Librería: Bahamut Media, Reading, Reino Unido
EUR 10,29
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Añadir al carritohardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 27,27
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 31,94
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350505714 ISBN 13: 9781350505711
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 34,30
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated. Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences' beliefs and behaviours, while also intuitively being 'not true' or not to be believed in. Slugan analyses the notion of 'fiction' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 110 years, including The Arrival of a Train (Lumière brothers, 1895-1897), The Blair Witch Project (Myrick and Sánchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350505714 ISBN 13: 9781350505711
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 34,33
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Añadir al carritoPaperback. Condición: new. Paperback. Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated. Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences' beliefs and behaviours, while also intuitively being 'not true' or not to be believed in. Slugan analyses the notion of 'fiction' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 110 years, including The Arrival of a Train (Lumiere brothers, 1895-1897), The Blair Witch Project (Myrick and Sanchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies. An interrogation of fiction as one of two key categorisations of film, exploring its influence upon audience experience and its broader real-life implications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoCondición: new.
EUR 37,28
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
EUR 30,28
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Añadir al carritoCondición: new.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 35,80
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Añadir al carritoCondición: New.
Librería: INDOO, Avenel, NJ, Estados Unidos de America
EUR 38,16
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2024
ISBN 10: 1350451452 ISBN 13: 9781350451452
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 38,18
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback. Condición: New. In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper's Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 38,81
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
EUR 35,62
Cantidad disponible: 10 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 34,89
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 36,16
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 304.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 32,65
Cantidad disponible: 10 disponibles
Añadir al carritoCondición: New. 2025. paperback. . . . . .
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 42,47
Cantidad disponible: 15 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2024
ISBN 10: 1350451452 ISBN 13: 9781350451452
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 44,94
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Pipers Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany. Provides a theoretical reconceptualization of the paradigms of early cinema, highlighting the latest methods in studying the period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 33,78
Cantidad disponible: 10 disponibles
Añadir al carritoCondición: New. 2024. NIP. paperback. . . . . .
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2025
ISBN 10: 1350505714 ISBN 13: 9781350505711
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 46,11
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. Fiction film has been and remains the privileged site of film studies, with film history regularly being viewed as the rise of the narrative fiction film. Taking Fiction Film Seriously argues that despite this privileged position, the notion of fiction as it relates to cinema, has yet to be properly interrogated. Mario Slugan explores the significant misunderstandings concerning the categorisation of film, audience experience, and the real-life effects of fiction. He contends with the contradictory assumption that fiction films have tangible effects on audiences' beliefs and behaviours, while also intuitively being 'not true' or not to be believed in. Slugan analyses the notion of 'fiction' from a theoretical and historical perspective, considering how it manifests in a broad range of films from the past 110 years, including The Arrival of a Train (Lumière brothers, 1895-1897), The Blair Witch Project (Myrick and Sánchez, 1999), and Waltz with Bashir (Folman, 2008). He supports his close readings with findings from philosophy, psychology, and literary studies, and in doing so seeks to challenge the current state of film studies.
Idioma: Inglés
Publicado por Bloomsbury USA Academic, 2025
ISBN 10: 1350505714 ISBN 13: 9781350505711
Librería: Revaluation Books, Exeter, Reino Unido
EUR 34,43
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Brand New. 272 pages. 1.11x1.11x1.00 inches. In Stock.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 28,77
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Bloomsbury USA Academic, 2024
ISBN 10: 1350451452 ISBN 13: 9781350451452
Librería: Revaluation Books, Exeter, Reino Unido
EUR 32,57
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Añadir al carritoPaperback. Condición: Brand New. 304 pages. 9.21x6.14x1.00 inches. In Stock.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 30,73
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Añadir al carritoCondición: New.
Librería: Chiron Media, Wallingford, Reino Unido
EUR 30,15
Cantidad disponible: 10 disponibles
Añadir al carritopaperback. Condición: New.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 46,63
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 39,93
Cantidad disponible: 10 disponibles
Añadir al carritoCondición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2021
ISBN 10: 1350194816 ISBN 13: 9781350194816
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 49,46
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Reprint. Shortlisted for the BAFTSS 'Best Monograph' Award 2021When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 47,17
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.