steinlen t (23 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Trade Paperback. Condición: Very Good. A Steinlen Cartoon (Cover Picture) Ilustrador. 256 pp. Nearly flawless copy with solid and tight binding. Clean text. Minor shelfwear.

Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. T. A. Steinlen, Drawings Ilustrador. Octavo, hardcover, light foxing and pages show age toning, else VG in lightly edgeworn, price-clipped beige pictorial dj. First edition. 204 pp. plus notes on editor. includes fairy tales, science fiction, ghost stories, writers such as Wodehouse and Sylvia Warner. for the best cat stories ever written, spanning six centuries. Book.

Condición: As New. Unread book in perfect condition.

imo. Condición: Very Good.

PF. Condición: New.

Paperback. Condición: New.

8° gebundene Ausgabe. Condición: Neu. Neuausg. 93 Seiten Gebundenes Buch mit Original-Schutzumschlag. Buch ist neu, aus priv. Vorbesitz, ungelesen. ISBN: 9783716022627 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 172.

Gebundene Ausgabe. Condición: Wie neu. Neuausg. 96 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Deutsch Gewicht in Gramm: 174.

Paperback. Condición: Very Good. First Edition. Wraps. 4to. pp 40. Illustrated with a colour cover and numerous, partially colour images and illustrations of contemporary paintings, as well as poems, caricatures, and advertisements. Stapled. This magazine gave "Jugendstil" its name and popularised the movement, very like art nouveau. Including the following works: On the Fortifications (Theophile Steinlen); Walther Puttner's painting of his Artist father at work in his studio 'Mein Vater an seinem Arbeitsfenster.'; The Young Woman (Juan Cardona) Stylish cover by Ivi Diez (Julius) Illustration on rear cover by A. Weisgerber:"Ehrengericht -Der fall ist nicht flar. Die Beiden mussen sich schiessen!" (Court of Honour- The case is not clear. The two must shoot each other ) Additional illustrations by Ernst Dorn. Many period advertisements add graphic and social interest to both magazines. Text in German Very good indeed.

Condición: New.

Dover. New York 1980. 28x21. 44 pp. GASTOS DE ENVIO GRATIS HASTA 500 GRS. DE PESO POR PAQUETE.

hardcover. Condición: Sehr gut. Auflage: Neuausg. 96 Seiten 9783716022627 Wir verkaufen nur, was wir auch selbst lesen würden. Sprache: Deutsch Gewicht in Gramm: 173.

Halbleinen. Condición: Gut. 6.-13. Auflage. VIII Seiten + Tafeln / dessins gebundene Halbleinenausgabe mit Goldtitelprägung; gut erhaltene Erstausgabe mit zahlr. Bildern von Steinlen und Einführungstext von Camille de Sainte-Croix Sprache: Französisch Gewicht in Gramm: 1.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Fine. T.A. Steinlen Ilustrador. This first edition, folio lithograph after a poster is from Les Maitres de l'Affiche. The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al.Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us Les Maitres de l'Affiche.Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136)This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97)"By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published Les Maitres de l'Affiche (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition.

Paris, Hôtel Drouot, 1925. Catalogue de vente après décès de 389 n°., planches, illustrations. Broché, à l'état de neuf.

Couverture rigide. Condición: Très bon. Paris, L'Art et les Artistes, 1918, 1919. 5 numéros spéciaux de la revue regroupés dans un volume in-4 (30 x 21,5 cm), reliure demi-chagrin signée Louis Marchand, dos à 5 nerfs orné de caissons dorés, papier à la cuve aux plats et contreplats, tranche supérieure dorée, dos insolé avec quelques frottements, petits manques de papier au premier plat. Les 5 numéros grand luxe du volume sont numérotés sur papier de la Manufacture Impériale du Japon (tirage limité entre 25 et 40 exemplaires selon les numéros). LA GUERRE PAR STEINLEN, 52 pages, 2 états sur Japon d'une lithographie originale de Steinlen dont un avant la lettre, "La guerre", 2 hors-texte, 5 illustrations, texte de Camille Mauclair. AMIENS - LA CATHEDRALE, 48 pages, 2 états sur Japon d'après un bois original de Jacques Beltrand dont un avant la lettre, "la Cathédrale d'Amiens", textes de Paul Léon, 70 illustrations. L'AMERIQUE EN FRANCE, 52 pages, 2 états sur Japon d'un dessin original de Lucien Lantier dont un avant la lettre, "Le soldat du droit", 88 illustrations. REIMS - LE MUSEE, 44 pages, 2 états sur Japon d'un dessin original de Carlos Schwab dont un avant la lettre, "Justice", texte de Ambroise Vollard, 48 illustrations. BERNARD NAUDIN, 44 pages, 2 états sur Japon d'un dessin original de Bernard Naudin dont un avant la lettre, "Les ancêtres", hors-texte "Dans la tranchée" (étude de nu), texte de Robert de la Sizeranne, 44 illustrations. Fondée en 1905 par Armand Dayot, alors Inspecteur général des Beaux-Arts, la revue L'Art et les Artistes devient pendant la Grande guerre un organe de résistance intellectuelle et de témoignage, invitant auteurs et illustrateurs à s'exprimer sur le conflit en cours. Provenance : Adolphe Thalasso, proche collaborateur de la revue, écrivain et critique d'Art né à Constantinople, figure orientaliste à Paris dans le monde littéraire. Bel état du texte et des planches, bon exemplaire sur grand papier.