Swoboda gudrun (89 resultados)

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Quarto. Hardcover. Illustrated boards. 294 pages : illustrations (chiefly color), facsimiles, plans, portraits ; 28 cm. "Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market - can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that "good envy" spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander." --. VG. Small scratch to rear board. Otherwise clean.…

Paperback. Condición: New. New copy.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: as new. Wie neu/Like new.

Condición: New.

Condición: New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: Acceptable. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.…

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market-can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that "good envy" spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: new.

Condición: New.

Condición: New.

Hardcover. Condición: New.

Condición: New. 2022. Paperback. . . . . .

Hardback. Condición: New. Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market-can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that "good envy" spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander.…

Condición: As New. Unread book in perfect condition.

4°, gebundene Ausgabe. 1. Auflage.. 296 Seiten, Das Buch ist in einem sehr guten Zustand. Als Geschenk geeignet. 9783775753982 Sprache: Englisch Gewicht in Gramm: 1574.

Condición: Neuf.

Condición: New. In English.

Soft cover. Condición: As New. No Jacket. 1st Edition. 4to, stiff pictorial wrappers. c. 325 pp, bibliography. Exhibition October 15, 2019 - January 19, 2020 at the Kunsthistorichesmuseum Vienna, followed by a showing at the Rijksmuseum, Amsterdam.

Condición: New.