Taiso yoshitoshi (25 resultados)

Condición: good. Signs of wear and consistent use.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Near Fine. Revised Edition. Lower corners of the front endpaper, half-title and title pages creased. Slightest of edge wear to the jacket.

Paperback. Condición: Fair. [Text in German] Card covers heavilly rubbed and somewhat worn at the edges, spine lightly creased, rear a trifle discoloured; Stamp from the 'Japanese Department' on the inside cover, otherwise internally clean, illustrated generously with around 35 colour and B+W plates; Binding tight. Overall a nice and firm, albeit fairly worn copy. ; 24 x 17 x 0.7 cm; 154 pages.…

Soft cover. Condición: Very Good to Fine. First Edition THUS.. 100 Views of the Moon by Yoshitoshi Taiso, 1839-1892 - Ronin Gallery. >> 40 pages with B&W photos of items panited & craved; in Japanese woodblock prints by Yoshitoshi Taiso artists.; 100 items; >>> weight = 130 grams; >> Minor creasing to right bottom corner of book; Size: 4to - over 9¾" - 12" tall. Yoshitoshi Taiso (ilustrador). Book.…

Wraps. Condición: Very Good -. 36pgs, shows some foxing, includes invitation with example of the artist's work as well as informative booklets on the gallery and exhibitions, nice copy.

Paperback. Condición: Brand New. 112 pages. 7.75x9.75x0.50 inches. In Stock.

Hardcover. Condición: Fine. 1st Edition. Hardcover, 4to. Inscribed 1st edition. 94 pp. Illustrated boards. 32 full page color plates. Inscribed by Stevenson on FFEP, with signed tipped in note. "Esteemed woodblock printer Taiso Yoshitoshi (1839-1892) is best known for designs of Japan's legendary past, for violent and bloody images, and for his images of women. Fuzoku sanjuniso, "Thirty-two Aspects of Daily Life," was issued in 1888.". Signed by Author(s).…

First edition. Hardcover. Profusely illustrated, in color. 94 p. -(In excellent condition.). ISBN 093721001.

Koln, Museums für Ostasiatische Kunst, 1971. 109 pp. B./w. frontispiece, [3] unnumbered b./w. plts with signatures an seals, 7 col. plts & 23 numbered b./w. plts. Orig. softcover (pictorial wrappers). 8vo. - Cover sl. worn.

Condición: New. Estado de la sobrecubierta: New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

softcover. Condición: Collectible; Very Good. First Edition; First Printing. 239 reproductions. Published on the occasion of the exhibition in September 1981 at the Shogun Gallery, Washington, D. C. ; Tight and clean. Solid binding. A gently read book in Very Good condition. No inscriptions. No remainder mark. Not ex-library.…

Hardcover. Condición: Near Fine. 95 pages in Near Fine condition in dustjacket.

Hardcover. Condición: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: Very Good.

Paperback. Condición: As New.

[Machida 1991, Machida City Museum]. Stiff color wrs., 4 color, 61 b.w. photos, Japanese text, compiled by M. Kono & K. Uchida, 65 prints from the set of 100, 14 x 22 cm., "NEW" copy, unused. FIRST & ONLY EDITION *** . TSUKIOKA YOSHITOSHI . . . THE FIRST AND ONLY MONOGRAPH . . . A SERIES OF 100 WARRIORS IN BATTLE . . This is the one and only work devoted to this excellent series of one hundred warriors in battle. . This nicely illustrated work shows the 65 of the 100 warriors from the series: KIDAI HYAKU SEN SO. . A highly dramatic and nationalistic portrayal of Samurai in battle. This series reflects the military virtues of Samurai and military men of the period. . Each plate has a commentary and clear modern Japanese reiteration of the text found on each print. A useful and historical source. . Valuable reference for any collector, student or museum, with a focus on 16th century battles. . *** REFERENCE: See the listing of this and all other Yoshitoshi series..…

