Schwartz joyce pomeroy (33 resultados)
Editorial: Florida Committee of the Nationa, 2004
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 6,86
Envío por EUR 5,27Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.
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Librería: Magers and Quinn Booksellers, Minneapolis, MN, Estados Unidos de AmericaMagers and Quinn Booksellers
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Regular
EUR 21,48
Envío por EUR 3,50Se envía dentro de Estados Unidos de AmericaCantidad disponible: 5 disponibles
hardcover. Condición: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.
Editorial: Charlotte, NC: NationsBank Plaza, 1996
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Librería: ANARTIST, New York, NY, Estados Unidos de AmericaANARTIST
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 13,56
Envío por EUR 4,39Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoSoftcover staple bound, 24 pages, very good condition, no internal marks, clean and crisp. Includes: Vito Acconci, Janet Biggs, Elba Damast, Claudia De Monte, Lauren Ewing, Adrienne Heinrich, Jane Kaufman, Fernand Leger, Walter Martin, Heather Nicol, Lucas Samaras, David Saunders, Robert Zakanitch.
Editorial: Deland Museum Florida, 2014
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Librería: Tim's Used Books Provincetown Mass., Provincetown, MA, Estados Unidos de AmericaTim's Used Books Provincetown Mass.
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 17,17
Envío por EUR 5,70Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. All images in vivid full color. No marks in text. Not a library book. Ships in a cardboard enclosure. Thank you from Tim's Used Books, open shop in Provincetown, Massachusetts, founded 1991. The home of good books at sane prices. 12 11 23.
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Librería: Lakeside Books, Benton Harbor, MI, Estados Unidos de AmericaLakeside Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 31,35
Envío por EUR 3,50Se envía dentro de Estados Unidos de AmericaCantidad disponible: 8 disponibles
Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,31
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback or Cased Book. Condición: New. The Private Eye in Public Art. Book.
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Librería: Strand Book Store, ABAA, New York, NY, Estados Unidos de AmericaStrand Book Store, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Aceptable
EUR 31,64
Envío por EUR 7,88Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Oversized Hardcover. Condición: Good.
Editorial: Florida Committee Of The National Museum Of Women In The Arts, Washington, D. C., 2004
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- Primera edición
Librería: KULTURAs books, Los Angeles, CA, Estados Unidos de AmericaKULTURAs books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Excelente
EUR 22,55
Envío por EUR 3,95Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Fine. First Edition. Softcover in illustrated wraps. First printing. Fine, As New condition. Catalogue published to accompany a traveling exhibit of women artists that launched at the National Museum of Women in the Arts in Washington, D. C. , in 2004. All plates in color. 4t0. 63 pp.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 40,66
Envío por EUR 2,32Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: New.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 43,05
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA.This book foregrounds critical questions about public art, the polici…es that govern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgements are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterise the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions. This book foregrounds critical questions about public art, the policies that govern it, and the processes that realise it. What makes art public? What makes good public art? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Editorial: Cleveland Center for Contemporary Art, Cleveland, OH, 1985
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- Primera edición
Librería: Frey Fine Books, Rougemont, NC, Estados Unidos de AmericaFrey Fine Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 22,60
Envío por EUR 6,10Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. First edition. oblong small quarto, stapled gray wraps, 41 pages. Exterior lightly soiled.
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Editorial: LaSalle Parters at NationsBank Plaza, Charlotte, NC, 1996
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 18,08
Envío por EUR 11,40Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: VG. Color-illustrated wraps with white lettering. 24 pp. Color illustrations. Catalogue of an exhibition from Januaryn 27 to October 31, 1996.
Editorial: Florida Committee of the National Museum of Women in the Arts, Washington, DC, 2004
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 18,08
Envío por EUR 11,40Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Añadir al carritoSoftcover. Condición: VG+. Dark wraps with color illus.; 63 pp.; profuse color illustration. Contains an essay, "Calm and Cacaphony," and features works by 19 artists.
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Editorial: Cleveland Center for Contemporary Art, Cleveland OH, 1985
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Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de AmericaExquisite Corpse Booksellers
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 22,60
Envío por EUR 7,85Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoWrappers. Condición: Near Fine. 42 pages. Oblong format softcover, staple bound with stiff printed paper covers. Texts in English. Numerous illustrations in black and white. Some wear to the edges of the covers, including some at the lower right corner of the front cover, with some tears on the back cover possibly consistent wit…h the removal of previous price stickers. Published in conjunction with the exhibition held from October 4-November 16, 1985.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,54
Envío por EUR 10,97Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 48,36
Envío por EUR 2,32Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: As New. Unread book in perfect condition.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 52,18
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 8 disponibles
Hardback. Condición: New. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that gov…ern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterises the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,52
Envío por EUR 15,67Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,51
Envío por EUR 17,58Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 55,56
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that gov…ern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterises the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
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Editorial: TrizecHahn Office Properties, Bank of America Plaza, Charlotte NC, 1999
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Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de AmericaExquisite Corpse Booksellers
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 31,64
Envío por EUR 7,85Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoStaple-bound Wrappers. Condición: Fine Condition. Slim volume, 22 pages 17 illustrations 12 in color. Illustrated wraps. Curated by Joyce Pomeroy Schwartz and Karla Bradley. Published on the occasion of the exhibition from the Eighth Annual Art Exhibition, TrizecHahn Office Properties, Bank of America Plaza, Charlotte NC 4 Febru…ary-4 November 1999.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,93
Envío por EUR 14,04Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. In.
Editorial: Charlotte, NC: LaSalle Partners., 1996
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 31,64
Envío por EUR 8,78Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. 8vo. 24 pp. Stapled wraps. Near Fine. Color plates. Features works by Janet Biggs, Fernand Leger, Heather Nicol, et al.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 44,98
Envío por EUR 17,58Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: As New. Unread book in perfect condition.
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,20
Envío por EUR 17,54Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 16 disponibles
hardcover. Condición: New. Special order direct from the distributor.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 51,95
Envío por EUR 23,43Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: Brand New. 260 pages. 11.00x9.00x1.00 inches. In Stock.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 64,95
Envío por EUR 23,43Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: Brand New. 260 pages. 11.00x9.00x1.00 inches. In Stock.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 64,95
Envío por EUR 23,43Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: Brand New. 260 pages. 11.00x9.00x1.00 inches. In Stock.
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Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 42,68
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Über den AutorJoyce Pomeroy Schwartz is a curator and public art consultant specializing in public art policy, contemporary art commissions for architecture and landscape projects, implementation of arts master plans, and integratio.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 53,61
Envío por EUR 43,88Se envía dentro de Estados Unidos de AmericaCantidad disponible: 8 disponibles
Hardback. Condición: New. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that gov…ern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterises the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
