Spieker sven (106 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Like New. Never used! Light wear to corners/edges from shelving.Never used! Light wear to corners/edges from shelving.

Condición: New. Brand new.New.

Paperback. Condición: Good. Essays explore contemporary artists' engagement with destruction, and how it has disrupted the perceived integrity of built structures and institutions. The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art. Artists surveyed include Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto M hl, Yoko Ono, Raphael Montanez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell Writers include Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthemoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven L tticken, Antonio Negri, Sophie O'Brien, Kristine Stiles, Jennifer Walden.…

Paperback. Condición: Good. Essays explore contemporary artists' engagement with destruction, and how it has disrupted the perceived integrity of built structures and institutions. The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art. Artists surveyed include Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto M hl, Yoko Ono, Raphael Montanez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell Writers include Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthemoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven L tticken, Antonio Negri, Sophie O'Brien, Kristine Stiles, Jennifer Walden.…

Condición: Like New. Never used! Light wear to corners/edges from shelving.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: new. Paperback. Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. Explores the processes and techniques which function within the field of contemporary art yet challenge its boundaries and even its existence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: New. The typewriter, the card index, and the filing cabinet: these aretechnologies and modalities of the archive. To the bureaucrat, archives containlittle more than garbage, paperwork no longer needed; to the historian, on the otherhand, the archive's content stands as a quasi-objective correlative of the'living' past. Twentieth-century art made use of the archive in a varietyof ways--from what Spieker calls Marcel Duchamp's 'anemic archive' ofreadymades and El Lissitzky's Demonstration Rooms to the compilations of photographsmade by such postwar artists as Susan Hiller and Gerhard Richter. In The BigArchive, Sven Spieker investigates the archive--as both bureaucratic institution andindex of evolving attitudes toward contingent time in science and art--and finds itto be a crucible of twentieth-century modernism. Dadaists, constructivists, andSurrealists favored discontinuous, nonlinear archives that resisted hermeneuticreading and ordered presentation. Spieker argues that the use of archives by suchcontemporary artists as Hiller, Richter, Hans-Peter Feldmann, Walid Raad, and BorisMikhailov responds to and continues this attack on the nineteenth-century archiveand its objectification of the historical process. Spieker considers archivallydriven art in relation to changing media technologies--the typewriter, thetelephone, the telegraph, film. And he connects the archive to a particularly modernvisuality, showing that the avant-garde used the archive as something of alaboratory for experimental inquiries into the nature of vision and its relation totime. The Big Archive offers us the first critical monograph on an overarching motifin twentieth-century art. The archive as a crucible of twentieth-century modernism and key for understanding contemporary art. BEAUTIFUL COPY!!.…

Condición: New. pp. 240.

Condición: new.

Hardcover with dustjacket, 220 pages, good condition, light rubbing to dj; scattered pencil marks in margins. Foreign shipping may be extra.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good hardcover, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; black boards also very good; red titling remains bright and bold. Very light shelfwear to ends of spine and corners; overall a crisp and clean copy. Dust jacket is very good with very minimal wear to ends of spine. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.…

Softcover. Condición: Very Good. First Edition. Very Good paperback with slight cover wear. 134 pages, unmarked. Joan Kee, Carla Macchiavello, Maja Fowkes, Ruben Fowkes, Shady El-Noshokaty, Monica Amor, Bavand Behpoor, Hoohsang Irani, et al. Editors: Sven Spieker, Nick Pici; UO15 B4B; 8vo 8" - 9" tall; 134 pages. …

Condición: New. 2017. Paperback. . . . . .

Condición: New.

Paperback. Condición: Brand New. 240 pages. 8.27x5.91x1.02 inches. In Stock.

Condición: New. In English.

Paperback. Condición: Very Good.

Condición: New.