N.p. [Tokyo ?] 1877, Yamato Shinbun]. Small color woodcut print, ca 11 x 16 cm., very good, with a trace of mica dust to the print as issued, signed and sealed "Yoshitoshi Ga," an unusual print, seldom found on the market ! R A R E ! *** *** *** . . . AN UNUSUAL COLOR WOODBLOCK PRINT OF ICHIKAWA DANJURO . . Yoshitoshi was doing newspaper illustrations in the mid-1880's, as an obligation to his friends, rather than out of a financial need, since his current position was secured by good sales of his art work. . *** A lovely print showing the famous actor. His eyes are very strange which was the style to depict actors with bizarre eye pointing in different directions. Nicely done, with embossed Mon on the Kimono the technique called "gaufragge" is seldom done, with a touch of mica dust in the inks gives this print a special sparkly, but low key. The actor holds a hand scroll and has a frown ! Superb example ! This print was included in the Yamato Shimbum [newspaper]. . *** CONDITION: The print is clean, bright, with excellent registry. There is the smallest pin hole at the upper right margin, else no issues worth mention. . *** RARITY: This print is exceptionally rare, and seldom found on the market. Being a print included in the newspaper, very few survived. . *** THIS EXACT RARE PRINT ILLUSTRATED AND DISCUSSED IN SEGI: Between the years 1886 and 1888 Yoshitoshi contributed illustrations to the Yamato Shimbun [1896-1906] and a series of twenty especially fine portrait prints with title: PERSONALITIES OF RECENT TIMES [KINSEI JIMBUTSU SHI] for monthly distribution to subscribers. See Segi below who illustrates this exact print, but not in color. Liberally extracted from p.52. Please visit our website where a digital photo is posted. We also provide a scan of p.52 on our website where you can compare them. . *** SENJAFUDA: Senjafuda literally means: "a thousand shrine tags" are stickers or scraps of paper posted on the gates of shrines and Buddhist temples in Japan. The stickers bear the name of the worshipper, and can be purchased pre-printed with common names at temples and shrines throughout Japan, as well as at stationery stores and video game centres. Senjafuda were originally made from wooden slats, but have been made of paper since the Edo period. . Some famous producers of senjafuda are Hiroshige, Eisen, Kunisada and Kuniyoshi. They mainly produce senjafuda for collectors because the process of ukiyoe printing is very expensive . *** BIBLIOGRAPHY: SEGI, Shinichi: YOSHITOSHI THE SPLENDID DECADENT: p.53, illustration 63, and text on p.53. * SENJAFUDA: n-wikipedia-org/wiki/Fuda . *** Color scans of this & most other items are posted to our website.…

Tokyo 1886, Kobayashi. Oban color print, very good, mild rubbing, strong, image, sheet size 24.5 x 35, print size 22.5 x 33cm., with Taiso red seal, good vegetal colors, with gauffrage or blind-stamped portions, ready for framing. . *** **** *** . . FROM YOSHITOSHI'S FAMOUS SERIES . . . * This series portrays heroic military leaders. Sakada is in his battle dress, with a quiver of arrows and a very large bow in his left hand, shown in an elegant stance, sporting a moustache & chin beard. . Nicely executed, ready for framing and library display. Shogun Gallery had similar prints from the same series in their catalog DEVINE DEMENTIA: THE WOODBLOCK PRINTS OF YOSHITOSHI September 1981, items # 181-184, each priced $575-330. . Prints in this dramatic military Samurai series are SCARCE ! . *** Color photos are posted to our website. . *.…

[Tokyo] 1880, Funzau. A single Oban sheet size 23.5 x 35 cm. print size 21 x 32 cm., very good, strong impression, ex- cellent registry, signed & sealed in the block, good colors, without flaw. S C A R C E This historical prints shows "Minamoto no Yoriyoshi [955- 1082] striking a rock with his bow, from which a clear spring gushed forth. The stream is said to have formed the river, Kitagamigawa. The event took place during a drought n 1054 when his troops suffered greatly from thirst." See E. van den Ing et al: BEAUTY & VIOLENCE: JAPANESE PRINTS BY YOSHITOSHI 1839-1892, p.116 entry no. 5 for more details on this print & the series, as well as background information on Yoshitoshi. Minamoto is depicted in full battle Yoroi or armour, with his long bow, and a quiver of arrows. Two aids watch in astonishment as Minamoto pokes among the rocks. His beautiful armour is neatly wovern and tied, his Sae or sword sheath seems to have a host of peacock feathers decorating it. Yoshitosh was the leading exponent of reflecting the true Japanese warrior & Bushi spirit in his prints. Also il- lustrated in DIVINE DEMENTIA as item no. 75. A color scan can be sent by e-mail. …

