salama roberto (19 resultados)

Original Wraps. Condición: Good. The covers and spine have edge wear, are rubbed a bit, have light soiling and there is some fading around the edges. There is a name and a bookstore information stamped on ffe. The pages have yellowed. Size: 16mo - over 5¾" - 6¾" tall.

Tapa Blanda. Condición: New. Ensayo en el que el autor trata contradicciones y paradojas,y destaca el extraordinario y vigente papel que aún continúa desempeñando Zenón de Elea.Salama publicó anteriormente "Los conjuntos : ensayo lógico-filosófico. 128 Páginas. 170 gr. Libro.

RUSTICA. Condición: Libro nuevo. *¿Qué es una paradoja? ¿Cuándo y cómo aparecen? ¿Tienen solución? ¿Desaparecen, mueren, resucitan, o son inmortales? ¿Es lógico sostener ante un animal que maúlla: "Esto es un gato" y "Esto no es un gato"? Junto al tratamiento de contradicciones y paradojas el autor destaca la vigencia del gran Zenón de Elea 128p.

Cartone. Condición: Aceptable - Buena. Tapa deslucida y hojas amarillentas producto del paso del tiempo. 350 pp. Size: 20 x 14 Cm. Con Sello Anterior Propietario.

First Edition. ~ Rústica original con solapas ~ 349p+4f ~ 20x14x2cm. ~ Papel algo amarillecido, por lo demás, en Muy Buen estado ~ LANGUAGE: Español // We accept PayPal & EU bank transfer in EUROS //.

Broché. Condición: Etat moyen. in-8 Description :190 pp. Couverture sale. Langue : Français Nb de volumes : 1.

Rustica. Condición: Muy Bueno. Estado de la sobrecubierta: Usado.

Rustica. Condición: Muy Bueno. Estado de la sobrecubierta: Usado.

Rústica. Condición: Buen estado. 349 pp.

Tapa Blanda. Condición: Muy Bien. Analisis de "Residencia a tierra", "Canto general", "Los versos del Capitan" y otras obras del gran poeta chileno. 349 Páginas. 450 gr. Libro.

349 páginas., 8vo., rústica.

318 páginas. 8vo., rústica.

Tapa Blanda. Condición: Muy Bien. Exhaustivo ensayo de Salama en la que nos revela al autor de"El inglés de los guesos" y "Los caranchos de la FLorida" ensu estilo gauchesco. 318 Páginas. 410 gr. Libro.

tapa blanda. Condición: 2ª Mano - Con marcas de uso. Estado de la sobrecubierta: 2ª Mano. Biblos. 1999. marca de cello por forro. un parrafo subrayado p. 193. Libro.

Rustica. Condición: Muy Bueno. Estado de la sobrecubierta: Usado.

Rustica. Condición: Muy Bueno. Estado de la sobrecubierta: Usado.

(YYA3) - Buenos Aires - Contiene 349 páginas más índice - Rústico - Algunas hojas poseen pintas de óxido - Tapas levemente desgastadas - Buen estado. paperback.

Encuadernación de tapa dura. Condición: Muy bien. 1ª Edición. Folio & In-8. #1 Oct 1958 - #2 Jan/Feb 1959. (Complete set). Wrappers & #1 Bound in Half brown calf. With the magazine Por, another rostrum of immediate objectives is opened: "an art and a literature that expresses the dramatic reality of the favelas (Villas miseria)". Despite this circumscribed formulation of purposes, Por reflected a wide panorama of the cultural activity of the moment through the works of Carlos Astrada, Leonidas Barletta, Jorge Calvetti, Agustín Cuzzani, Félix Luna, Julio Huasi, Osvaldo Dragún, Aristobulo Echegaray, Norberto Frontini , Martínez Estrada, Roberto Raschella, Lucas Demare; Floreal Mazía published a report to Bernardo Houssay, and Jorge Calvetti presents a singular sample of the creative imagination of Santiago Dabove, extraordinary and almost unpublished Argentine narrator who died in 1952. Provenzano 300. Washington Pereyra T5,p221. CodBos.

Encuadernación de tapa blanda. Condición: Muy bien. In-8 & In-4. #1 Aug 1950 - #84 Mar/Apr 1967. (Lacks #1-2). Wrappers. Something that has always gone unnoticed about this magazine is its literary contests. The stories allow us to revisit the axiological parameters made explicit in the reviews, notes and literary comments of the magazine from a new perspective, capable of illuminating the ways in which this program found forms of realization in creative practice, thus in its #19, of December 1954, the magazine Cuadernos de Cultura, the main cultural dissemination organ of the Argentine Communist Party throughout the 50s and 60s, published, in a special section, the four winning stories of a contest that had been spreading since the middle of that year. The first and second of these stories, titled respectively The Man with the Yellow Shoes and Any Given Morning, received first prize and belong to Alberto Foradori, a frequent contributor to the magazines Notes on Cinema section. ; the third, Los Funes, corresponds to second place and its author is Pedro Herbstein; The last one, by Aisik Liúbaro from Rosario, is titled Dreamer, happy dreamer! and he obtained third place. The jury, made up of some of the most prestigious communist writers and intellectuals: Héctor Agosti, Raúl González Tuñón, Raúl Larra, Luis Gudiño Kramer and Gerardo Pisarello. However, as noted in the introductory note to the stories, Agosti was ultimately unable to take part in the decisions, communicated at a meeting held on September 3 in Rosario, because he had been detained since July 14 of that year. in the Villa Devoto prison, from where he will only be released after the overthrow of Perón. Héctor P. Agosti (Buenos Aires, Argentina on August 20, 1911 - same city on July 29, 1984), whose full name was Héctor Pablo Agosti was an essayist, politician and journalist, who served as secretary of culture of the Party Comunista (Argentina) and wrote under the pseudonyms of Adriano Adriani, Adrián Adriani, Aguirre, Horacio Cárdenas, Hugo Lamel, Pablo Stylo and Hugo Vilanova. He was an author committed to the Marxist left and one of the most relevant intellectuals of the PCA who made the work of the Italian ideologist Antonio Gramsci known in the region. His cultural work is especially remembered for his performance at the head of the journal Cuadernos de Cultura, whose direction he assumed within the few issues of its launch and exercised in the periods 1951 to 1964 and 1967 to 1976. From there Agosti promotes a renewal of the cultural universe Communist and, especially, disseminates the work of Antonio Gramsci and other members of Italian Marxism, whose works were beginning to be published in translations by Editorial Lautaro, linked to the CPA. Agosti translated Gramsci's letters in 1950, and his Prison Notebooks between 1958 and 1962. In his essays on cultural criticism, in which he follows the Gramscian orientation, Agosti sought to link the nineteenth-century Argentine national culture with the communist tradition of his time; Examples of this were his works Echeverría (1951), For a politics of culture (1956), Nation and culture (1959) and The liberal myth (1959). Tarcus p42. B3.