singerman robert (97 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Printing. 9.21 X 6.14 X 0.88 inches.

paperback. Condición: Very Good. Third. Very good paperback from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy; exterior shelfwear is minor save curling to corners. Text is also very good and interior appears free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

Condición: New.

Paperback. Condición: New. This work examines Egyptian mummies as artifacts in pre-1900 America: how they got here, what happened to them, and how they were perceived by the public and by archaeologists. Collected newspaper accounts and other documents reveal the progression of American interest in mummies as curiosities, commodities, and cultural lessons. Numerous mummies which no longer exist are identified, and commentary on mummy coffins and a discussion of methods of public exhibition are included.

25,5 x 20 cm. Condición: Sehr gut. 132 pages Hardcover, original cardboard binding in very good condition, immaculate inside and out. Please note our pictures. Hardcover, original Pappeinband in sehr gutem Zustand, innen wie außen tadellos. Bitte beachten Sie unsere Bilder. UG110 Sprache: Englisch Gewicht in Gramm: 363.

hardcover. Condición: Very Good. Fast Shipping - Safe and Secure 7 days a week!

cloth. 8vo. cloth. ix, (i), 242 pages. Number 203/204, April 1996 in the Occasional Papers series. A fine copy. A checklist that reveals an extraordinary variety of types of libraries. It records 3,355 separately printed catalogues of American libraries published between 1801 and 1875. Indexed.

Condición: New.

Condición: New. In.

173 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya.' A Story," by Susan A. Davis; "I Am Always The Other," by Ursula Pia Jauch; "Sidelines," by Eldriede Jelinek; "The Ideal And The Abject," by Norman Bryson; "Suitable For Framing," by Abigail Solomon-Godeau; "John Chamberlain In Baden-Baden," by Rudolf Schmitz; "Les Infos Du Paradis," by Marie-Louise Lienhard; "Cumulus Aus Europa," by Helmut Draxler; "Cumulus From America," by Lynn Gumpert "Balkon," by Robert Ashley. Insert by Niele Toroni. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Very good condition (no dust jacket). ]. 242p. (Occasional Papers, April, 1996, no. 203/204).

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condición: Good. 1st Edition. 311 pages. Publisher's cloth binding. Very discrete ex-library stamps on front endpaper and top edge. Otherwise a bright and unread looking copy, a bit of ripple to the pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No dust jacket, as issued. Fine binding and contents; appears unused.

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

Condición: Gut. XII, 132 Seiten, Ehemaliges Bibliotheksexemplar mit Rückensignatur und Stempeln auf den Schnitten und dem Titelblatt. Einband leicht berieben. Hinterer Vorsatz etwas fleckig. Sonst guter Zustand. ISBN: 0824098811 Sprache: Englisch Gewicht in Gramm: 990 Gr. 8° (22,5 x 14,5 cm), Hardcover, gebunden, Orig.-Leineneinband.

Paperback. Condición: Brand New. 292 pages. 9.95x6.00x0.50 inches. In Stock.

Condición: Good. Location:jane 15 422 pp. ex library with markings jane 15.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

McFarland & Company, Jefferson, NC, 2009. First edition. In-8, xi & 292 pages. Original softcover, a fine copy. From the library of Egyptologist Charles Cornell Van Siclen III (VSX). Language: English. This book ships from the USA, shipping costs will be updated accordingly (TXR). Relevant subjects: Egypt: Travelers & Egyptologists.

Hardcover. Condición: Fine condition. Estado de la sobrecubierta: No jacket, as issued. First Printing of the First Edition. New York / Westport, CT / London: Greenwood Press, 1986. Fine condition. Sharp corners. NOT a library discard. NO owner's name or bookplate. NOT a remainder. Clean and crisp. NO underlining. NO highlighting. NO margin notes. 1986. First Printing of the First Edition with complete number row (10 987654321) on the copyright page. Review copy with publisher's letter laid-in. Over 3000 entries, many annotated, on books, pamphlets, articles, newspapers & magazines of the Jewish press, 1674 to the present. Author index. Subject index. Bound in the original blue cloth. First Printing of the First Edition. Hardcover. Fine condition/No jacket, as issued. 8vo. xxii, 378pp. Great Packaging, Fast Shipping.

Hardcover. Condición: New.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condición: New. In.

Condición: New. In.

Condición: New. In.

Leiden, Brill, 2001. X, 245 pp. Fine copy. Hardcover. `This work identifies and describes over 3000 books, essays in books, and articles on Jewish given names and family names throughout history, spanning the Biblical period to modern times'. Reference. Judaism.

Paperback. Condición: New. This work examines Egyptian mummies as artifacts in pre-1900 America: how they got here, what happened to them, and how they were perceived by the public and by archaeologists. Collected newspaper accounts and other documents reveal the progression of American interest in mummies as curiosities, commodities, and cultural lessons. Numerous mummies which no longer exist are identified, and commentary on mummy coffins and a discussion of methods of public exhibition are included.