steina (31 resultados)

Hardcover without dustjacket as issued, 128 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condición: New. In.

Paperback. Condición: New.

Pamphlet. This is not a book. The gallery brochure for an exhibition of work by Jim Campbell, Alan Rath, John F. Simon Jr., and Steina titled "Art Apparatus" and held at the Bryce Wolkowitz Gallery, NYC, September 18 - November 1, 2003. It was the gallery's inaugural exhibition. Essay by John G. Hanhardt; afterword by Bryce Wolkowitz. Double-gatefold, card stock; 8 pages; 4 full-page color illustrations; 8 x 11 inches. Artist biographies; 15-work checklist. Laid-in is the invitation to the opening reception. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Softcover, staple-bound, 16pages; in Czech; very good condition; except small hole in front cover no internal marks.

Soft cover. Condición: Very Good. See photos. Includes CD-ROM. Phone number in black ink on FFEP. Contents otherwise unmarked.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Pamphlet. This is not a book. The original exhibition pamphlet for a group show titled "Mediascape" and held at the Guggenheim Museum Soho, NYC, June 14 - September 15, 1996. The show, examining "the impulse to wed art and technology," included installations of work by Nam June Paik, Jenny Holzer, Bruce Nauman, Bill Viola, Ingo Gunther, Jeffrey Shaw, Bill Seaman, Toshio Iwai, Steina and Woody Vasulka, and Marie-Jo Lafontaine. Paper; accordion-fold; 6 pages; 8.5 x 11 inches. Includes a long paragraph and short bio on each of the artists plus 2 exhibition maps. Condition: Very Good+ with light signs of handling and an uncalled-for crease across the middle. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: Usato - Buono. 'brossura editoriale. Catalogo dell''omonima mostra. In buone condizioni.'.

Softcover, staple-bound, 64 pages, very good condition; light rubbing and edgewear to covers; no internal marks.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Stapled paper cover. Exhibition catalogue. 14 p. Ills in colour. -very good.

Condición: Brosch. 8° 1 Band Seite 162 - 183 Ecken leicht bestoÃen, Kanten leicht begriffen, einige Heftseiten mit Markierungen, einige Seiten nicht getrennt, Heft mit Wasserschaden, gelocht, Heftseiten und -schnitt leicht befleckt und verdunkelt, Heftklammern verrostet.

Condición: Brosch. 8° 1 Band Seite 34 - 47 Ecken leicht bestoÃen, Kanten begriffen, Heft leicht gewellt, Heftseiten und -schnitt leicht befleckt und verdunkelt, Heftklammern verrostet.

Softcover. Condición: Gut. n/a. 21x15 cm Original-Karton-Band ohne Schutzumschlag, Einband leicht fleckig, sonst GUTES EXEMPLAR---Mit zahlreichen Abbildungen Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 70 Seiten. nein.

Softcover, 72 pages, in French; good condition, light rubbing and yellowing to covers with laminate starting to peel; long indent / crease to center of first half of pages;l first inserted page is printed, "exemplaire destine a Monsieur Michael Snow and is inscribed, "For Michael from Woody and Steina" no other internal marks. Also included is a stapled Press book of xeroxes of reviewsForeign shipping may be extra.

Condición: Brosch. 8° 1 Band Seite 114 - 127 Ecken leicht bestoÃen, Kanten leicht begriffen, leicht gewellt, Heftseiten und -schnitt leicht befleckt und verdunkelt, Heftklammern verrostet.

Condición: Brosch. 8° 1 Band Seite 2 - 13 Ecken bestoÃen, Kanten begriffen, leicht gewellt, Heftseiten und -schnitt leicht befleckt und verdunkelt, gelocht, Heftklammern verrostet.

Condición: Brosch. 8° 1 Band Seite 98 - 111 Ecken leicht bestoÃen, Kanten leicht begriffen, leicht gewellt, Heftseiten und -schnitt licht befleckt und verdunkelt, Heftklammern verrostet.

Condición: Brosch. 8° 1 Band Seite 66 - 79 Ecken leicht bestoÃen, Kanten leicht begriffen, doppelt gelocht, Heftklammern angerostet, Heftseiten und -schnitt leicht verdunkelt und befleckt.

Condición: Brosch. 8° 1 Band Seite 18 - 47 Ecken bestoÃen, Kanten begriffen, leicht gewellt, gelocht, Heftseiten und -schnitt befleckt und verdunkelt, Heftklammern verrostet.

