stelarc (40 resultados)

Hardcover with dustjacket, 258 pages; very good condition, light rubbing to dj, no internal marks. Foreign shipping may be extra.

Foreword by William Gibson. Texts by Julie Clarke, Timothy Druckrey, Jane Goodall, Amelia Jones, Arthur and Marilouise Kroker, Brian Massumi, Marquard Smith, Stelarc. Fine and bright pictorial stiff wraps with excellent square spine and crisp bright text throughout. Profusely illustrated with close detail stills and larger portraits of this performance artist.

Paperback. Stelarc, Monash University. Author: StelarcBinding: PaperbackPublished: Monash University., 2002Condition:Book: GoodJacket: Slipcase: GoodPages: Tanning and foxingMarkings: No markingsCondition remarks: Condition as shown in imageThis compelling volume chronicles the groundbreaking work of a visionary artist who continually challenges the boundaries of the human form and its technological extensions. It presents a critical examination of his radical performances, which often integrate robotics, prosthetics, and virtual systems to redefine corporeal existence. The text illustrates the philosophical underpinnings and artistic methodologies behind his provocative creations, inviting readers to reconsider notions of identity, embodiment, and the future of humanity. Through incisive analysis, it uncovers the profound impact of his contributions to performance art and cybernetics, solidifying his place as a pivotal figure in contemporary art. Paperback.

Exhibition invite that unfolds 6 x 11 inches; very good condition; a mailed copy.

Soft cover. Condición: Near Fine. Also included four exhibition brochures. GL.

Condición: New. In.

Condición: New. In.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Soft cover. Condición: Very Good. A beautiful clean crisp uncracked softcover copy in very good condition, light edgewear to cover and faint age toning to edges of endpapers.

Condición: New. pp. XIX, 456 218 illus., 200 illus. in color. Softcover reprint of the original 1st ed. 2016 edition NO-PA16APR2015-KAP.

Softcover 160 pages; very good condition, light rubbing and edgewear to covers, no internal marks. Many photos of Stelarc suspended by hooks. Foreign shipping may be extra.

385 pp.; 22.2 x 14.7 cm.; sewn bound; other special feature[s]; black-and-white; unsigned and unnumbered; offset-printed Collection of essays on the subject of audio / sound works by artists. Edited by Dan Lander and Micah Lexier. Includes contributions by Daina Augaitis, Bruce Barber, Max Bruinsma, John Cage, Kevin Concannon, Moniek Darge, Godfried-Willem Raes, Suzanne Delehanty, Jack Goldstein, Graf haufen, Ihor Holubizky, Douglas Kahn, Richard Kostelanetz, Christina Kubish, Marysia Lewandowska, Annea Lockwood, Alvin Lucier, Donal McGraith, Rita McKeough, Gordon Monahan, Ian Murray, Mystery Laboratory, Maurizio Nannucci, Max Neuhaus, R. Murray Schafer, Stelarc, Rod Summers, Chris Twomey, Bill Viola, Hildegard Westerkamp, Gregory Whitehead, and Caroline Wilkinson. Christian Marclay's contribution, "Sound Page," consists of a audio Flexi-Disc bound into the book. Extensive back-matter including "A Selection of Recorded Works by Artists," selected bibliographies, notes on contributors, and index. Very Good / Fine. Very minimal discoloration of covers along upper edge and spine from sun exposure. Contents clean and unmarked and pages tight to the spine.

Condición: New. 1st ed. 2016 edition NO-PA16APR2015-KAP.

Taschenbuch. Condición: Neu. Neuware -The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring ¿ and into the minds and works of some of the world¿s most prolific creators of robotic art.Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human¿robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 476 pp. Englisch.

Buch. Condición: Neu. Neuware -The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring ¿ and into the minds and works of some of the world¿s most prolific creators of robotic art.Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human¿robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 476 pp. Englisch.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring - and into the minds and works of some of the world's most prolific creators of robotic art.Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human-robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring - and into the minds and works of some of the world's most prolific creators of robotic art.Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human-robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.

Hardcover. Condición: Brand New. 456 pages. 9.00x6.25x1.25 inches. In Stock.

hardbound. profusely illustrated Ilustrador. Images in colour and b&w of various Stelarc performance art pieces, all involving the suspension of the naked body in space held by hooks attached to cord and hooked into the artist's skin; Event for Clone Suspension Maki Gallery Tokyo 1982, Moving/Modifying Suspension for Obsolete Body Espace DBD Los Angeles 1982, Trajectory Ibaraki Kenmin Bunka Centre 1983, Tilted/Twisting Event for Cone Configuration Tamura Gallery 1980, Event for Obsolete Body La Mama Melbourne 1980, and many more; various authors, including extracts from Japanese art journals; compiled and edited by James D Paffrath (with the artist); Signed in black texta by Stelarc to translucent prelims page; Very Good and clean throughout; dustwrapper edgeworn and rubbed, with minor loss to head of spine. Dustwrapper. 160pp. 4to. Very Good in chipped & rubbed dustwrapper Very Good in chipped & rubbed dustwrapper.

