Sarah bubb (4 resultados)
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- Primera edición
Librería: David Bunnett Books, London, , Reino UnidoDavid Bunnett Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 57,22
Envío por EUR 24,30Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
SOFTCOVER. Condición: Fine. 1st Edition. Extra Large 4to. in textured and colour printed stiff card covers, unpaginated, approx. 60pp on various types of paper, colour plates, etc. Kogan's exhibition based on documents and photographs related to the WW1 1916 Battle of the Somme. Signed by her on the front cover verso . [CONDITIO…N: An almost AS NEW unmarked copy (faint ghost of price label to front cover) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 62,68
Envío por EUR 65,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. Neuware - This volume offers practical guidance on how to go about performance management. It looks at what performance management means in practice and suggests ways to judge the effectiveness of teaching through analysing children's work.
Editorial: Exit Art New York, NY 1993
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Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de AmericaSpecific Object / David Platzker
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 222,14
Envío por EUR 7,33Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
[80] pp.; 10.3 x 8.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Ruled paged "Pocket Memo" blank book published as announcement in conjunction wtih show held May 1 - June 12, 1993. This is a commercial memo book with a dust jacket added over existing covers, with exhibition inf…ormation serving as the invitation to the show's opening. The Design Show was curated by Jean-Noël Herlin, with research by Karen Bubb, and Sarah Wagner. Invitation and installation design by Papo Colo. Good / Very Good. Wear to top edge of dust jacket verso, and mild wear to jacket overall.
Editorial: Exit Art New York, NY 1993
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Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de AmericaSpecific Object / David Platzker
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 222,14
Envío por EUR 7,33Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herli…n, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.