[Tokyo] 1878, Funazu. Single Oban sheet size ca, 23.5 x 35.5 cm., print size 20.7 x 32 cm. very good registry, impression & color, tiny old worm hole in lower left margin print not affected. S C A R C E This is a famous scene from historic annals. "Ashikaga Taka- uji [1305-58] revolted against Go Daigo [1288-1339] in 1335, and is depicted looking down from his military post at Nitta [1301-38] who is mounted on horseback, reporting from the front. They fought each other on several occasions." See E. van den Ing et al.: BEAUTY & VIOLENCE JAPANESE PRINTS OF YOSHITOSHI 1839-1892 p.116-118, entry no. 18 covers this and see elsewhere for more on Yoshitoshi & this series. Also il- lustrated in DIVINE DEMENTIA as no. 66. Yoshitoshi distingu- ished himself early on as a skilled painter depicting the Japanese military and Samurai spirit of Bushido. His highly emotional and nationalistic paintings alarmed the Meiji gov- ernment who banned and suppressed many of his works. He is known to express a pure Japanese genre of the highest cali- ber, being untainted by Western influences, except for his use of Western perspective. A color scan can be sent by e-mail. Ready for framing & library display.…

[Tokyo] 1879, Funazu. Single Oban sheet size 23 x 35 cm., print size 0.5 x 32 cm., very good, strong impression, fine registry, rebacked on Japanese tissue, small dark spot on the center column else clean. S C A R C E In Yoshitoshi's unmistakable action style, this well crafted and superbly composed work shows the three protagonists as they are consumed with a sword fight,one falls to the ground as he is about to be swiftly butchered with a Wakizashi or sword byi Nakatomi. The shock & fear on Oji's face is clear as the last seconds of his life are lost while Nakatomi swings his sword in a life-taking circular motion while displaying an ever so slight smile as he begins to take out his sworn enemy. See E.van den Inge et al: BEAUTY & VIOLENCE p. 116 for series details & background on Yoshitoshi. Illus- trated in Divine Dementia as no. 61. This work uses the most difficult technique of "gauffrage" or block printing without the use of color on the lower garment of Nakatomi, done in a subtle pattern. Some of Yoshitoshi's violent Sam- Samurai prints were supressed and some even banned by the Meiji govenment as "too nationalistic." Yoshitoshi was the leader and most talented painter of the period who depicted the Japanese warrior or Budhido spirit. His works reflect a true Japanese military spirit.…

Kein Einband. Condición: Gut bis sehr gut. Künstler: Tsukioka Yoshitoshi, (Japan, 1839 1892). Titel: Yakko von den Kochiya bei Yoshicho und Tomoe, aus der Serie Sechs Gedichte über Liebe und Heldenmut. Signatur: Ikkaisai Yoshitoshi ga. Siegel: Taiso. Verleger: Hirose Tatsugoro. Plattenschneider: Horikô Gin. Datum / Ort: Meiji Zeit, 1879. Technik: Farbholzschnitt (Nishiki-e) auf Krepppapier (Chirimengami-e). Format: 25,3 x 18 cm. Zustand: Drei kleine Löcher, vergilbt, Rückseite mit Resten einer ehemaligen Montierung. Museum/Literatur: Philadelphia Museum of Art, Accession Number 1989-47-132. Hinweis: Dieser Artikel unterliegt der Differenzbesteuerung gem. § 25a UStG, daher wird die im Kaufpreis enthaltene Mehrwertsteuer in der Rechnung nicht gesondert ausgewiesen (Kunstgegenstände/Sonderregelung). …

Color woodblock print, (Oban tate-e format). 12 3/4 x 9" in wooden frame, with white mat. #79 from the series "100 Aspects of the Moon." This dramatic woodblock image depicts the Ronin Kobayashi Heihachiro in a famous scene taken from the famous Kabuki play "Kanadehon Chushingura" (aka 47 Ronin). The print has been trimmed slightly along the right margin, as well as very slightly at the bottom and top. Only very slight loss of image on the right side, when compared to an untrimmed copy. The print is also very slightly sunned. …

