sutherland marielle (26 resultados)

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Taschenbuch. Condición: Neu. Neuware - Images of Absence: Death and the Language of Concealment in the Poetry of Rainer Maria Rilke discusses Rilke's exploration of death as ambivalence, anonymity and invisibility in images of deferral and encryption, examining poems from New Poems to Sonnets to Orpheus, with special attention to the Requiem poems of 1908. Its contribution to Rilke scholarship is to more fully state Rilke's production of an 'otherness' of death in self-consciously literary devices that emphasise the 'art' in 'articulation' and propose that the human relation to death is made in the paradoxes of poetic writing, integrating death via its resistance to interpretation and integration. Under this focus, the 'death of one's own' ('der eigene Tod') of the middle period takes on more artistic implications than previous interpretations of it have permitted. It becomes the poet's work or 'making' of death, a construct in which death's alienation appears charged, completed and aestheticised in metaphors, similes and poetic forms that represent language reaching beyond modes of familiarisation into depersonalised, estranged spaces. The study traces through the different phases of Rilke's poetry the relation he sets up between the textuality of the text and the hidden quality of death.

Taschenbuch. Condición: Neu. Images of Absence: Death and the Language of Concealment in the Poetry of Rainer Maria Rilke | Marielle Sutherland | Taschenbuch | Amsterdamer Publikationen zur Sprache und Literatur, Band 164 | Englisch | 2006 | Weidler | EAN 9783896934611 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Hardback. Condición: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.

Hardback. Condición: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.

Hardback. Condición: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.

Hardback. Condición: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.

Übers.: Marielle Sutherland Ilustrador. 4°. 215 S. Mit zahlr. tls. farb. Abb. Original-Pappband Text deutsch-englisch. - Vorderkanten mit jeweils 2 Einkerbungen. Gewicht (Gramm): 1650.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Images of Absence: Death and the Language of Concealment in the Poetry of Rainer Maria Rilke discusses Rilke's exploration of death as ambivalence, anonymity and invisibility in images of deferral and encryption, examining poems from New Poems to Sonnets to Orpheus, with special attention to the Requiem poems of 1908. Its contribution to Rilke scholarship is to more fully state Rilke's production of an 'otherness' of death in self-consciously literary devices that emphasise the 'art' in 'articulation' and propose that the human relation to death is made in the paradoxes of poetic writing, integrating death via its resistance to interpretation and integration. Under this focus, the 'death of one's own' ('der eigene Tod') of the middle period takes on more artistic implications than previous interpretations of it have permitted. It becomes the poet's work or 'making' of death, a construct in which death's alienation appears charged, completed and aestheticised in metaphors, similes and poetic forms that represent language reaching beyond modes of familiarisation into depersonalised, estranged spaces. The study traces through the different phases of Rilke's poetry the relation he sets up between the textuality of the text and the hidden quality of death. 302 pp. Englisch, Deutsch.

Hardcover. Condición: Brand New. 368 pages. 9.21x6.14x0.75 inches. In Stock. This item is printed on demand.