movie Metropolis (1927). Lang wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Lerski used specially made mirrors to create the illusion of actors interacting with huge, realistic-looking sets. With fascism on the rise, Lerski immigrated to Palestine where he worked as a director and cameraman for documentary films. After the war, Lerski moved back to Zurich, where he spent the rest of his life. Signed. …

First Edition. Near fine copy in the original blind-bordered, dark cloth panels. Spiral bound. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 80 pages; Description: 2 p. L. , x p. , 1 l. , 80 pl. 30 x 25 cm. Subjects: Portrait photography. Impressively illustrated with an array of photographs. Slight suggestion of foxing to title page and contents page. 2 Kg. …

First Edition. Near fine copy in the original blind-bordered, dark cloth panels. Spiral bound. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 80 pages; Description: 2 p. L. , x p. , 1 l. , 80 pl. 30 x 25 cm. Subjects: Portrait photography. Impressively illustrated with an array of photographs. Slight suggestion of foxing to title page and contents page. 2 Kg. …

4°. 140 S. Mit zahlr. photogr. Tafeln. Original-Kartonband Anstreichungen mit Bleistift im Text. Gewicht (Gramm): 1000.

4°. 140 S. mit zahlr. Bildatfeln. ill. OKart. gutes Ex. EA.