Schubert marcus (61 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition; First Printing. Quarter red cloth cover with purple boards is rubbed at corners otherwise pristine. Boards and spine are straight. Binding is tight. Pages are clean and pristine. Book has never been cracked open. Dust jacket has light shelf rubbing but near pristine. Publisher's price of $40.00 on DJ flap. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. ).…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Hardcover. Condición: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 1991 Hardcover Interior has a gift inscription to a prominent textile artist from another prominent textile artist. Interior otherwise clean. Binding tight. Boards nice.

Paperback. Condición: New. 2nd 2. Aufl. ed.

Hardcover. Condición: Good. Original pictorial boards, illustrated with photographs in colour, oblong (circa 30x37cm).

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Oblong 4to, 216pp. Colour illustrations. A very good hardback copy in lightly edgeworn dust jacket.

Hardback. Condición: Good. In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over twenty years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Over the next ten years I researched and photographed the largest oil fields I could find. I went on to make images of refineries, freeway interchanges, automobile plants and the scrap industry that results from the recycling of cars. Then I began to look at the culture of oil, the motor culture, where masses of people congregate around vehicles, with vehicle events as the main attraction. These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. Edward Burtynsky. …

Hardcover. Condición: Used-Very Good. dj. 1st Edition. Cloth, dj. Slight shelf-wear. Otherwise very good condition.

Condición: New. pp. x + 106 88 Figures.

Hardcover. Condición: Acceptable. JUMBO. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condición: New. pp. x + 106.

Hardback. Condición: Good. In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over twenty years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Over the next ten years I researched and photographed the largest oil fields I could find. I went on to make images of refineries, freeway interchanges, automobile plants and the scrap industry that results from the recycling of cars. Then I began to look at the culture of oil, the motor culture, where masses of people congregate around vehicles, with vehicle events as the main attraction. These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. Edward Burtynsky. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Binding unglued on back cover see pic. Otherwise Very good condition. Not Used.

Paperback. Condición: Brand New. 2nd edition. 118 pages. German language. 7.50x5.50x0.25 inches. In Stock.

Condición: New.

Hardback. Condición: New. 1.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condición: New. 1.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. 1st Edition. Colour photo illustration, printed in English and Japanese, the last leaf of publishers details has spelling mistakes "Tronto" for Toronto and Schuber for Schubert" not sure if this is the same throughout, but printed in Kyoto and translated by Akiko Matsumoto (which will explain the problems). Tall slim folio. Measures; 30 x 22.5 cm.…

Hardcover. Condición: Near Fine. Scarce. English and Japanese text. Hardcover, no dust jacket, unpaginated, color illustrations, slight edgewear to covers, quarto, else a nice, clean and near fine copy.

Condición: new.

Hardcover. Condición: new. Hardcover. In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over twenty years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Over the next ten years I researched and photographed the largest oil fields I could find. I went on to make images of refineries, freeway interchanges, automobile plants and the scrap industry that results from the recycling of cars. Then I began to look at the culture of oil, the motor culture, where masses of people congregate around vehicles, with vehicle events as the main attraction. These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. Edward Burtynsky In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over twenty years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Paperback. SIGNED. First edition. A monograph featuring images documenting the construction of the Three Gorges Dam in China and the communities that were demolished in the process. Photographs by Edward Burtynsky; essays by Gary Michael Dault and Lucas Lackner. SIGNED BY BURTYNSKY on the title page; no inscription. 32 pages; 21 color and 2 b&w plates; 13.75 x 11 inches. Biography, exhibitions lists, collections list. Condition: Fine paperback original with a hint of rubbing to the extremities. Ships the next business day, wrapped in padding, in a box.…

Hardcover. First edition, first printing. A documentary look at the effect of oil extraction, refinement, the motor culture and transportation, and what Burtynsky calls the "End of Oil," including images of oil fields, refineries, freeway interchanges, automobile plants, the scrap industry that results from the recycling of cars, vehicle events, and more. The catalogue for a traveling exhibition. Photographs and artist's statement by Edward Burtynsky; essays by Michael Mitchell, William Rees, and Paul Roth. 216 pages; 88 full-page color plates + b&w thumbnails with captions + text illustrations; 15 x 11.5 inches. Biography; exhibition history; bibliography. Condition: Fine clothbound hardcover in a Near Fine dust jacket with one tiny tear and a one-inch indentation, neither of which are easily visible from the recto. All dust jackets are protected by a clear mylar cover. Books ship the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.…