[Tokyo] 1879, Funazu. A single Oban sheet size 23.5 x 35.5cm print size 20.5 x 32 cm., signed & sealed in the block, very good, beautiful colors, rebacked with tissue sheet, print not affected. Superb work ! R A R E A spectacular acton work. Shows Koremochi falling backwards blue-blade sword flashing, as he repels the blue-faced wild haired Devil, while the autumn-red miniature Japanese maple [Momiji] leaves float in the air from the disturbance. Kore- mochi's pinkish-white cloak shows an intricate pattern carv- ed in the blocks, but printed without color by the most dif- ficult and subtle "gauffrage" technique. The Devil avoids Koremachi's dangerous sword in his jump into the air. A most impressive scene, suitable for framing & library display.See E. van den Inge et al: BEAUTY & VIOLENCE JAPANESE PRINTS BY YOSHITOSHI 1839-1892, p.116 & example prints from this ser- ies. Also illustrated in Divine Dementia as no. 84. Yoshi- toshi was the superb master of Samurai action and dramatic prints reflecting Bushido or the Samurai spirit. He excelled at this and has never been surpassed. His prints truly ref- lect the Japanese warrior spirit, many of which were banned during the Meiji era as too 'nationalistic' by the govern- ment. . Always R A R E .…

[Tokyo 1876, Manya]. Tryptich prints, with grass cloth cover very good, clean,strong impression, excellent color, accord- ion folded, as issued, signed in block, clean, bright copy. THIS WORK HAS ELUDED ALL YOSHITOSHI REFERENCE BOOKS ! RARE ! . *** **** *** . .THIS PRINT IS NOT LISTED OR CITED IN ANY REFERENCE BOOKS ! . . . AN OBSCURE TRIPTYCH, FULL COLOR WOODBLOCK PRINT . * A dramatic scene shows the young Yoshinobu [1827-1913], the last Shogun as he escapes, standing boldly on a small skiff as two young Samurai row him to safety, three other vassals one armed with Tangegashima [rifle] another holds the Shogun clan banner. . Yoshinobu stands with determination on his face with one hand on his Katana [sword] the other holds his fan, he and all others wear their Hachimaki [head-bands] in a symbolist "Fighting Spirit" display. . Other vassals are in small skiffs as they all head in the same direction away from the shore to the awaiting Kanyoomaru, a large sailing ship. Yoshinobu returned the reins of Japanese government over to the Emperor. This was a very controversial move, and he was hated by the opposing forces who wanted the Feudal system to continue. The battle of Fushimi in 1866 took place in Kyoto. . In an ironic move, the new Emperor Meiji deprived him of titles Court rank and sent a punitive army to Edo to suppress Yoshinobu. Yoshinobu confined himself in Kan-eiji Temple at Ueno to show his penitence. . By Imperial order, he was removed to Mito, and in 1867 was pardoned, but sent to Shizuoka. Created Prince in 1902. So ended the line of Japanese Shoguns. . An historic work & emotional work. Yoshitoshi was an extreme nationalist, and always supported the concept of the Tokugawa feudalistic period, as well as the Emperor. . His prints have always embodied the Samurai & Nationalistic spirit of Japan. His dramatic & often heroic prints show the important people and events of the time. . This night scene is skillfully executed in dark colors with the white waves of a churning sea beginning to rise, as the smoke of the battle drifts over the sea as all participants look back in sadness as they retreat feling the huge loss of face and shame. . *** RARITY: This three-panel complete work is clearly very RARE ! It is NOT found in any reference books on Yoshitoshi. . A very large example, Oban size ca. 34 x 72 cm, re-backed to reinforce. An unfound example. . *** Color photos are posted to our website. . *** REFERENCES; . Rengo Press: JAPAN BIOGRAPHICAL ENCYCLOPEDIA & WHO'S WHO p.1709 for biographical detail. * F. Brinkley: A HISTORY OF THE JAPANESE PEOPLE for more details on the battle & Yoshinobu.…