Steinl (148 resultados)

Condición: Gut. Kein Schutzumschlag. 0 Ohne Jahresangabe, wohl aus den 1940er Jahren, 32 S. Text mit 15 s/w-Abbildungen auf Tafeln, wenig benutzt, Altersspuren, E-5.

Brosch. 31 S.

239 S 22x20cm, illustr. Hardcover, zahlr. Farbfotos im Text, sehr gutes Exemplar.

Condición: New.

Condición: New.

Heft. Condición: Gut. 31 Seiten; 14 Abb. auf Tafeln Das hier angebotene Heft stammt aus einer Klosterbibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Bibliotheksstempel). Schnitt und Einband leicht staubschmutzig. Ansonsten ordenticher Erhaltungszustand. Sprache: Deutsch Gewicht in Gramm: 60.…

Hardcover. Condición: Très bon. Edition 1987. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 1987. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Gebundener Pappband, illustrierter Deckel, Abbildungen im Text, 240 Seiten, Zustand gut mit leichteren Gebrauchsspuren, Schnitt leicht nachgedunkelt. 19,5 x 21,5 cm.

Hardcover. Condición: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

240 Seiten, gebunden, sehr guter Zustand.

Condición: New.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Dozerdraws (ilustrador).

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,0, University of Frankfurt (Main) (Neue Englischsprachige Kulturen und Literaturen), language: English, abstract: 'Space, the Final Frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go, where no one has gone before.'- Opening credits of Star Trek: The Next GenerationThese are the opening lines of one of the most successful franchises of popular culture: Star Trek. In 1966 when the first episode of the science-fiction series 'Star Trek' The Original Series was aired on US television author and creator Gene Roddenberry would not possibly have envisioned the cultural and political impact Star Trek would have even four decades later. He nevertheless envisioned very clearly that this 'trek' would take its audience to 'strange new worlds [.] and new civilizations'. That this would exactly fall into the field of the discourses of postcolonial studies is no mere coincidence. The opening credits very straightforwardly indicate what voyages the audience will participate in. The exploration of 'strange new worlds' and 'new civilizations' recalls the narratives of Imperialism and Colonialism. Accordingly Star Trek can be read as another form of travelogue. The purpose of this work is to establish the narratives of Star Trek as a travelogue in the context of imperialist and colonial discourses. Having done so, I will examine Star Trek's standing within these discourses. My focus will be on the depiction of 'the other' within Star Trek. On the basis of one episode of the TV series, Star Trek: The Next Generation I will juxtapose the argument of critics that Trek is either racist and imperialist in its conception or the depiction of a desirable Utopia. …

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Frankfurt (Main) (England und Amerikastudien), language: English, abstract: Cattle being driven through a lush, green valley, a cowboy sitting on his horse with his back to the audience looking out into the open range of America's Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner's 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing America's open range, at its best - one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie's frontier setting.Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western's grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood's Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a 'cultural story' .…

Hardcover. Condición: Gut. Zustand: Buch kommt aus tierfreien Nichtraucher-Haushalt. Sauber und gepflegter Zustand. Original-Coverbild, keine Eselsohren, keine Textmarkierungen, Buchrücken/Ecken und Kanten können Gebrauchspuren aufweisen. -- Versand Inland als Maxi-Bief Euro 3,10. Kreditkarten-Zahlung wird kostenfrei erst ab einem Buchwert von Euro 5,00 akzeptiert. / Credit card payment is only accepted for book values ​of Euro 5,00 or more. …

Condición: gut - gebraucht. Gebundene Ausgabe Guter altersbedingter Zustand, ohne Namenseintrag Zustand: 3, gut - gebraucht, Gebundene Ausgabe Zürich : Vehling, , 1982 , Das neue grosse farbige Buch der Zimmerpflanzen., Steinl, Marianne.

Paperback. Condición: Brand New. German language. 9.06x6.38x0.03 inches. In Stock.

