smith shirley c (20 resultados)

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: very_good.

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Acceptable. PLEASE NOTE: FORMER LIBRARY COPY, MAY HAVE STICKERS AND INDENTIFYING STAMPS AND/OR MARKERS ON IT BUT BOOK REMAINS IN ACCEPTABLE READING CONDITION. Former Library book. paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.

Condición: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Cloth. Condición: Near Fine. No Jacket. W. C. Kuder Ilustrador. "Love Smitty" Signed by C. U. Smith whose poetry is pp. 21 - 50. Size: 8vo - over 7¾" - 9¾" tall. Signed by Contributor.

Condición: Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.

Paperback. Condición: New.

Hardcover. Condición: very good. no additional printings listed . NOT an ex library book. Book with blue cloth binding, illustration in yellow, black and blue. Illustrated endpapers. Name stamp on second front endpaper. 383 pages, color illustrations.

Soft cover. Condición: Very Good. Pinkston, Kerry R.; Bockius, Susan; Barbour, Judith K. M. Ilustrador. Upper right corner of front cover is creased.

Condición: Good. No Edition Remarks. 14 pages. Paperback. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Paper cover has mild edge-wear with light rubbing and creasing. Some light marking and tanning.

Soft cover. Condición: Very Good. No Jacket. Richard Shirley Smith Ilustrador. Limited Edition. VG++ / -- Limited edition of 1000 copies. Engravings by Richard Shirley Smith. Stapled booklet with translucent jacket. Just a touch of spotting to covers. Binding is firm and tight. Interior is clean with no inscriptions. Not ex-library.

Paperback. Condición: Brand New. 1st edition. 180 pages. 9.00x6.00x0.45 inches. In Stock.

Striking illustrated wrappers. Roy.8vo, pp12, excellent copy. Trade Edition [& 100 Specials]. With very large-scale llustrations throughout by Richard Shirley Smith : printed in black & orange on blue-tinted paper : very attractive. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Original Wraps. Condición: Very Good. Estado de la sobrecubierta: Very Good. Engravings By Richard Shirley Smith Ilustrador. 1st Edition. Undamaged blue card wraps showing puppeteer on both sides. Undamaged tissue wrapper. Internally pristine. 12 pp, unpaginated. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. xviii, 385 pp. LCC: 2009016964.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Poor / Good. Significant staining [from spilled red wine] across covers with 12.5 cm. and 1.5 cm. of staining to first page and staining including 10 cm. of staining to spine edge of pages 51 - 61. Rubbing of cover edges and bumping of corners. Contents otherwise clean and unmarked.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Very Good. 2 and 2.5 cm. areas of bumping/light creasing to verso carrying through lightly to pages. Light edge wear. Light yellow spotting of covers. Light yellow spotting along top and bottom edge of first page. Contents otherwise clean and unmarked.

Paperback. Condición: Good. First Edition. Pages 246-308. Printed on glossy stock. Numerous black and white photos. Features: Nice Prescott Pianos ad inside front cover; The Woman's Club of Henniker; By Winnipesaukee (poem); The Scotch-Irish Settlers of Peterborough; A Pathetic Monument (poem); George F. Putnam; Cloister Mar Saba; Hannah Eastman's Capture; Beyond the Veil (poem); The First Bank in Concord; Compensation (peom); The McClarys of Epsom; Sea-Dreams (poem); Kearsarge in Autumn (poem); Is the Norse Claim Authentic?; Nice full-page photo-ad for The First National Bank of Concord, N.H.; Nice full-page ad for the Boston and Maine Railroad; New Hampshire Necrology. Peripheral chipping. Contents in quality condition. A worthy vintage copy.

Hardcover. Condición: Fine. Estado de la sobrecubierta: near fine. First and Limited Edition. First edition in book form, octavo size, 405 pp., signed by Thomas Russell. This the first edition in book form of the letters of Dame Shirley, in which she recounts her experiences living in a mining camp in California in the mid-nineteenth century. The letters tell of life in the mining camp in rich detail and offer a unique perspective from an intellectual New England woman, and form a personal picture of the hardships and innovation during the California Gold Rush. The sources wax rich with praise: per Howes, the work is "a vivid and unexcelled picture of everyday life in the mines." Gary Kurtiz ("The California Gold Rush") has a wonderful short essay on both the author and the various early publications, saying in part: "The 'Shirley Letters' have received the highest possible praise. The important of her letters was recognized early on and influenced the views and writings of Josiah Royce, Hubert Howe Bancroft, Bret Harte, and possibly, Samuel Clemens" (p. 133). With eight hand-coloured prints and signed by Thomas C. Russell at the limitation page, in the original jacket, tipped in at the rear is a spare paper spine label. An outstanding production of an important work in the history of California written by a female author. ___DESCRIPTION: Quarter bound in coarse white/brown linen with a paper spine label, the boards covered with plain brown paper, endpapers of the same brown paper, top edge gilt, limitation statement on the verso of the half-title page, this no. 224 of the total edition (450) and one of 50 printed on California bond-paper and with hand-coloured plates, signed by the publisher, tissue-guarded frontispiece one of eight bound in throughout, an extensive forward written by "the Printer", each section of the book with an intricately detailed chapter headpiece and opening in-text decoration, these both in blue; octavo size (8 5/8" by 5 5/8"), pagination: [2, blank recto with publisher's ad on verso ("Other Reprints Issued"), [i-iv] v-l [2, half-title with blank verso] 1-350 [1, printer's statement]. In the publisher's jacket of plain brown paper, gilt lettering and vignette on the front. ___CONDITION: Volume fine overall, the cloth spine and paper over the boards without wear, perfectly straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, all tissue guards present, the colour on the illustrations deep, and entirely free of prior owner markings; a hint of a spot of soil towards the bottom edge of the front board, a few spots of foxing to the fore-edge of the text block, and a few dark spots along the front hinge (likely from the glue). The dust jacket near fine, clean, remarkably free of edgewear, with just a few few spots of wear including a short closed tear at the top of the back joint. ___CITATION: Kuritz, no. 133; Wright-Howes (Final Edition), no. 433; Zamorano 80, no. 69: "Originally published in monthly instalments in 'The Pioneer; or, California Monthly Magazine', San Francisco: January, 1854-December, 1855.Not until 1922 were the letters reprinted in book form.[by] Thomas C. Russell.1922, illustrated with eight tinted plates from old prints." ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.