Alan sonfist (53 resultados)

Soft cover. Condición: Very Good. 1st Edition. Slight shelf wear, otherwise an unmarked and undamaged copy.

Soft Cover. Condición: Fine. First Edition. First Edition (stated) of this softcover original in illustrated wraps, First Printing with full # line, no markings, no spine/cover creases, NOT ex-lib, slight rubbing to panels, else bright tight unread copy; 8vo; (xiv) 274pp indexed & illus.

Soft cover. Condición: Very Good. 1st Edition. Dutton, New York, 1983. Softcover, 274 pp. 1st edition, 1st printing (full number line). A survey of Environmental and Land art. Illustrated. In very good condition.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover, 80 pages; very good condition; light edgewear to spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Used.

First Edition. First edition. Small oblong softcover. 70 pages. Features a preface by Terence R. Pitts and essay by Timothy Druckrey. Includes black and white illustrations of works by and information about: Agnes Denes, Jan Dibbets, Douglas Huebler, Barbara Kasten, Barry La Va, Sol Lewitt, Dennis Oppenheim, John Pfahl, Robert Smithson, Alan Sonfist, and Bill Vazan. Also includes a checklist. A near fine copy in wrappers with some very minor wear.…

Hardcover without dustjacket as issued, 276 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 274 pages, good condition; light foxing to outer page edges; internally fine; no internal marks. Essays on: earth art, Robert Smithson, Nancy Holt, Hans Haacke, Christo, Alan Sonfist, and much more. Foreign shipping may be extra.

Softcover, 80 pages; very good condition; light edgewear to spine; signed by Alan Sonfist in pen on title page; no other internal marks. Foreign shipping may be extra.

Paperback. Condición: Near Fine. First Edition. First edition. 8vo. 274 pp. Near Fine. Slight shelfwear and rubbing to wraps. Subtle glue marks inside wraps at hinge.

Softcover staple bound, 32 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. First Edition; First Printing. Very Good in wrappers. Some rubbing.; 4to 11" - 13" tall.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Broschiert. Condición: Gut. [119], 74 S. in einer Mappe; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 850.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Signed & inscribed by Alan Sonfist to previous owner on the half title page & on photo laid in. 1st edition. Hardbound in dust jacket. One tear to spine edge of dust jacket, otherwise very good. Inscribed by Author(s).…

[0-933699-16-6] 1990. (Square trade paperback) Very good plus. 80pp. Black and white and color photographs, bibliography. "Alan, since I am primarily an art historian, the first thing I do is try to situate you in terms of decades, movements, other artists, and to learn how you feel about such things. One question I would like to start with has to do with something I read recently. It referred to the present 'mood' as archeologism. The writer thought that the whole spirit of regression, of moving backwards, of exploring layer after layer of our historical past, whether recorded or pre-historical, was part of the mood of the past ten years or so. Does that ring any bells for you?" - from the text. Book about Alan Sonfist. Time Period 1969-1989. Interview by Robert Rosenblum. Locale: Brookville--New York; Hillwood Art Museum; New York--United States. (Art, Art, Exhibition Catalog, Interviews, Sculptors, Sculpture).…

Hardcover. Condición: Near Fine. 1st Edition. Gli Ori hardcover in dust jacket, 2004, first edition-1st printing, black cloth, terra cotta endpapers; inscription on half-tile page "To Hollister Best wishes Alan Sonfist" else unmarked, clean/tight No signs of use, foxing on jacket verso; Near Fine/Very Good. We will add a custom fitted mylar cover, bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers. Inscribed by Author(s).…

hardcover. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Condición: very good(+). Limited. Illustrated in color and in black and white. 98 pages. Wide 8vo, pictorial wrappers (spine sunned, slightly edgeworn and with a few spots. Firenze: Edizioni della Bezuga, (1990). Internally clean and tight. Text in English and in Italian. Very good(+). 475 of 1300 numbered copies. SONFIST, Alan (ilustrador). …

