texts will (9 resultados)

Soft cover. Condición: Very Good. No Jacket. Covers slightly faded, inside pages clean and bright. Text in German.

First 4to, stiff stapled pictorial wrappers. 29 pp, 24 illustrations (10 incolor, including covers), portrait, 9 text figures, exhibition list. Exhibition opened October 27, 1978. Very good except for cover rubbing and mildcorner bumps.

SOFTCOVER. Condición: As New. 1st Edition. 4to in stiff card covers, 55pp on glossy art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Z : 20,5 x 25,5 cm, hardcover, 96 pages, 127 color & 18 b/w illustrations - The first major publication on Luke Fowler and it provides a comprehensive overview into his artistic production, with color illustrations, an in-depth discussion between Stuart Comer and the artist, as well as an essay by Will Bradley.

Hardcover. Condición: New. "This publication marks two important Luc Tuymans exhibitions staged in two UK capital cities, London and Edinburgh. Although in different venues, The Shore at David Zwirner in London and Birds of a Feather at Talbot Rice Gallery in Edinburgh, the exhibitions are united by a theme of Enlightenment; a theme that is explored by the artist through politically complex but elusive means"--Foreword. The British writer Will Self wrote a short story for The Shore, and the art critic Colin Siyuan Chinnery has contributed an explanatory essay for Birds of a Feather. Includes "In painting, you can't go back", a conversation between Will Self and Luc Tuymans held March 6, 2015 at the David Zwirner Gallery in London. Description: 111 pages : illustrations (some color) ; 24 cm Contents: The shore / Will Self -- In painting, you can't go back / Will Self & Luc Tuymans -- Plates -- Birds of a feather / Colin Siyuan Chinnery.

HARDCOVER. Condición: As New. 1st Edition. Tall 4to. in colour printed glazed boards (as issued), 64pp on thick art paper, colour plates, etc. Dual text in English and German . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

HARDCOVER. Condición: As New. Estado de la sobrecubierta: Fine. 1st Edition. Large heavy 4to. in red faux cloth, gilt lettering to spine, silvered end-papers, unpaginated, approx. 250pp on thick art paper, colour plates (1 large foldout plate at rear) etc . [CONDITION: An extremely well preserved AS NEW unmarked copy in an almost AS NEW complete Dust Jacket (mild sunning to outer margin of inner flaps). An excellent copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Condición: Very Good. Slim octavo, text in Italian, illustrations and reproductions of previous illustrations, a variety of graphic styles and a variety of paper stock, one folding page, red pictorial wrappers printed in black (fading to wrappers, minor wear, else very good).

Softcover. Condición: Good to fine condition. First edition. Inscribed "Für Amalie Max Bill 13-5-67" underneath a b/w photograph of Max Bill on inside front cover. Octavo. 48 (4)pp. Original illustrated glossy wraps with black lettering on spine, protected by modern mylar. Exhibition catalog for the first major retrospective exhibition at the "Galerie im Erker" in St. Gallen from April 8 to May 27, 1967. The catalog opens with twenty-eight pages of an illustrated history of Max Bill's work and biographical data, starting with an b/w photograph of an electrical samovar made of brass in 1925 up to his participation in the exhibition "dix ans d'art vivant 1955-65" at the Fondation Maeght St. Paul in 1967. Illustrations are printed to glossy paper. Asides of the thumbnail b/w photographs of Max Bill's work at front the catalog contains twelve full page photographs of Bill's work, two of them in color, and contributions on Bill and his work by Will Grohmann, Max Bense on 'aspects of Hegel in an exhibition of Max Bill' and a contribution by Bill himself, a transcript of Bill's answer to the question 'how will art look like in the year 2000?' spoken for the radio and television department of the Swiss State Exhibition in Lausanne in 1964. The typography of the catalog was design by Max Bill. Text in German. Wraps with light foxing and lightly rubbed. Interior in fine condition.