Trammell carmen (43 resultados)

Paperback. Condición: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Softcover. Condición: Très bon. Ancien livre de bibliothèque. Edition 1996. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1996. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

ISBN 1-55786-509-4. Trade Paperback. Very Good Condition. Tight sound unmarked copy with minor rubs to edges and corners of covers.

Paperback. Condición: New. 1st. An improved product development process is the key to a resurgence in US ability to develop technologically innovative products. Superior Product Development presents lessons learned by firms whose high-value, robust, timely products have been technical and market successes for students of engineering and business as well as business persons, researchers, and consultants in the field of product development. These lessons - the essential elements of superior product development practice - have been synthesized into a Product Development Process Model that may be used as a process template for professionals or a project handbook for students. During the 1980s, the competitiveness gap between US and foreign competition became truly pervasive. Although US-based firms have regained their world market leadership in most industries, US engineering firms continue to lag Japanese and European competitors in the ability to design and manufacture technologically innovative products. Foreign competitors have not beaten US firms with high technology, but with basic design and engineering practices. In many cases, US product development efforts are too slow, too expensive, and too often fail to create products with the features, performance, and quality that customers want. Some US firms have responded successfully to the product development challenge presented by world class competitors. The authors have studied actual successful product development case histories involving the development of complex, innovative products. These firms have combined the engineering, manufacturing, and parts purchasing functions into single teams that value the successful production of a high-value product over all other functional objectives.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 276.

Hardcover. Condición: new. Hardcover. In this captivating work, Carmen Trammell Skaggs examines the discourse of opera -- both the art form and the social institution -- in nineteenth- and early twentieth-century American literature. Through the lens of opera, she maintains, major American writers -- including Walt Whitman, Edgar Allan Poe, Louisa May Alcott, Kate Chopin, Willa Cather, Henry James, and Edith Wharton -- captured the transformations of a rapidly changing American literary landscape. Although they turned to opera for different reasons, they all saw a twofold function in the art form: a means of expressing a private aesthetic experience and a space in which to perform highly ritualized social functions.Skaggs opens with an exploration of Whitman, who believed that the opera singer infuses ordinary speech with an element of the divine. Through his poetry, he sought to transform these sacred intonations into vehicles of an artistic transcendence that could be experienced by his audience. Skaggs then turns to Poe and Alcott, who frequently imitated the excesses of opera in their fiction, flamboyantly enjoying the element of the absurd. Using opera as a setting in their work allowed them to explore the fallibility of human sensibility, especially our susceptibility to deception.Chopin and Cather, Skaggs shows, empowered their heroines with a voice, a medium for artistic transcendence, but they were also influenced by the growing popularity of Wagnerian opera -- and of the idea that only through a sublimation of life can transfiguration of the soul occur. The true artist, they believed, inevitably lived a solitary life, sacrificing all for art. In the diva, for instance, Cather saw the ideal embodiment of the female artist. On the other hand, James and Wharton, Skaggs explains, recognized the opera box as the ideal setting for social considerations of class, codes, and customs in many of their stories and novels. Past literary critics have employed musical terminology to evoke what opera historian Herbert Lindenberger describes as a ""nonverbal dimension beyond what we ordinarily take to be the realm of literature,"" but many of these same scholars warily embraced an operatic approach. After all, the ""operatic"" often suggests artificiality and extravagance -- qualities usually seen as negative in writing. Despite the undisputed canonical status of many of the works Skaggs explores, at least a few of them might also be described in similarly operatic (and disparaging) terms. The critical discourse of opera, however, offers an ideal vehicle for opening these texts in a new way.Unveiling a heretofore seldom-noticed connection between the rise of opera in America and the flowering of American literature, Skaggs's noteworthy study will inform and enlighten literary scholars, musicologists, and lovers of both opera and literature. In this captivating work, Carmen Trammell Skaggs examines the discourse of opera - both the art form and the social institution -- in nineteenth- and early twentieth-century American literature. Through the lens of opera, she maintains, major American writers captured the transformations of a rapidly changing American literary landscape. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. pp. 276.

Condición: New.

Condición: New. In English.

Condición: New. pp. 276.

Hardcover. Condición: Brand New. 176 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: New. In English.

Condición: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Condición: New. pp. 163.

Condición: New. pp. 163.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Brand New. 176 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condición: Brand New. 250 pages. 8.75x5.75x0.75 inches. In Stock.