Couverture souple. Condición: Comme neuf. Edition originale. In-8° broché.

[10800].

Condición: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paperback. James D. Paafrath; Stelarc, JP Publications. Author: James D. Paafrath; StelarcBinding: PaperbackPublished: JP Publications, 1984Condition:Book: Very goodJacket: No dust jacketPages: GoodMarkings: Previous ownerThis compelling work presents a critical examination of the human form in an age of technological augmentation. It argues for a re-evaluation of biological limitations, questioning the future of the body as we know it. The text chronicles Stelarc's provocative artistic interventions, including his renowned body suspension performances, which challenge conventional notions of physical autonomy and identity. It illustrates how these radical acts serve as a commentary on the body's potential obsolescence and its ongoing transformation through science and art. This profound volume offers a meditation on posthumanism and the evolving relationship between flesh and machine. Paperback.

Soft cover. Condición: Very Good. 16×21 cm. Softcover. Stapled. Unpaginated. English. Exhibition catalogue published in conjunction with an early show of body art in Japan. For most of the participants this was the first presentation of their work in the country, while a surprising number of them came from Eastern Europe avant-garde circles pointing to an obscure and little researched connection between Japan and this thriving, underground scene. Participating artists: Marina Abramovic / Ulay, Jaroslav Andel, Monika Baumgartl, Hiroshi Fujii, Geoffrey Hendricks, Hiroyuki Iwano, Kazoo Kenmochi, Miroslav Klivar, Karel Miler, Jan Mlcoch, Maurizio Nannucci, Minoru Nishiki, Klaus Rinke, Alan Sonfist, Jan Steklik, Stelarc, Petr tembera, Keiji Uematsu, Timm Ulrichs, Jiri Valoch, Krzysztof Zarebski. There is an almost punk aesthetic to this publication with handmade correction on the cover and raw b&w photography. Profusely illustrated features two critical texts, aritsts statements and addresses for each artist (!). Rare. // This copy suffers from spotting mostly visible on cover. Else clean and tight. VG/VG+.

Hardcover. Condición: Very Good+ in Very Good DJ. First Printing. First Printing. Hardcover. Very graphic images and textual descriptions by and of the artist in a variety of suspensions (various hook numbers, positions, locations). In 2007 the artist had his ear attached to his arm. Uncommon generally, scarce signed. Minor shelf/edge wear, signed by the artist, else tight, bright, and unmarred. DJ shows light shelf/edge wear, small closed tear, minor rubbing. Dark blue cloth boards, gilt lettering. 4to. 156pp. Illus. (color and b/w plates). Signed by the artist.

In-8, 24 cm, 382pp., illustr. et photos, A72,

Printed Postcards. Condición: Very Good - or Better. First Editions. Fifteen 4 1/8 x 5 7/8" cardstock postcards printed offset b&w, recto and verso. Text in English. This is a collection of fourteen photographically illustrated, self-published postcards documenting noted Cypriot-born, Australian-based artist Stelarc's public performances - primarily in Japan and Australia - between 1976 and 1981. A handsome group of these uncommon artist's multiples issued for the following performances: "Event for Stretched Skin (May 16th, 1976 - Tokyo)", "Event for Penetration / Extrapolation (August 14th, 1976 - Mexico City)", "Event for Stretched Skin No. 4 (August 8th, 1977 - Munich)", "Event for Inclined Suspension (January 7th, 1979 - Tokyo)", "Event for Amplified Tension (August 6th, 1979 - Tokyo)", "Pull Out / Pull Up Event for Self-Suspension (March 2nd, 1980 - Tokyo)", "Sitting / Swaying Event for Rock Suspension (May 11th, 1980 - Tokyo)", "Event for Obsolete Body (August 13th, 1980 - Melbourne)", "Up / Down: Event for Shaft Suspension (August 17th, 1980 - Melbourne)", "Tilted / Twisting Event for Cone Configuration (December 30th - Tokyo)", "The Third Hand. The Third Hand (May 8th, 1981 - Tokyo)", "Seaside Suspension: Event for Wind and Waves (May 30th, 1981 - Jogashima)", "Sculpture Space Suspension (August 16th, 1981 - Mexico City)", "Deca-Dance (November 15th, 1981 - Tokyo)", and "Curves / Event for Three Hands (December 28th, 1981 - Tokyo)". Artist Multiples.