santis jorge h (23 resultados)

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. torn dj, some wear, still NICE! Oversized.

Condición: Fine. 40 pp., paperback, NEW!! - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condición: Fair. Acceptable condition. No Dust Jacket A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condición: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

paperback. Condición: Very Good. Minor shelf wear, binding tight, front endpage has a sticker remnant and a personal library embossing, else pages clean and unmarked. SynopsisThis essay by Carol Damian begins in the 1950s with the artist group Los Once [The Eleven Ones] followed by a discussion of the 1959 revolution, and the "Miami Generation" of the 1960s. It continues with coverage of the artistic repression in Cuba during the 1970s, followed by the 1980s, when, according to Damian, Cuban art flourished on the island? following the establishment of the Ministry of Culture and the Instituto Superior del Arte (1976)?and abroad (as Latin American art was becoming more recognized). She states that many of the artists recognized on the island during the ?80s immigrated to the United States at the end of the decade, many to South Florida, where they became the so-called ?Generation of the ?90s.?AnnotationsArt History Professor and art critic Carol Damian has followed closely the work of contemporary Cuban and Cuban-American artists living in Miami. This text accompanied the 1997 exhibition, Breaking Barriers at The Museum of Art, Fort Lauderdale, featuring selections from their collection of contemporary Cuban art. Damian's essay is noteworthy in its description of the consistencies in the wide variety of works produced by the artists included in the exhibition. These artists incorporate the vestiges of Cuban architectural ornamentation, domestic kitsch, and surreal figments of the imagination in their unique quests for identity.

Soft Cover. Condición: Fine. First Edition; First Printing. 25 color plates. With an essay by Giulio V. Blanc. Text in English. Published on the occasion of the exhibition, curated by Jorge H. Santis, at the Museum of Art, Fort Lauderdale, Florida, October 22, 1993 - January 2, 1994. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 40 pages.

Hardcover. Condición: Very Good. Hardcover VG/VG DJEx-college Library Copy, with standard stamps and markings. Gently used with modest show of wear. For Additional Information or pictures, Please Inquire.

Hardbound. Condición: VG/VG. Blue cloth with color illustrated glossy dustjacket. 279 pp. with profuse bw and color plates. William Glackens was one of the most influential American painters in the first decades of the twentieth century. From his beginnings as a witty magazine artist-illustrator in Philadelphia and New York to his participation in the forward-thinking group of artists dubbed The Eight, Glackens was a perceptive interpreter of his surroundings. Glackens, one of the most versatile and popular artists of his time, assimilated the lighthearted modern French themes of spirited cafes and bustling parks and resorts in such canvases as Chez Mouquin (1905) and Sledding, Central Park (1912). An admirer of the more traditional figure painting of the Impressionist Renoir, his name also became closely linked to the modern artists who exhibited their works at the famous Armory Show of 1913, which Glackens helped organize. This important study, the first major monograph on Glackens, includes an insightful essay by Dr. William Gerdts and a complete catalog, introduced by curator Jorge Santis, describing the incomparable holdings of the Glackens Collection of the Museum of Art, Fort Lauderdale, Florida. With a chronology, bibliography, and index, this profusely illustrated volume is sure to become the standard reference on Glackens for historians and collectors of twentieth-century art.

Hardcover. Condición: Used - Very Good. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition. 279 pages. Profusely illustrated. Fine condition in fine dust jacket. (ART16).

Hardcover. Condición: Good. Hardcover lacking dust jacket, 12 by 10 inches, 279 pages, many illustrations. Ex library, from Whitney Museum Library. No clear plastic jacket and I have removed the spine label. Covers have only very slight wear. Apart from a few library marks, the pages are clean. 1/4 inch skinned spot on initial page. I will not ship this book overseas.

Soft cover. Condición: New. New Book minor wear shelf wear ISBN # B0023XVPRO. In English and Spanish. Location: S 28.

Softcover. Condición: Fine. First Edition. 16 pages. Illustrated in color. Preface by Jorge H. Santis. With an essay by Allys Palladino-Craig, Published in conjunction with the exhibition, December 15, 2000 - February 4. 2001. Tight binding, clean and crisp pages. A faint hint of shelf wear to wraps, otherwise As New. Collectible.; 4to - over 9 3/4" - 12" wide.

Hardcover with dustjacket, 280 pages; very good condition, 1-inch tear to dj at upper right corner and dj slightly ruffled at top edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Fort Lauderdale / New York: Museum of Art / Abbeville Press, 1996. 279 pages. 155 illustrations, most in color; essay on Glackens' life and work by Gerdts; essay on this collection by its curator, Jorge Santis; the catalogue section includes full entries on each of the 471 works in the collection as well as b&w thumbnails of each; comprehensive chronology by Holly Hudson with illustrations. This is the artist's collection presented by his son to the Museum of Art in South Florida. A handwritten signed note by Jorge Santis is loosely inserted. First Edition. Cloth. Fine/Fine. Folio. Collection catalogue. Language: ENG. Signed by Author(s).

1. edition. 279 pages, with many illustrations Sprache: Englisch Gewicht in Gramm: 1800 4°, Orig-Cloth, dust jacket, like new.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Couverture rigide. Condición: Bon état. In-4 relié 31,3 cm sur 26,4. 279 pages. Bon état d'occasion. in-4°.

Hardcover. Condición: New.

Paperback. Condición: Brand New. Paperback.Width: 24 cm. Height: 21cm. 218 pages. English text.

Paperback. Condición: New.

Soft Cover. Condición: Good. Selections from the Museum of Art"s. Permanenet Contemporary Cuban Collection. Curated by. Catalog essay by Dr. . Museum of Art. Fort Lauderdale. 1998. De 21x24 cm. Com [iii], 218 págs. Brochado. Ilustrado com fotografias a preto e branco e a cores. Obra bilingue em inglês e em espanhol. Language: Bilingue / Bilingual Location/localizacao: I-105-G-27.