Spiteris tony (124 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Grey cloth. F in F DJ.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Shelf 451 Text clean; book tight; photos; 207pp; DJ covered by mylar; small dark mark on front flap; Not a book club (BC)copy. No previous owner name, not ex library, not a remainder, smoke free. PHOTOS POSTED WITH OUR BOOKS ARE STOCK AND DO NOT NECESSARILY REFLECT CONDITION OR EDITION OF BOOK OFFERED FOR SALE. WE DO NOT POST THE PHOTOS.…

Hard Cover. Condición: Good. Estado de la sobrecubierta: Good. I5 - DJ is mylar protected. DJ has label on the lower spine, wrinkling and crease on some edges and corners, inside flaps glued to the fixed endpapers, discoloration, and shelf wear otherwise very good. Book has some rubbing and wear on the cover edges, foxing, library stamping on the top and bottom page edges, loose endpapers, and title page, previous owner's inscription written on the front loose endpaper, label and cardholder adhered on the back loose endpaper, discoloration, and shelf wear otherwise very good. Size: 4to - over 9¾" - 12" tall. Ex-Library.…

Hardcover. Condición: Good Plus. No Dust Jacket. Missing the front and back free endpapers which have been somewhat neatly removed but one can still easily see the interior of the spine where they are missing from - sort of like cracked joints but all is very tight. No jacket. Light wear to book no markings. Tipped in color-plates all present and other illustrations. Appears to be an excellent reference work.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine-. First Edition. 207pp. Numerous color plates. Photos on request. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. hardcover in very good condition with very good dust jacket.

hardcover. Condición: Good. Hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the cream spine and cover. No dust jacket.

hardcover. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. No jacket. Cloth cover somewhat faded. Clean, clear, and bright pages throughout.…

Hardcover. Condición: Gut. Illustrierter und folierter Pappband (Hardcover) mit Titel auf Vorderdeckel. gebunden, 1. Abschnitt durchgehend farbigen, oft ganzseitigen Farbfotos, 2. AbschnittLexikon mit vielen Tabellen, doppelseitigen Kartenwiedergaben, 3. Abschnitt: Lexikon mit s/w-Bildern im Text, Verzeichnis der Abbildungen, Bibliographie, 27x17,4 cm, 208 Seiten, Innendeckelseiten und Vorsatzblätter mit Kleberesten, sonst guter Zustand. (intern: Kunst). verschiedene (ilustrador). …

Hardcover. Condición: Sehr gut. 1. Auflage. Pappband - Schnitt etwas gebräunt.

Couverture rigide. Condición: Bon. Rencontre Histoire Generale De La Peinture 3, 1965. 1 volume relié(s) format In-4 bon.

Couverture rigide. Condición: Bon. Éditions rencontre collection , 1965. 1 volume relié(s) format In-4 bon.

Hardcover. Demy folio, [27.75cm/11inches], quarter-bound pictorial cloth with mylar-protected dust jacket, pp. . Illustrated with tipped-inb-w halftones, colour plates and so forth. Please feel free to ask for particulars and/or additional photographs. . Tony Spiteris was a Greek art critic based in Venice, who was then acting as General Secretary of AICA (International Association of Art Critics). From the mid-sixties, he collaborated with the Cyprus Government as advisor on cultural matters, and in this capacity he curated the first national participation of Cyprus in the Venice Biennale. Among various proposals, Spiteris set apart six young artists with a mean age of 35, bringing forth some of the most pioneering work on the Cypriot scene at the time, and reflecting its gradual and delayed transition to the movements of modernism and abstraction. The works presented varied in style and form; there was painting, reliefs and wood sculptures in series, moving between geometric abstraction and abstract expressionism, and elements of constructivism and surrealism. Evidently marked by the artists' formative training in various centres abroad, they nevertheless retained, as Spiteris put it, "a taste of their native land, without ever slipping into folklore rhetoric". The artists shared a small space at the back of the Italian Pavilion to exhibit a total of 18 paintings and 4 sculptures. The hall was vast, separated by panels and shared by many countries that did not possess a space of their own. Despite all sorts of difficulties, the first Cypriot exhibition was properly set up, the resulting feedback was encouraging and the thrill of this new beginning was extraordinary. Chrysochos was the only one absent from the Venice opening; Christoforos Savva, already suffering from an illness, died of heart attack in Sheffield a few weeks later. In exceptionally good condition In exceptionally good condition.…

Couverture rigide. Condición: Tres bon. Rencontre Histoire Generale De La Peinture 3, 1965. 1 volume relié(s) format In-4 très bon.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN.…

Couverture rigide. Condición: Bonne Condition. Couverture légèrement frottée et usée sur les bords. Décollement de la reliure au début et à la fin, tout de meme solide. 207 p.Envoi soigné.

gebunden. 206 Seiten 990 gr. Einband berieben und bestoßen, Inhalt gut.

hardcover. 1st. 4to, 215 pp., Tipped-in color plates Nearly fine copy in very good dust jacket. Profusely illustrated (ilustrador).

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. First American edition. Fine in fine dust jacket. Hardcover and dust jacket, both a nice clean copy, almost new, dust jacket has slightly faded spine.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good hardcover with Very good dust jacket. The book's top foredge has spotting. The text is very nice and clean. The dust jacket panels have light wear to the edges.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. First edition. Fine in fine dust jacket. A very nice, clean copy.

Hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).

relié. Condición: occasion. en français Histoire générale de la peinture 208 pages Très bon état. Papier très légèrement jauni 17,5 x 27,5.

Rústica. 36 pp. (Aprox.) 19x20. Abundantes ilustraciones en el texto (ilustrador).

imo. Condición: Fine.

Soft cover. Condición: Very Good. 1st Edition. 157pp paperback, bw and colour plates, exhibition catalogue.

Condición: Very Good. 1966. Hardcover. Very good copy in good dustwrappers. DW has light shelf wear. Light foxing, remains a good readable copy. . . . . Books ship from the US and Ireland.

Hardcover. First Edition; First Printing. Book condition is Very Good bound in full grey cloth with gilt accents; with a Very Good dust jacket. Some rubbing and edge wear to jacket. Interior is clean and unmarked. Slight toning to page edges. Illustrated in color throughout. ; 4to. 10 3/4"h x 6 3/4"w.…

inb. Condición: Fine. dekorerat linneband.