Condición: Orig. grüner Leineneinband. 8° 1 Band 213 S. Rücken minimal bestoÃen, Name auf Vorsatzblatt, einige Unterstreichungen im Text guter Zustand.

12 pp.; 21.5 x 25.4 cm; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in two parts: Part 1 held September 9 - October 4, 1986 and Part II held October 14 - November 8, 1986. Artists in Part I include Doug Hall, Steina, and Francesc Torres. Artists in Part II include Howard Fried, Shigeko Kubota, and Tony Oursler. Essay by Renny Pritikin. Includes artist biographies. Very Good. Rubbing of cover edges and light rubbing of covers. Light bumping of top right corner of publication. Contents clean and unmarked.

(um 1915). (gelaufen/gering fleckig)--- 4 Gramm.

Condición: Gut. 240 S., Spiralbindung. Text auf englisch. Kontaktdaten des Herstellers: The Vasulkas, Inc., Route 6, Box 100, Santa Fe, New Mexico, 87501 USA, Kontaktdaten des Inverkehrbringers: Antiquariat Dennis Wolter, Hauptstr. 10, 37181 Hardegsen, info(at)2ndhandbook(.)de. Buch.

Condición: Near Fine. WOMEN'S VIDEO FESTIVAL, poster + concert flyer printing details of the second annual Women's Video Festival held in The Kitchen Theatre at the Logiudice Gallery, NYC, September 28-October 14, 1973. The Women's Video Festival highlighted women as producers and as subjects, and included work by individual filmmakers (Steina Vasulkas, Shigeko Kubota, Susan Milano, among others) and video collectives (including the Women's Television Project and Vulva Video). Poster printed offset in black on pale cream stock, recto and verso. 406x270 mm (unfolded). The flyer (217x279 mm.) advertises accompanying concerts by Charlotte Moorman, which included performances of "Crotch Music" and "C. Moorman in Drag" by Jim McWilliams (Joan Rothfuss has observed how both works "alluded to his own identity as a homosexual by lampooning forms of live entertainment popular with gay men" ["Topless Cellist", p.289]). Moorman usually declined invitations to participate at women's events, her only other known appearance being at the Women's Music Festival at Mills College, Oakland in the following year. Condition: central horizontal fold to poster. 4mm closed tear to top of smaller program sheet. Otherwise both items Near Fine.

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.

No. 3 OF 25 COPIES. 615 x 510 mm. (24 1/4 x 20"). [2] leaves of text. Original linen portfolio, with gray paper folder, cover with paper label, linen ribbon ties. Eight photocollage plates, numbered and signed in pencil on verso by Rubenstein, all with tissue guards. With pencilled signature and inscription: "For Arnold [Horwitch] with admiration and gratitude 7/15/95." The tiniest bit of soiling to label on portfolio, otherwise in mint condition. This is a very rare portfolio based on Rubenstein's photo/text/video installation "Critical Mass," created between 1989 and 1993 in collaboration with Ellen Zweig, with technical assistance from Steina and Woody Vasulka. According to the Exhibition description at the MIT List Visual Arts Center, "The 50th anniversary of the atomic bomb, developed at the Los Alamos Laboratory and first detonated in the southern New Mexico desert on July 16, 1943, inspired artists Meridel Rubenstein, Woody and Steina Vasulka, and Ellen Zweig to probe the ironic juxtaposition of two very different elements of American society. 'Critical Mass,' a multimedia installation, examines the unusual meeting of J. Robert Oppenheimer and other Manhattan Project scientists with the American Indians of San Ildefonso Pueblo, whose land adjoins Los Alamos, New Mexico. Their worlds fused at 'the house at Otowi Bridge,' Edith Warner's Rio Grande riverside home where both groups patronized a small restaurant she operated during the 1940s." Born in Detroit, Michigan, in 1948, Rubenstein received her bachelor's degree in social science, with a film-making emphasis, from Sarah Lawrence College, and a Master's and M.F.A. degree from the University of New Mexico. She is the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Pollock-Krasner Foundation, and has taught photography at San Francisco State University and the Institute of American Indian Arts. The New Mexico Museum of Art, the San Francisco Museum of Modern Art, and Smithsonian American Art Museum are among the institutions with her works in their collections. She currently lives and works in Santa Fe. Rubenstein inscribed our copy to its original owner, Arizona collector Arnold Horwitch. We could find no record of this item being offered or sold at auction.