Tupper jon (4 resultados)
- Tapa blanda
Librería: Better World Books Ltd, Dunfermline, Reino UnidoBetter World Books Ltd
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 5,64
Envío por EUR 5,80Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: Alhambra Books, Edmonton, AB, CanadaAlhambra Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 10,20
Envío por EUR 30,83Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Very Good. 187 pp. Light spotting front wrap, light corner wear. Rubber stamp back endpaper - o/w unmarked. Spine straight and uncreased.
Cartographies: José Bedia, German Botero, Marta Maria Pérez Bravo, Maria Fernanda Cardoso, Mario Cravo Neto, Juan Davila, Iole de Freitas, Gonzalo Diaz, Carlos Fajardo, Julio Galan, Guillermo Kuitca, José Leonilson, Alfred Wenemoser, and Nahum Zenil
Mesquita, Ivo; Mellado, Justo Pastor; Henkenhof, Paulo; Tupper, Jon
- Tapa blanda
Librería: L. Lam Books, Winnipeg, MB, CanadaL. Lam Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 45,36
Envío por EUR 13,21Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft cover. Condición: Good. No Jacket. 192 pp. with full-colour illustrations. Text in English, French and Spanish. Cover lightly rubbed and edgeworn, with 1/4" tear at upper spine. "As an event - an action in time and space - the CARTOGRAPHIES exhibition has two objectives: first, to present a sample of the production of conte…mporary Latin American art and participate in the current debate about this alleged category of art; second, to propose a curatorial methodology capable of approaching the production of contemporary art, critically standing up to insitutionalized tradition and preserving the specificity of the plastic discourses. CARTOGRAPHIES intends to examine whether what we have come to call 'Latin American' in the visual arts is capabe of describing and interpreting in a holistic and productive manner the art produced in the corresponding continent. The project also debates the role of the curator of contemporary art in face of her institualization as a mark of knowledge and power in the contemporary visual arts circuit." Features the work of José Bedia, German Botero, Marta Maria Pérez Bravo, Maria Fernanda Cardoso, Mario Cravo Neto, Juan Davila, Iole de Freitas, Gonzalo Diaz, Carlos Fajardo, Julio Galan, Guillermo Kuitca, José Leonilson, Alfred Wenemoser, and Nahum Zenil.
Silent As Glue: Lynda Gammon, Matt Harle, Elspeth Pratt
Lexier, Micah; Lynda Gammon; Elspeth Pratt; Kathleen Ritter; Matt Harle; Matthew Hyland (Foreword); Jon Tupper (Foreword)
Editorial: Oakville Galleries | Art Gallery of Greater Victoria, Oakville, Ontario | Victoria, British Columbia 2010
- Tapa dura
- Primera edición
Librería: Black's Fine Books & Manuscripts, Toronto, ON, CanadaBlack's Fine Books & Manuscripts
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 58,97
Envío por EUR 14,08Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. First Edition, First Printing. pp. 57. Slim Square 8vo. Cardboard-type binding held with a masktape style binding along the spine. The binding embodies the central thesis of the exhibition namely that of the emergence of vernacular art. Replete with lovely colour photographs, illustrations, facsimiles, etc. No detecta…ble flaws, contents bright, clean, and unmarked with tight, sound binding. Near fine. "Significant attention has been paid in recent years to the vernacular turn in contemporary art. The burgeoning notion that artists are moving away from industrial fabrication and precious materials toward handmade processes and modest mediums has come to be seen as emblematic of a generation of artists "returning" to the studio to the scale of the everyday".