Condición: Gut. 20 x 21,5 cm, 240 S. Mit über 200 Farbfotos und Zeichnungen. Illustrierter Pappband (Hardcover). Gepflegtes Exemplar. Ein unentbehrlicher Ratgeber für jeden Pflanzenfreund. Aus dem Inhalt: Wachstumsfaktoren-Die Töpfe und das Topfen-Pflegemaßnahmen-Pflanzennachwuchs-Verwendungsmöglichkeiten-Krankheiten und Schädlinge-Zimmerpflanzen-Lexikon von A bis Z.…

Condición: gut - gebraucht. Gebundene Ausgabe Guter Zustand, ohne Namenseintrag 1988931880 Zustand: 3, gut - gebraucht, Gebundene Ausgabe Vehling-Verlag, , 1980 , Das neue große farbige Buch der Zimmerpflanze., Marianne Steinl.

Condición: New. In English.

Hardcover. Condición: Gut. Hardcover Einband guter Zustand - Erscheinungsjahr: 1987 - Buch mit Abbildungen und 240 Seiten. Index: 167 0.0.

Hardcover. Condición: Gut. Hard Cover Bildband guter Zustand - Erscheinungsjahr: 1980 - Bildband mit 240 Seiten. Index: 167.

Paperback. Condición: Brand New. 185 pages. German language. 6.02x0.55x8.94 inches. In Stock.

Gebundene Ausgabe. Condición: Gut. 38245 (S) Sprache: Deutsch Gewicht in Gramm: 8.

22 cm, Glanzkartoneinband. 240 S. gute Erhaltung, geringe Gebrauchsspuren , Einband etwas begriffen , Sprache: Deutsch Gewicht in Gramm: 950.

Vehling, Köln, 1985. 239 S. mit zahlr. Farbbildern, Pbd.--- 750 Gramm.

Wien & München, Herold, 1966. 316 pp. 314 b./w. plts. Orig. hardcover (publisher's gilt lettered blue cloth over boards), no d./j.

Condición: New.

Der Kunstbrief Nr 24. 31 Seiten, Abbildungen Softcover, Kleinformat, Ecken/Kanten bestossen, Seiten etwas vergilbt, Einband hat ein paar kleine Flecken, ansonsten guter Zustand Sprache: Deutsch.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2010 im Fachbereich Amerikanistik - Literatur, Note: -, -, Sprache: Deutsch, Abstract: Cattle being driven through a lush, green valley, a cowboy sitting on his horse with his back to the audience looking out into the open range of America s Midwest, only limited by the horizon, dark clouds gathering on the far left side of the picture; these are the first images the viewer gets from Kevin Costner s 2003 Western movie, Open Range . And, in fact, this is all the audience needs, to know what this movie is going to be about. Open Range is made in the tradition of a classic Western. The cinematography of the opening sequence already establishes that. During these long shots the camera literally dwells in the scenery, showing America s open range, at its best one could add. The symbolic meaning is conveyed immediately, since the audience recognizes the movie s frontier setting. Since the Western genre has undergone a freefall since the late 1970s not only in public interest, which is shown in box office rates, but also in its critical reception, it is interesting, that director Costner refers back to the Western s grand age in Open Range, even more so if one considers the public, as well as, the critical success of the two most prominent Westerns of the 1990s. Both Clint Eastwood s Unforgiven and Dances With Wolves also by and with Kevin Costner offered a new interpretation of the classic Western, to be honored with an Oscar for best picture in the process. So why does Costner then in Open Range take on the classic model of the Western again The purpose of this paper is to try to give an answer to this question. To do so it is first necessary to investigate in how far Open Range can be considered a classic Western movie and how deviations can be interpreted. Having done so, we will have to read our findings against the political and cultural context of the time of production of Open Range, since movies are cultural products and especially in the case of the Western trigger certain expectations, which in our case address the central idea of American self-understanding, the frontier myth. The story told in the Western hence becomes a cultural story .…