Schwartz frederic (155 resultados)

Condición: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. STEHR, Frédéric (ilustrador).

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. STEHR, Frédéric (ilustrador).

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn. STEHR, Frédéric (ilustrador).…

Hardcover. Condición: Bon. Couverture différente. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Different cover. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. STEHR, Frédéric (ilustrador).

Condición: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condición: Bon. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. STEHR, Frédéric (ilustrador).

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. STEHR, Frédéric (ilustrador).

Hardcover. Condición: Très bon. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Published Without Dust Jacket. 432 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. No remainder mark. Book is still in the original publisher shrink wrap.

Paperback. Condición: Fine. 1st. 520 pages, illustrations; 25 cm. Published in association with the Department of History of Art, University College London. Tight, clean copy. First paperback edition. *** "From the early decades of the 20th century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. This collection of essays a festschrift in honour of leading Marxist art historian Andrew Hemingway brings together thirty academics who are reshaping art history along Marxist lines." - Publisher. *** CONTENTS: Introduction. Towards a history of the Marxist history of art, by Warren Carter; MARXIST THEORY IN PRACTICE. Art history's furies, by John Roberts; The political logic of radical art history in California 1974-85: a memoir, by Stephen F. Eisenman; The dialectical legacies of radical art history: Meyer Shapiro and German aesthetic debates in the 1930s and 1940s, by Warren Carter; Approaching Marx's aesthetic: Or, what is sensuous practice?, by Stewart Martin; A communion of just men made perfect: Walter Pater, romantic anti-capitalism and the Paris Commune, by Matthew Beaumont; What remains of Adorno's critique of culture?, by Norbert Schneider; Aby Warburg and the spirit of capitalism, by Frederic J. Schwartz; LANDSCAPE, CLASS AND IDEOLOGY. A note on aestheticizing tendencies in American landscape painting 1840-80, by Alan Wallach; Meaning, change and ambiguity in Canadian landscape imagery: Homer Watson and The Pioneer mill, by Brian Foss; One spectator is a better witness than ten listeners: Roger North, making the past public, by Charles Ford; An ever-recurring controversy: John Thompson, William James Stillman and the Bootblacks, by Steve Edwards; Calaveras and commodity fetishism: the unhallowed supernatural in the work of Jose Guadalupe Posada, by Tom Gretton; Reading Ahab: Rockwell Kent, Herman Melville and C.L.R. James, by Angela Miller; William Morris, ornament and the coordinates of the body, by Caroline Arscott; MARXISM AND THE SHAPING OF MODERNISM. Red Hashar: Louis Lozowick's lithographs of Soviet Tajikstan, by Barnaby Haran; Lu Marten and the question of Marxist aesthetic in 1920s German, by Martin I. Gaughan; Experiment and propaganda: art in the monthly New masses, by Rachel Sanders; Stuart Davis and Left modernism on the New York waterfront in the 1920s, by Jody Patterson; Action, revolution and painting: resumed, by Fred Orton; Erasure and Jewishness in Otto Dix's Portraint of the lawyer Hugo Simons, by James A. van Dyke; The Nazi Party's strategic use of the Bauhaus: Marxist art history and the political conditions of artistic production, by Paul B. Jaskot; MARXISM IN A NEW WORLD ORDER. Realism and materialism in postwar European art, by Alex Potts; The situation of women, by Frances Tracey; Scars on the landscape: Doris Salcedo between two worlds, by Chin-tao Wu; Realism, totality and the militant Citoyen: or, What does Lukacs have to do with contemporary art?, by Gail Day; Deartification this side of art: ideology critique, autonomy and reproduction, by Kerstin Stakemeier. Size: 8vo. Collectible.…

Softcover. Condición: Near Fine. First Edition. Near Fine paperback magazine about 7½x10¼ inches lightly bumped at the lower corner and with a mailing label on the back cover. 63 pages, unmarked. Mark Anderson, Harrison S Fraker Jr, Randolph T Hester, Marc Hinshaw, Walter Hood, Donlyn Lyndon, Deborah McKoy, Frederic Schwartz [dp50 1117]. ; DPEC OV19; 63 pages. …

Soft Cover. Condición: Fine-. 224 pages, illustrated in b&w. "The house that Robert Venturi designed for his mother in Chestnut Hill, Philadelphia, and had built in 1964, is arguably the most architecturally influential building of the second half of the 20th century." FINE- SOFTCOVER Size: 8vo - over 7¾" - 9¾" tall, oblong. …

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condición: New.

hardcover. Condición: New.

Soft cover. Condición: Fine. 1st Edition. Almost as new.

Softcover. Condición: Gut. Estado de la sobrecubierta: Ohne Schutzumschlag. 1. Auflage. 208 pages with many b/w-illustrations.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

HARDCOVER. Condición: Good. First Edition.. Good Cond .BIT ROUGH ALONG SPINE FOLD.generally clean, solid, bright text paper.; yellow titles & cover art on blue cloth hard covers, showing Notre Dame steaples from overhead view. Double page map endpapers. with small art scens for various regions.Londres to Rome.; 458ps pages; Not a common title by an accomplished author.FRENCH LANGUAGE TEXT .HISTORY, CULTURE.; 5x7". Illustrated by Photos (ilustrador).…