schepers martin (60 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover without dustjacket as issued, 160 pages, in English and German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Erste Auflage. 31,7 x 22,7 cm; 1 Brief (2 Seiten in Umschlag). 108 S., [16 ] unpaginierte Seiten. OKarton mit illustriertem OKlappenumschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogbuch zur gleichnamigen Ausstellung des Künstlers im Kunstverein Recklinghausen, vom 13. September bis zum 24. Oktober 2020. Texte in deutscher und chinesischer Sprache. Beiliegend ein ungeöffneter Brief. Sprache: Deutsch und Chinesisch.

Hardcover. 4to. pp 437. Grey card slipcase. Green typographic dust jacket. Original publisher's green cloth with gilt lettering at spine and front. Fine in near fine dust wrapper.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: gut. Mythological Subjects Achilles to the Graces / Rubens Corpus Rubenianum Ludwig Burchard XI In englischer Sprache. pages.

Condición: gut. Mythological Subjects, Paris to Venus. Corpus Rubenianum Ludwig Burchard, vol. 11.3 Corpus (2 VOLS.) In englischer Sprache. pages.

Buch. Condición: Neu. Neuware - In his works, Martin Schepers investigates what happens when a landscape is transformed into a laboratory for technological, research-related, and also artistic processes. Since 2020, the artist has been working on his project 'Im Lithiumdreieck - Wir verdunsten' (In the lithium triangle - we are evaporating) which addresses one of the most controversial issues of our time: the mining of raw materials and its conditions and consequences. Schepers explores its impact on society, on people and their connection with landscape, and on the landscape itself and its ecosystems.Taking a look behind the scenes of the production of batteries in a transnational and participatory experiment, he artistically examines the mining of lithium in Chile and a German research institute that focuses on lithium as a raw material. By transferring technological and ecological processes into his art, it becomes a medium for making real interrelationships visible. In an impressive way, Schepers calls on us to view landscape as a place in which the Anthropocene manifests itself with all its consequences.

Hardcover with dusjacket, 2 volumes., 944 pages., 362 b/w ill. + 104 colour ill., 175 x 260 mm Languages: English. ISBN 9780905203676. Corpus Rubenianum Ludwig Burchard XI One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. 0 g.

hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867. One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world. 0 g.

First edition. Signed by the author Kurt Albert. Publisher's original pictorial boards. Text in German. Illustrated in colour throughout. A better than very good copy, the binding square and firm with a little rubbing and bumping at the extremities. The contents are clean throughout and without previous owner's marks. Published to accompany the 2005 documentary film about rock climbing in Frankenjura, directed by Hannes Yikes and featuring Kurt Albert, Sepp Gschwendtner, Uli Glawe, John Bachar, Tomas Meier, Michael Kiess and others. Scarce, exceptionally so signed. Signed by Kurt Albert in black marker pen on the blank reverse of the front endpaper (the signature slightly offset to the title page). Kurt Albert (1954-2010), German rock climbing legend, recipient of Germany's highest sporting accolade the Siberne Lorbeerblatt, and inventor of the redpoint (rotpunkt) philosophy. In the early 1970's as free climbing was taking its first tentative steps, Albert painted a simple red dot - a Roter Punkt - at the base of the routes in his Frankenjura home to indicate that the line had been climbed without the use of aid, but entirely free. The rotpunkt style ushered in a revolution in rock climbing and soon came to represent the entire free climbing movement, paving the way for the evolution of modern sport climbing. On September 26, 2010 Albert fell to his death in a climbing accident whilst guiding a group of novices and friends in the Frankenjura region. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Signed by Author(s).

Hardcover without dustjacket as issued, 160 pages, in English and German; as new condition, clean and crisp; inscribed, dated 10/22/04 and signed by Martin Eder on 2nd page with a swirling tornado of lines in blue pen; no other internal marks. Foreign shipping may be extra.

19.5 cm x 6.3 cm x 25.4 cm. Condición: Sehr gut. neubearbeitete und erweiterte. LV, 1025 Seiten Leineneinband in sehr gutem Zustand, innen wie außen nahezu wie neu. Bitte beachten Sie unsere Bilder. PG-O159 Sprache: Deutsch Gewicht in Gramm: 2223.

Condición: gut. Sandsteinfelsen der Vogesen: Sportkletterführer In deutscher Sprache. pages.

Condición: New. In.

Condición: New. In.

Condición: new.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The third volume of Leibniz's philosophical letters documents the critical period when he first disclosed his philosophical system to the general public. This took place in two papers published around 1695, the 'Specimen dynamicum' and the 'Système nouveau,'whose basic theses were a subject of discussion in multiple letters (including Leibniz's correspondence with de Volder and Wagner).; Der dritte Band des philosophischen Briefwechsels umfasst die Jahre von 1695 bis einschließlich 1700. Er dokumentiert damit aus der Perspektive der wissenschaftlichen Korrespondenz jene bedeutende Phase, in der Leibniz, in Vertiefung der Auseinandersetzung mit der cartesianischen Philosophie, bei der Fundierung und Ausformulierung seiner physikalischen und metaphysischen Theorien einen Punkt erreicht, der es ihm ermöglicht, mit seinem nun auch explizit als ein solches bezeichnetem System an die Öffentlichkeit zu treten. Dies geschieht, die enge Verbindung von Kraft- und Substanzbegriff und damit von Dynamik und Metaphysik belegend, in zwei zeitnah 1695 erscheinenden Schriften, dem 'Specimen dynamicum' und dem 'Système nouveau de la nature et de la communication des substances', deren Thesen in mehreren Korrespondenzen (J. Chr. Sturm, Basnage, Cousin, Foucher) intensiv diskutiert werden. Besonders hervorzuheben ist die 1698 beginnende Korrespondenz mit Bucher de Volder, die, thematisch vom Kraft- zum Substanzbegriff übergehend, als eine der wichtigsten Quellen für das Verständnis der entwickelten Metaphysik von Leibniz gelten kann, sowie der ebenfalls im vorliegenden Band beginnende Schriftwechsel mit Gabriel Wagner, in dessen Verlauf Leibniz seinen berühmten Logikbrief zur Verteidigung derselben schreibt. Insgesamt werden neben vielfältigsten Nova Literaria (Nicaise, Fardella, Placcius) zentrale Themenkomplexe der Leibniz'schen Philosophie verhandelt: menschliche Freiheit und Theodizée (Dobrzenski), Cabbala und nichtmechanistische Naturerklärung (F. M. van Helmont), Mathematik und Metaphysik (Schulenburg), Logik und juristische Hermeneutik (Lungershausen), Mathematik und Theologie (H. Horch). Die immer wieder verblüffende Vielfalt der zeitgleich in den verschiedenen Korrespondenzen angesprochenen Themenfelder kommt auch zum Ausdruck, wenn Leibniz im September 1695 Placcius gegenüber betont, '. ich habe so viel Neues in der Mathematik, so viele Gedanken in der Philosophie und so viele andere literarische Beobachtungen ., dass ich oft nicht weiß, was ich zuerst tun soll.' Dass er am Ende des im vorliegenden Band dokumentierten Zeitraums mit den Ergebnissen seiner Arbeit gleichwohl nicht unzufrieden war, belegt eine Äußerung vom 15. Februar 1701, in der er gegenüber Bouvet rückblickend mit Bezug auf seine Philosophie sagt: 'Vous ne sçauries croire, combien j'ay avance la dedans; j'ay des demonstrations en Metaphysique dont on n'a point encor vu de semblables.'.