Steven marker (31 resultados)

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback or Softback. Condición: New. Chris Marker: Early Film Writings. Book.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: New. Formative writings by French avant-garde filmmaker Chris Marker   It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker's influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications.   This first English translation of Marker's early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood's efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier's 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery's Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more.   An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker's critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. Formative writings by French avant-garde filmmaker Chris Marker It is hard to imagine French cinema without La Jetee (1962), the time-travel short feature by the reclusive French filmmaker Christian Francois Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Markers influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications. This first English translation of Markers early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywoods efforts to contend with the rise of television. Readers will find commentary on Laurence Oliviers 1944 screen adaptation of Henry V, a scathing review of Robert Montgomerys Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more. An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Markers critical voice and situate him alongside such contemporaries as Andre Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and Francois Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena. This first English translation of Markers early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywoods efforts to contend with the rise of television. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Formative writings by French avant-garde filmmaker Chris Marker   It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker's influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications.   This first English translation of Marker's early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood's efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier's 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery's Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more.   An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker's critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. 2024. paperback. . . . . .

Paperback. Condición: Brand New. 248 pages. 8.50x5.50x0.50 inches. In Stock.

Paperback. Condición: Brand New. 248 pages. 8.50x5.50x0.50 inches. In Stock.

Condición: New. In English.

Condición: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condición: New. Special order direct from the distributor.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: New.

Trade Paperback. Condición: Very Good - Cash. Signed by author/ Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! Stock photos may not look exactly like the book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Formative writings by French avant-garde filmmaker Chris Marker   It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker's influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications.   This first English translation of Marker's early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood's efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier's 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery's Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more.   An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker's critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.…

Taschenbuch. Condición: Neu. Neuware - Formative writings by French avant-garde filmmaker Chris Marker It is hard to imagine French cinema without La JetÉe (1962), the time-travel short feature by the reclusive French filmmaker Christian FranÇois Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker's influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications. This first English translation of Marker's early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood's efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier's 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery's Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more. An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker's critical voice and situate him alongside such contemporaries as AndrÉ Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and FranÇois Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.…

Condición: NEW.

Paperback. Condición: new. Paperback. Formative writings by French avant-garde filmmaker Chris Marker It is hard to imagine French cinema without La Jetee (1962), the time-travel short feature by the reclusive French filmmaker Christian Francois Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Markers influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications. This first English translation of Markers early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywoods efforts to contend with the rise of television. Readers will find commentary on Laurence Oliviers 1944 screen adaptation of Henry V, a scathing review of Robert Montgomerys Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more. An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Markers critical voice and situate him alongside such contemporaries as Andre Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and Francois Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena. This first English translation of Markers early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywoods efforts to contend with the rise of television. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New.

Paperback. Condición: Good. No Jacket. SIGNED by author on title page, and inscribed "To Jon" inside front cover. Wear and creasing to covers is consistent with age, handling and use. Binding is tight and secure. All pages are intact and free of all marks or highlights. Book is wrapped in a poly bag for further preservation. Secure packaging for safe delivery. signed and inscribed by author.…

Paperback. Condición: New. Formative writings by French avant-garde filmmaker Chris Marker   It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker's influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications.   This first English translation of Marker's early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood's efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier's 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery's Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more.   An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker's critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.…