PAPERBACK. Condición: Good/Fair. Estado de la sobrecubierta: No DJ As Issued. First Limited Edition. 4to, Paperback, First Limited Edition, 98 pages. Text is in Italian and English. 472 of 1300 copies made. Book is in good to fair condition with some shelfwear/bumping/rubbing to edges, light scuffing to covers, and a small, 1/2" tear to top of spine. Interior is very clean and tight. Black/white and full color illustrations throughout. Black/white covers. Size: 4to. Paperback.…

Black-and-white illustrations.Brochure published to accompany an exhibition documenting Sonfist?s Atlanta Earth Wall Project, held at The High Museum of Art, Atlanta, March - April, 1979. Sonfist?s project incorporated a glass enclosure of layered earth, and was set to face the MARTA station so it would be visible to ongoing traffic. Three-part folded card brochure, printed both sides.…

Condición: Good. 4to. 151. Soft cover. Very Good. Color plates.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. Inscribed to a previous owner on a front end page by Alan Sonfist. Has some previous water damage to bottom of book that does not interfere with reading, otherwise nice copy with no pages stuck together. Inscribed by Author(s).…

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: Good. 8vo. 274 pp. Stiff, glossy green and color photographic wraps with yellow lettering. Good with creasing along wrap corners, soiling along title page and yellowing along interior spine gutter. Black and white plates. Includes a compilation of essays by Joshua C. Taylor, Donald B. Kuspit, Lawrence Alloway, Mark Rosenthal, Jeffrey Deitch, Carol Hall, Elizabeth C. Baker, Michael Auping, Cindy Schwab, Robert Rosenblum, Grace Glueck et al. Includes works by Helen and Newton Harrison, Christo, Mark Boyle, Alan Sonfist, Alice Aycock, Philip Pearlstein, Hans Haacke, Michael Singer, Robert Smithson, Mary Miss et al. Half-title page signed and dated in red ink by previous owner: "Peter Selz, 1983." First edition. From the Collection of the Art Historian Peter Selz. …

softcover. Condición: Sehr gut. (32) p. A self-presentation by Alan Sonfist, published in onnection with an exhibition of his works at the Herbert F. Johnson Museum of ARt, Cornell University, March 19 - May 4, 1975. Sprache: Englisch Gewicht in Gramm: 161.

Couverture rigide. Condición: Très bon état. In-4, pleine toile verte, sous jaquette illustrée, photographies en noir et en couleurs, 139 pp. Bon état d'occasion. La présence de l'art dans la Défense est une vitrine de l'art contemporain, elle accueille des expositions, des concerts, des dîners-débat et de nombreux spectacles. in-4°.…

loose_leaf. Condición: Ottimo (Fine). Pieghevole della 822ma Mostra della Galleria del Cavallino, Venezia, dal 27 marzo al 20 aprile 1976. Testo dell'Artista (percorso autobiografico per date). Con due illustrazioni in bianco e nero e attività espositiva . Cm 20 x 19. pp. 6. . Ottimo (Fine). . . . In una conferenza del 1969 al Metropolitan Museum of Art di New York, Sonfist ha rilasciato la seguente dichiarazione: "I monumenti pubblici hanno tradizionalmente celebrato eventi della storia umana, atti di eroismo importanti per la comunità umana. Sempre più spesso, man mano che comprendiamo la nostra dipendenza dalla natura, il concetto di comunità si espande fino a includere elementi non umani. I monumenti civici, quindi, dovrebbero onorare e celebrare la vita e gli atti dell'intera comunità, l'ecosistema umano, compresi i fenomeni naturali. Soprattutto all'interno della città, i monumenti pubblici dovrebbero recuperare e rivitalizzare la storia dell'ambiente naturale in quel luogo. Come nei monumenti di guerra, che registrano la vita e la morte dei soldati, anche la vita e la morte di fenomeni naturali come fiumi, sorgenti e affioramenti naturali deve essere ricordata". Book. …