Schepers martin (62 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover without dustjacket as issued, 160 pages, in English and German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condición: New.

Buch. Condición: Neu. Neuware - In his works, Martin Schepers investigates what happens when a landscape is transformed into a laboratory for technological, research-related, and also artistic processes. Since 2020, the artist has been working on his project 'Im Lithiumdreieck - Wir verdunsten' (In the lithium triangle - we are evaporating) which addresses one of the most controversial issues of our time: the mining of raw materials and its conditions and consequences. Schepers explores its impact on society, on people and their connection with landscape, and on the landscape itself and its ecosystems.Taking a look behind the scenes of the production of batteries in a transnational and participatory experiment, he artistically examines the mining of lithium in Chile and a German research institute that focuses on lithium as a raw material. By transferring technological and ecological processes into his art, it becomes a medium for making real interrelationships visible. In an impressive way, Schepers calls on us to view landscape as a place in which the Anthropocene manifests itself with all its consequences.…

Hardcover. 4to. pp 437. Grey card slipcase. Green typographic dust jacket. Original publisher's green cloth with gilt lettering at spine and front. Fine in near fine dust wrapper.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: gut. Mythological Subjects Achilles to the Graces Rubens Corpus Rubenianum Ludwig Burchard XI In englischer Sprache. pages.

Condición: gut. Mythological Subjects, Paris to Venus. Corpus Rubenianum Ludwig Burchard, vol. 11.3 Corpus (2 VOLS.) In englischer Sprache. pages.

Condición: Gut. Zustand: Gut | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardback. Condición: New.

Hardcover with dusjacket, 2 volumes., 944 pages., 362 b/w ill. + 104 colour ill., 175 x 260 mm Languages: English. ISBN 9780905203676. Corpus Rubenianum Ludwig Burchard XI One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. 0 g.…

hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867. One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world. 0 g.…

First edition. Signed by the author Kurt Albert. Publisher's original pictorial boards. Text in German. Illustrated in colour throughout. A better than very good copy, the binding square and firm with a little rubbing and bumping at the extremities. The contents are clean throughout and without previous owner's marks. Published to accompany the 2005 documentary film about rock climbing in Frankenjura, directed by Hannes Yikes and featuring Kurt Albert, Sepp Gschwendtner, Uli Glawe, John Bachar, Tomas Meier, Michael Kiess and others. Scarce, exceptionally so signed. Signed by Kurt Albert in black marker pen on the blank reverse of the front endpaper (the signature slightly offset to the title page). Kurt Albert (1954-2010), German rock climbing legend, recipient of Germany's highest sporting accolade the Siberne Lorbeerblatt, and inventor of the redpoint (rotpunkt) philosophy. In the early 1970's as free climbing was taking its first tentative steps, Albert painted a simple red dot - a Roter Punkt - at the base of the routes in his Frankenjura home to indicate that the line had been climbed without the use of aid, but entirely free. The rotpunkt style ushered in a revolution in rock climbing and soon came to represent the entire free climbing movement, paving the way for the evolution of modern sport climbing. On September 26, 2010 Albert fell to his death in a climbing accident whilst guiding a group of novices and friends in the Frankenjura region. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Signed by Author(s).…

Hardcover without dustjacket as issued, 160 pages, in English and German; as new condition, clean and crisp; inscribed, dated 10/22/04 and signed by Martin Eder on 2nd page with a swirling tornado of lines in blue pen; no other internal marks. Foreign shipping may be extra.

19.5 cm x 6.3 cm x 25.4 cm. Condición: Sehr gut. neubearbeitete und erweiterte. LV, 1025 Seiten Leineneinband in sehr gutem Zustand, innen wie außen nahezu wie neu. Bitte beachten Sie unsere Bilder. PG-O159 Sprache: Deutsch Gewicht in Gramm: 2223.

Condición: gut. Sandsteinfelsen der Vogesen: Sportkletterführer In deutscher Sprache. pages.

Condición: New. In English.

Condición: New. In English.